本文選題：朱光潛 + 王陽明　； 參考：《上海師范大學學報(哲學社會科學版)》2010年05期

【摘要】：朱光潛前后期關于"美是主客觀統(tǒng)一"的命題都契合了中國傳統(tǒng)思想,特別是王陽明的"知行合一說"。朱光潛前期主張的"美是物我兩忘而達物我同一"是把"移情說"和"內(nèi)模仿說"結(jié)合在"形象的直覺"這一核心概念下闡述的。而這個"內(nèi)模仿"(指生理的筋肉運動)和"移情"(指心理的知=直覺)恰恰和王陽明的"知行合一說"異曲同工。同樣,朱光潛后期美學思想更強調(diào)美既是主客體同一,同時又是理性和感性的統(tǒng)一。而朱光潛特別把西方啟蒙主義的理性一詞和中國傳統(tǒng)"良知"說看作是一致的,并在此基礎上吸收和消化到他對美的本質(zhì)的論述中。
[Abstract]:Zhu Guangqian's proposition that beauty is the unity of subjectivity and objectivity agrees with the traditional Chinese thought, especially the theory of "combination of knowledge and action" put forward by Wang Yangming.Zhu Guangqian's earlier proposal of "beauty is that I forget both things and achieve the same" is to combine "empathy theory" and "internal imitation theory" with the core concept of "intuition of image".This "internal imitation" and "empathy" are exactly the same as Wang Yangming's theory of unity of knowledge and action.Similarly, Zhu Guangqian's later aesthetic thought emphasizes that beauty is not only the unity of subject and object, but also the unity of reason and sensibility.Zhu Guangqian especially regards the rational word of western enlightenment as consistent with the traditional Chinese "conscience" theory, and on this basis absorbs and digests his exposition on the essence of beauty.
【作者單位】： 安徽大學哲學系;
【基金】：2006年國家社會科學基金項目:“西方美學的中國化——朱光潛美學思想研究”階段性成果(06BZX069)
【分類號】：B83-0

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