本文選題：反思　切入點(diǎn)：20世紀(jì)　出處：《探索與爭鳴》2013年04期

【摘要】：正馬克思主義美學(xué)是馬克思主義的一個(gè)有機(jī)部分。隨著馬克思主義在20世紀(jì)初傳入中國,馬克思主義美學(xué)也隨之在中國落地生根。從那時(shí)起至今的百余年間,盡管傳入到中國來的美學(xué)思潮、理論琳瑯滿目,但它們大多能落地卻不能生根,能生根卻不能發(fā)芽和結(jié)果。唯有馬克思主義美學(xué)以不可阻擋之勢,在中國土地上蓬蓬勃勃地生長,它毫無爭議地成為以往百余年中國美學(xué)的主流。我們把這一現(xiàn)象稱為中國美學(xué)的"主流現(xiàn)象"。
[Abstract]:Marxism aesthetics is an organic part of Marxism. With the introduction of Marxism into China in the early 20th century, Marxist aesthetics took root in China. Although the aesthetic ideas introduced into China are full of theories, most of them can not take root, can take root, but can not sprout and result. Only Marxist aesthetics is irresistible. It has become the mainstream of Chinese aesthetics in the past hundred years, and we call this phenomenon the "mainstream phenomenon" of Chinese aesthetics.
【作者單位】： 上海交通大學(xué)人文學(xué)院;《學(xué)術(shù)月刊》;
【分類號(hào)】：B83-0
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本文編號(hào)：1685172