本文選題：近代　切入點(diǎn)：審美經(jīng)驗(yàn)　出處：《知與行》2016年04期 　論文類(lèi)型：期刊論文

【摘要】：近代審美經(jīng)驗(yàn)理論將審美經(jīng)驗(yàn)與普通的感覺(jué)經(jīng)驗(yàn)區(qū)分開(kāi)來(lái),這種思想在康德美學(xué)思想中得到了強(qiáng)化。從現(xiàn)代的觀點(diǎn)來(lái)看,這種審美經(jīng)驗(yàn)理論存在著很大的缺陷:第一,過(guò)于注重審美經(jīng)驗(yàn)的獨(dú)特性導(dǎo)致了審美活動(dòng)與日常生活的分裂;第二,近代美學(xué)對(duì)審美經(jīng)驗(yàn)的理解是建立在一種心理學(xué)或主觀化的理解之上的,這種審美經(jīng)驗(yàn)理論不符合生活實(shí)踐,既限制了審美活動(dòng)和藝術(shù)活動(dòng)的拓展,也限制了生活審美化、生活藝術(shù)化的可能。因此,在日常生活的基礎(chǔ)上重建審美經(jīng)驗(yàn)理論才符合當(dāng)代審美文化的實(shí)際。
[Abstract]:The modern aesthetic experience theory distinguishes the aesthetic experience from the ordinary feeling experience, this kind of thought has been strengthened in Kant's aesthetics thought. From the modern viewpoint, this kind of aesthetic experience theory has the very big flaw: first, Too much attention to the uniqueness of aesthetic experience leads to the division between aesthetic activities and daily life. Secondly, the understanding of aesthetic experience in modern aesthetics is based on a psychological or subjective understanding. This theory of aesthetic experience does not conform to the practice of life, which not only limits the expansion of aesthetic activities and artistic activities, but also limits the possibility of aestheticization and artistry of life. The reconstruction of aesthetic experience theory on the basis of daily life accords with the reality of contemporary aesthetic culture.
【作者單位】： 黑龍江大學(xué)信息管理學(xué)院;
【分類(lèi)號(hào)】：B83-06

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1 張敏;論約翰·杜威的審美經(jīng)驗(yàn)理論[D];山東師范大學(xué);2011年

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本文編號(hào)：1575885