本文關(guān)鍵詞： 目送 歸鴻 手揮 五弦 嵇康美學思想述評　出處：《美與時代(下)》2013年02期 　論文類型：期刊論文

【摘要】：正長期以來,魏晉風度都是知識分子"人生藝術(shù)化"追求的理想狀態(tài)。在那樣一個文的自覺和人的自覺的時代,社會動亂和禮樂崩壞反倒將人生推向了巔峰狀態(tài)——審美的境界。正如宗白華先生所言:"漢末魏晉六朝是中國政治上最混亂、最苦痛的時代,然而卻是精神上極自由、極解放、最富于智慧、最濃于熱情的一個時代。因此也就是最富有藝術(shù)精神的一個時代……舊禮教的總崩潰、思想和信仰的自由、藝術(shù)創(chuàng)造精神的勃
[Abstract]:For a long time, the demeanor of Wei and Jin dynasties has been the ideal state for intellectuals to pursue "artistry of life". Social unrest and the collapse of etiquette and music pushed life to the peak of the aesthetic state. As Mr. Zong Baihua put it: "the late Han Dynasty, the Wei, the Jin and the six dynasties were the most chaotic and painful times in Chinese politics, but they were extremely free and liberated in spirit." An age in which wisdom and enthusiasm are greatest. Therefore, it is the time of the most artistic spirit. The total collapse of the old ethics, the freedom of thought and belief, the spirit of artistic creation
【作者單位】： 聊城大學文學院;
【分類號】：B83-092
，

本文編號：1546992