本文關鍵詞： 李澤厚 新感性 積淀 內在自然的人化 感官的人化 情欲的人化　出處：《陜西師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：李澤厚是當代中國美學界中比較著名的一位學者,他研究的領域非常廣泛,涉及文學、史學和哲學等諸多領域,并取得卓著成就。他的思想緊跟時代潮流,并被同時代許多人研究。所以對他的關注還是有意義的。 本文從李澤厚對個體生存的思考出發(fā),以他《美學四講》第三章中關于“新感性”問題的論述為基礎,并結合李澤厚其他著述的相關內容,通過對李澤厚“新感性”思想形成的來源的探尋,深入探討了“新感性”思想的基本內容,分析了“新感性”思想的哲學基礎是“內在自然的人化”,“新感性”的建立是積淀說,“新感性”形成的主體要求是“感官的人化”以及“新感性”形成的內在條件是情欲的人化,最后給予“新感性”思想以客觀的評價和其在李澤厚美學思想中應有的地位。 本文的引言主要涉及選題的意義和目的、國內外研究的現(xiàn)狀以及研究方法與內容。 本文的正文主要由四章構成。 第一章是對李澤厚美學思想作一個概要式的敘述。從實踐論到主體性實踐美學再到情本體,李澤厚從歷史發(fā)展的角度,把美學看作是第一哲學。在其思想行進過程中,“新感性”思想越來越被受到重視。同時,美學與藝術形影不離。對李澤厚關于新感性與藝術之間關系的認識的梳理是有必要的。在美學視野下,作為產(chǎn)生美感的“新感性”,與藝術是有內在一致性的。作為人類以及個體的精神性代表的藝術,或說人精神物化的產(chǎn)物——藝術,反映著積淀了的新感性,并反過來又促使新感性的發(fā)展。突出了李澤厚美學思想中對“新感性”在藝術中的重視。 第二章主要介紹李澤厚“新感性”思想的形成�！靶赂行浴彼枷胄纬墒怯衅渖鐣尘昂屠碚撡Y源的。李澤厚緊跟時代潮流,面對社會物質實踐不斷發(fā)展中出現(xiàn)的個體生存問題,李澤厚重新發(fā)掘中國儒道互補的思維模式和心理狀態(tài),結合馬克思主義實踐美學——自然的人化、康德的先驗主義,以及海德格爾對個體生存的思考,意圖說明李澤厚的“新感性”思想是在中西共同影響下而形成的。 第三章主要介紹李澤厚“新感性”思想的基本內容。首先指出“新感性”建立的途徑是積淀說,“新感性”的“新”就在于積淀了社會的、歷史的、實踐的、理性的東西。其次指明“新感性”思想形成的哲學基礎是內在自然的人化。李澤厚說“自然的人化”是馬克思主義關于塑造人性和陶冶審美心靈的一大理論。他吸收了此觀點,對此有所發(fā)揮：它包括外在自然的人化和內在自然的人化兩方面。而內在目然的人化又分為“感官的人化”和“情欲的人化”,前者是“新感性”對主體的要求。后者是“新感性”形成的內在條件。“感官的人化”和“情欲的人化”一起建構著人的心理——情感結構。 第四章主要介紹李澤厚“新感性”思想的意義與影響�！靶赂行浴彼枷氲纳l(fā),是李澤厚緊隨時代步伐對中國美學研究中所出現(xiàn)問題作出的積極努力,為中國美學發(fā)展做出了貢獻。即使有學者質疑,認為李澤厚的“新感性”思想只是一種欣慰式的設想,具體落實到個體現(xiàn)實中又應如何,這只由讀者依自己的素養(yǎng)與經(jīng)驗去理解與體會。這也許受到時代以及李澤厚個人原因吧! 第三部分是結語,指出李澤厚是較早從感性的人及個體存在角度對美學進行研究的學者�？偨Y了他對個體性和個體存在重視的四種情況。最后肯定了李澤厚“新感性”思想的價值,同時也承認了它的缺點,所以“新感性”思想仍需不斷完善,使“新感性”思想的內部結構化,系統(tǒng)化,不僅有學科建設意義,而且對當代個體審美生活與生存也具有指導意義。
[Abstract]:Li Zehou is a contemporary aesthetic circle in China famous scholar, his research field is very broad, including literature, history and philosophy and many other fields, and made remarkable achievements. His thoughts follow the trend of the times, and study many contemporaries. So it is meaningful to his attention.
From the thinking of the individual life of Li Zehou, with his four > third < aesthetic theory of "new sensibility" of the chapter as the foundation, combined with other related contents of Li Zehou works, through exploring the source of the formation of Li Zehou's thought of "new sensibility", explored the basic content of "new sensibility" thought, analyzes the philosophical foundation of "new sensibility" thought is the "inherent" humanization of nature ", the establishment of new sensibility" is the accumulation said, "the main formation of new sensibility" is the requirement of "sensory humanization" and "new sensibility" formed in the human condition is lust, finally give the "new perceptual" to objective evaluation and its rightful place in Li Zehou's aesthetic thought.
The introduction of this paper mainly deals with the significance and purpose of the topic, the status of the research at home and abroad, and the methods and contents of the research.
The main body of this article is composed of four chapters.
The first chapter is an overview of the narrative style of Li Zehou's aesthetic thoughts. From the practice of subjectivity of practice aesthetics to the ontology of emotion, Li Zehou from the perspective of historical development, the aesthetics is regarded as the first philosophy. In the process of thought, the thought of "new sensibility" has got more and more attention. At the same time, aesthetics and the art of shadow. On Li Zehou's understanding about the relationship between new sensibility and art review is necessary. In the aesthetic perspective, as the beauty of "new sensibility", and art is the internal consistency. As the art of human and the spirit of the individual representative, or art product of human spirit materialized that reflects the accumulation of new sensibility, and in turn prompted the development of new sensibility. Highlights the importance of "new sensibility" in the art of Li Zehou's aesthetic thought.
The second chapter mainly introduces the formation of Li Zehou's "new sensibility". The thought of "new sensibility" thought has its social background and theoretical resources. Li Zehou followed the trend, in the face of social substance practice emerging in the development of individual existence, Li Zehou discovered Chinese complementation of Confucianism and Taoism thinking mode and mental state, combined with Marx's practice the humanization of nature aesthetics, Kant's transcendental thinking, and Heidegger to the individual survival, shows the intention of Li Zehou's "new sensibility" is common in Chinese and Western thought under the influence of the formation.
The third chapter mainly introduces the basic content of Li Zehou's thought of "new sensibility". The paper points out that "new ways of perception" is established for the accumulation of "new sensibility", "new" is the accumulation of the social, historical, practical, rational thing. Then pointed out "the philosophical basis of the formation of new sensibility" thought is the humanization of nature. Li Zehou said "humanization of nature" is the Marx doctrine on the shaping of human nature and cultivate a theory of aesthetic mind. He absorbed the point of view, this play: it includes two aspects of external and internal Nature Humanization humanization of nature. While the inner nature humanization is divided into "humanization of the senses" and "lust" humanization, the former is the "new sensibility" of the subject. The latter is the internal conditions of new sensibility "." sensory humanization "and" human flesh "together with the construction of a person's psychological- Emotional structure.
The fourth chapter mainly introduces the influence and significance of Li Zehou's "new sensibility". The thought of "new sensibility" thought and the birth of Li Zehou, keep up with the pace of efforts regarding the research of aesthetic appearance China, contributing to the Chinese aesthetic development. Even some scholars have questioned that Li Zehou's thought is "new sensibility" a relief type idea, specific to the individual reality and how to understand this, and only by readers in literacy and their own experience to understand. This may be the era of Li Zehou and personal reasons!
The third part is the conclusion, it is pointed out that Li Zehou earlier from the perceptual person and individual point of view of aesthetics. Scholars summed up his individual and individual attention. There are four cases finally affirmed Li Zehou's "new sensibility" thought of the value, and that its disadvantages, so the "new sensibility" thoughts still need to continue to improve, so that the "new sensibility" ideology of internal structured, systematic, not only has the significance of discipline construction, but also has guiding significance to the contemporary aesthetic individual life and survival.

【學位授予單位】：陜西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：B83-0

【參考文獻】

相關期刊論文 前2條

1 韓德民;李澤厚與20世紀后半期中國美學[J];安徽師范大學學報(人文社會科學版);2000年01期

2 徐碧輝;;從人類主體性到個體主體性——論李澤厚實踐美學的主體性觀念[J];汕頭大學學報(人文社會科學版);2007年04期

，

本文編號：1546554