本文關(guān)鍵詞： 審美封閉 審美殘缺 審美彌合 審美擴(kuò)張 古代審美意識(shí) 現(xiàn)代美　出處：《西北師大學(xué)報(bào)(社會(huì)科學(xué)版)》1999年03期 　論文類型：期刊論文

【摘要】：審美彌合與審美擴(kuò)張這兩個(gè)概念，是與古代審美意識(shí)的兩個(gè)基本規(guī)定──審美殘缺和審美封閉相對(duì)應(yīng)的。審美殘缺導(dǎo)致古代審美活動(dòng)急近的功利性；審美封閉則表現(xiàn)為高遠(yuǎn)空靈的狀態(tài)。古代美就是在這兩種機(jī)制的調(diào)控下形成的。而審美彌合是指現(xiàn)代審美意識(shí)對(duì)古代審美殘缺的克服，它有能力使善和真在審美特性的閾限內(nèi)轉(zhuǎn)化為美；審美擴(kuò)張則是對(duì)古代審美封閉的突破，，它推動(dòng)審美活動(dòng)向人的內(nèi)外兩個(gè)世界擴(kuò)展，表現(xiàn)為審美限定下的兩極擴(kuò)張。在這種機(jī)制作用下，美的生成展現(xiàn)出與古代不同的歷史特色。
[Abstract]:The two concepts of aesthetic healing and aesthetic expansion are corresponding to the two basic provisions of ancient aesthetic consciousness, that is, aesthetic imperfection and aesthetic closure. Aesthetic closure is manifested as a high and empty state. Ancient beauty was formed under the control of these two mechanisms, and aesthetic healing refers to the overcoming of the defects of ancient aesthetics by modern aesthetic consciousness. It has the ability to transform goodness and truth into beauty within the threshold of aesthetic characteristics, and aesthetic expansion is a breakthrough in the closure of ancient aesthetics, which promotes the expansion of aesthetic activities into the two worlds of man, both inside and outside. Under the action of this mechanism, the formation of beauty shows different historical characteristics from ancient times.
【作者單位】： 青島大學(xué)文學(xué)院!青島２６６０７１
【分類號(hào)】：B83-09

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 鄒華;審美裂變的邏輯復(fù)制[J];西北師大學(xué)報(bào)(社會(huì)科學(xué)版);1995年04期

2 ;[J];;年期

3 ;[J];;年期

4 ;[J];;年期

5 ;[J];;年期

6 ;[J];;年期

7 ;[J];;年期

8 ;[J];;年期

9 ;[J];;年期

10 ;[J];;年期

本文編號(hào)：1523848