本文關鍵詞：論“天地有大美而不言”的美學意蘊　出處：《美術教育研究》2014年11期 　論文類型：期刊論文

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【摘要】："大美不言"是由莊子最早提出的一個美學范疇,它延續(xù)了老子"道法自然"的觀點,認為萬物形態(tài)最高的美源于自然,自然是美的源泉。如果想尋求它,得有脫俗于世、超越自我的精神境界。這樣才能體會到"大美",才能做到"不言"而心中自樂。徐復觀先生認為,莊子的思想"本無心于藝術,卻不期然而然地會歸于今日之所謂藝術精神之上",對中國美學史產(chǎn)生了深遠的影響。
[Abstract]:"Great Beauty does not speak" is an aesthetic category put forward by Chuang Tzu. It continues Laozi's view that the beauty of the highest form of all things originates from nature and that nature is the source of beauty. There must be a spiritual realm which is free from vulgarity and transcends oneself. Only in this way can we realize "great beauty" and enjoy ourselves without saying anything. Mr. Xu Fuguan believes that Chuang Tzu's thought "was not intended for art." However, it will be attributed to the so-called spirit of art today, which has a profound influence on the history of Chinese aesthetics.
【作者單位】： 信陽農(nóng)林學院;
【分類號】：B83-092
【正文快照】： 莊子的整個美學體系都貫穿著“大美”的思想。盡管“大美”有“自然”“樸素”“永恒”等多種含義,但最終仍歸結為一種“澹然無極”“寂漠無為”的自然美品格,蘊涵于“道”中,不可言說、無可演示,亦如老子所說的“道,可道,非常道”�！暗馈睂ζ胀癖妬碚f可能是一種玄之又玄的，

本文編號：1391269