【摘要】：藝術(shù)創(chuàng)作是一個藝術(shù)家表達自己內(nèi)心情感的一種方式，是藝術(shù)家思想情感真實的表現(xiàn)；同時也是藝術(shù)家對現(xiàn)實生活的精心提煉。對于油畫藝術(shù)創(chuàng)作而言不僅要考慮到以上普片因素外，還要考慮到油畫自身——油畫語言的應用。比如點線面的處理，整個畫面色調(diào)的把握，色彩之間的關(guān)系，筆觸的做用和畫面的構(gòu)成等。但作為一個成熟的藝術(shù)家來說，更重要的還是創(chuàng)造、創(chuàng)新和思想的表達。 其實在創(chuàng)作的過程中，往往過程比結(jié)果更使人感興趣。在創(chuàng)作一張作品之前，通常情況下，作者都會畫很多草圖，預設一個最終結(jié)果，但是在你著手畫的過程中，很可能會遇到一些問題，或者產(chǎn)生新的想法，這是不可預知的，在這個過程當中會使你感到許多樂趣，也有可能是煩惱，并使你獲得豐富的經(jīng)驗。 經(jīng)過多次的嘗試、實驗，加上老師的教導，我不在刻意地追求某一種不太適合自己的方式，強行改變自己。慢慢沉下心，，潛心畫畫，不給自己增加額外壓力，心情舒暢，自然而然會形成自的東西，只要堅持走下去，一定會出成果。上面不是說了，我導師買買提老師，嘗試的畫了一張細膩小畫，畫完后，發(fā)現(xiàn)自己不適合那種方式，然后還是回到了自己已形成的表現(xiàn)方式繼續(xù)創(chuàng)作�，F(xiàn)在我不再過分追求大塊面、大筆觸，心潛下來，用自己常用、掌握相對熟練的筆法，認真、慢慢的畫。在色彩、色調(diào)、深入、內(nèi)容和構(gòu)圖方面更加注意。挖掘人物內(nèi)在精神。
[Abstract]:Artistic creation is a way for an artist to express his inner feelings, which is a true expression of the artist's thought and emotion, and also a careful refinement of real life by an artist. For oil painting artistic creation, we should not only consider the above factors, but also consider the application of oil painting itself-oil painting language. Such as point line surface processing, the grasp of the whole picture tone, the relationship between colors, the use of strokes and the composition of the picture. But as a mature artist, it is more important to create, innovate and express ideas. In fact, in the process of creation, the process is often more interesting than the result. Before you create a piece of work, you usually have a lot of sketches, and a final result, but it's unpredictable that you're going to have some problems or new ideas in the process of doing it. In the process, you will have a lot of fun, possibly annoyance and experience. After many attempts, experiments, and the teacher's teaching, I do not deliberately pursue a way not very suitable for their own, forced to change themselves. Slowly sink down, concentrate on painting, do not add additional pressure to oneself, the mood is comfortable, naturally will form from things, as long as stick to walk, will certainly produce results. I did not say that my tutor bought a teacher, tried to draw a fine small painting, after painting, found that they do not fit in that way, and then returned to their own formed way of expression to continue to create. Now I no longer excessively pursue large face, big strokes, heart down, with their common use, master the relatively skilled strokes, serious, slow painting. Pay more attention to color, tone, depth, content and composition. Excavate the inner spirit of the character.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前1條

1 劉曉東;兒童的本能與兒童的教育[J];學前教育研究;2000年02期

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