【摘要】：繪畫時間性的提出,源于結合當下藝術環(huán)境對過去類似“空間藝術”,“時間藝術”這種文類法規(guī)的反思�！皶r間性”如今已變成一個日益重要的概念被藝術家以視覺的方式進行呈現(xiàn)。其實繪畫作為一種重要的視覺藝術表現(xiàn)形式,其自身無論是以表達時間觀念的內容為目的,還是以時間性的方式去進行呈現(xiàn),時間這一概念一直根植于其本體之中。藝術品與人類經驗中所有的物品一樣都是時空結構,我們要去理解的是它的時空的構造,而不是給它貼上時間或空間的標簽。本文共分四個部分來論述繪畫中時間性這一問題。第一部分簡介了古埃及和歐洲工業(yè)革命之前的繪畫以“時間觀念”表達為內容的創(chuàng)作方式。第二部分結合歐洲各個時期的社會經濟人文背景,論述了從十九世紀學院派繪畫到二十世紀現(xiàn)代主義繪畫中“時間性”在創(chuàng)作過程里作為表現(xiàn)手段的呈現(xiàn)方式。其中著重分析了萊辛與亨利·伯格森兩人的理論,并討論了這些理論對繪畫藝術中“時間性”表現(xiàn)形式的影響。第三部分以勞申伯格與森·山方兩位藝術家為代表探討了時間性概念在當代藝術中的運用。最后一部分通過中國古代山水畫畫論結合名家作品論證了中國古代山水畫中“時空一體”的特點。全文通過對中西方繪畫中時間性因素的分析,看到其發(fā)展的脈絡,并從這些脈絡的梳理中得出結論——繪畫藝術發(fā)展史是一個其自身逐步在表現(xiàn)形式上突破時空壁壘的過程史。
[Abstract]:The time of painting comes from the reflection of the laws and regulations of the past such as "space art" and "time art" combined with the present artistic environment. Temporality has now become an increasingly important concept presented visually by artists. In fact, as an important form of visual art, painting itself, whether to express the content of the concept of time for the purpose, or in the way of time to present, the concept of time has been rooted in its ontology. Art, like all things in human experience, is a structure of time and space, and what we need to understand is the structure of time and space, not the label of time or space. This article is divided into four parts to discuss the problem of timeliness in painting. In the first part, the author briefly introduces the way of painting before the industrial revolution in ancient Egypt and Europe, in which the concept of time was expressed as the content. The second part combines the social economic and humanistic background of every period in Europe, and discusses the presentation of "time" as a means of expression in the process of creation from academic painting in the nineteenth century to modernism painting in the 20th century. The theories of Lessing and Henry Bergson are analyzed, and the influence of these theories on the expression of "time" in painting art is discussed. In the third part, the author discusses the application of the concept of time in contemporary art. In the last part, the author demonstrates the characteristics of "time and space integration" in ancient Chinese landscape painting by combining the painting theory of ancient Chinese landscape painting with the works of famous writers. Based on the analysis of the temporal factors in Chinese and western painting, the author finds out the development of painting and draws the conclusion that the history of painting art development is a process of breaking through the barrier of time and space gradually in the form of expression.
【學位授予單位】：西安美術學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205
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本文編號：2307487