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以“春”為例談形象與色彩在我作品中的表達

發(fā)布時間:2018-11-03 07:39
【摘要】:新的歷史背景下,中國水墨人物畫的發(fā)展有著前所未有的包容性。首先,傳統(tǒng)中國水墨人物畫自身具有一套完整而獨立的藝術表現(xiàn)體系,因而對當代中國水墨人物畫一直有著深遠的影響。其次,社會環(huán)境的變化、知識文化的交融,個性化的表達方式日益豐富,風格也呈現(xiàn)出更加鮮明和多樣化的特點,中國水墨人物畫的發(fā)展面臨著各種各樣的可能性。身處當下,在繼承傳統(tǒng)、開拓創(chuàng)新、表現(xiàn)自我的道路上摸索前進,面臨著更多的挑戰(zhàn)。本文以“春”為研究課題,在形象與色彩方面進行探索為目的,以表現(xiàn)春天為主線,運用更加符合自我意識的方法進行創(chuàng)作。對畫“春”的動機、選擇、表達上進行了梳理和闡述。全文在寫作邏輯上,首先簡要說明了畫“春”的原因,既有自然中春天帶來的直觀感受,又有心目中春天賦予的感情色彩。其次,通過立意、構圖兩方面闡述了對表現(xiàn)“春”的選擇,為創(chuàng)作定下大的基調(diào)格局。再次,主要詳細的分析了形象以及色彩在我作品中的表達運用,闡述了個人對表現(xiàn)春天的理解和認識,并通過具體作品的詳細分析,解釋了個人在創(chuàng)作中的運用和實踐,根據(jù)實踐得到更進一步的經(jīng)驗積累。最后,概括了對表現(xiàn)“春”的意境的追求。結(jié)語部分是對整篇論文進行總結(jié),以及闡述通過創(chuàng)作得到的進一步思考和感悟。
[Abstract]:Under the new historical background, the development of Chinese ink figure painting has unprecedented inclusiveness. First of all, the traditional Chinese ink figure painting itself has a complete and independent artistic performance system, so it has a profound impact on contemporary Chinese ink figure painting. Secondly, the change of social environment, the blending of knowledge and culture, the increasingly rich expression of individuation, the more distinctive and diversified style, the development of Chinese ink figure painting is facing a variety of possibilities. In the present, in the inheritance of tradition, innovation, performance on the road of groping forward, facing more challenges. The purpose of this paper is to study "Spring", to explore the image and color, to express spring as the main line, and to use more self-conscious methods to create. The motive, choice and expression of the painting "Spring" are combed and expounded. In the logic of writing, the paper first briefly explains the reason of the painting "Spring", not only the intuitive feeling brought about by spring in nature, but also the emotional color endowed by spring in mind. Secondly, through the idea, the composition two aspects elaborated to the performance "spring" the choice, has set the big tone pattern for the creation. Thirdly, it mainly analyzes the expression and application of image and color in my works, expounds the individual's understanding and understanding of the performance of spring, and explains the application and practice of individual in the creation through the detailed analysis of the concrete works. Gain further experience according to practice. Finally, it summarizes the pursuit of the artistic conception of "Spring". The conclusion part is a summary of the whole paper, as well as further thinking and understanding through creation.
【學位授予單位】:山東師范大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J212

【參考文獻】

相關期刊論文 前2條

1 李艷;;對陸游《釵頭鳳》認知域的解讀[J];管理工程師;2012年06期

2 張幼良;;從對春秋意象的偏愛看晏歐詞風差異[J];常熟理工學院學報;2010年07期

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本文編號:2307138

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