【摘要】：“長安畫派”是中國當(dāng)代山水畫領(lǐng)域具有重要突破的一個(gè)繪畫流派。自上個(gè)世紀(jì)四五十年代成立以來涌現(xiàn)出眾多卓有成就的山水畫家。方濟(jì)眾先生就是其中一位具有明顯個(gè)人風(fēng)貌的代表畫家之一。方濟(jì)眾繼承了“長安畫派”“不斷探索”的精神,汲取了趙望云、石魯?shù)热说乃囆g(shù)營養(yǎng),通過自己不斷的嘗試和錘煉,結(jié)合自身豪邁大氣氣質(zhì)修養(yǎng),完成了從關(guān)注社會(huì)到關(guān)注自我精神的轉(zhuǎn)型。他在山水畫上的突破當(dāng)代中國畫的發(fā)展做出了重要的貢獻(xiàn)。他的藝術(shù)之路,既體現(xiàn)了一個(gè)藝術(shù)家的“道義擔(dān)當(dāng)”,也體現(xiàn)了一個(gè)藝術(shù)家孜孜以求的探索精神。他的繪畫不拘泥于一棵樹,一灣水的細(xì)致勾勒,而是注重于把握畫面整體的氣象,呈現(xiàn)出一種質(zhì)樸、清新、醇厚的詩意之美。方濟(jì)眾富有傳統(tǒng)文化學(xué)養(yǎng),善于學(xué)習(xí),眼界開闊,在鉆研傳統(tǒng)的同時(shí),還學(xué)習(xí)西畫之長,又吸收民間藝術(shù)的營養(yǎng),加上扎實(shí)的書法功底,使他的繪畫藝術(shù)取得了不凡的成就,尤其是晚年的色墨混用技法運(yùn)用爐火純青,“潑墨”與“潑彩”的結(jié)合使畫面色墨交融,酣暢淋漓,既有傳統(tǒng)寫意畫的韻味,又富有新時(shí)代山水畫的氣息。他在傳統(tǒng)中國畫色彩的運(yùn)用上,吸收各種畫種之長進(jìn)行了大膽探索與嘗試,給我們從事美術(shù)工作的后輩很多的啟示。本文從方濟(jì)眾繪畫中色墨混用技法藝術(shù)實(shí)踐對(duì)當(dāng)代山水畫的影響入手,探尋方濟(jì)眾的藝術(shù)風(fēng)格及其山水畫的特色,探討方濟(jì)眾的山水畫對(duì)后世的貢獻(xiàn)及影響。
[Abstract]:Chang'an painting School is an important breakthrough in the field of Chinese contemporary landscape painting. Since its establishment in the 1940s and 1950s, numerous successful landscape painters have emerged. Mr. Franciscans is one of the representative painters with obvious personal features. After inheriting the spirit of "Chang'an painting School" and "constantly exploring" and drawing on the artistic nourishment of Zhao Wangyun, Shi Lu, and others, the Fang Jiong continued to try and train through their own efforts, combining with their heroic atmosphere temperament cultivation. Completed the transformation from paying attention to the society to paying attention to self-spirit. His breakthrough in landscape painting contemporary Chinese painting development made important contributions. His artistic road not only embodies an artist's "moral responsibility", but also embodies an artist's spirit of exploration. His paintings are not confined to a tree, a bay of water, but focus on grasp the overall picture of the atmosphere, showing a simple, fresh, mellow poetic beauty. They are rich in traditional culture, are good at learning, and have broad horizons. While studying the tradition, they also learn the merits of Western painting and absorb the nourishment of folk art. Together with his solid calligraphy skills, he has made remarkable achievements in his painting art. The combination of "splashing ink" and "splashing color" makes the picture color and ink blend, which has the charm of traditional freehand brushwork and the flavor of landscape painting of the new era. In the use of traditional Chinese painting color, he absorbed the advantages of various painting species for bold exploration and attempt, and gave us a lot of inspiration in the art work. This article starts with the influence of the art practice of mixed color and ink on the contemporary landscape painting, probes into the artistic style and the characteristics of the landscape painting, and probes into the contribution and influence of the landscape painting of the Fang Ji crowd to the later generations.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J212

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本文編號(hào)：2292767