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中國傳統(tǒng)壁畫對現(xiàn)代墻體彩繪藝術的影響

發(fā)布時間:2018-10-24 21:15
【摘要】:中國傳統(tǒng)壁畫藝術有著悠久的歷史和輝煌的成就,是中華民族勤勞和智慧的結晶,更是世界藝術領域的重要組成部分,并在世界上享有盛譽。其中史前巖畫、石刻壁畫和重彩壁畫對現(xiàn)代墻體彩繪藝術有著極為重要的影響。不同的時代孕育出形態(tài)各異的文化,壁畫藝術可以說是中國美術史上最古老的繪畫形式。最早可追溯到原始時代的洞穴壁畫。壁畫泛指建筑物內外的墻壁上繪制的各種繪畫作品,狹義上是指各類壁面裝飾。那么現(xiàn)代墻體彩繪藝術和傳統(tǒng)壁畫之間究竟存在什么樣的關系呢? 中國傳統(tǒng)壁畫的發(fā)展歷程主要經(jīng)歷了四個時期:1、準備——原始社會時期;2、萌芽——奴隸社會時期;3、繁榮——封建社會時期;4、沒落——近代社會時期。我國近代的壁畫發(fā)展水平一直落后于西方,直到改革開放以后,中國當代的壁畫藝術才開始蓬勃發(fā)展開來。中西方傳統(tǒng)壁畫由于在地理環(huán)境、氣候狀況、水文條件、民族構成、宗教信仰、社會意識形態(tài)以及人類發(fā)展歷程等方面各不相同,由此導致了其傳統(tǒng)壁畫在材質、功能、藝術語言以及審美趣味等方面的差異性。 工業(yè)革命以來,西方迅速進入了工業(yè)社會,科學技術和社會生產力得到了空前的發(fā)展,影響了社會生活的各個方面。繪畫藝術得益于繪畫材料的發(fā)展、工具的改進以及繪畫理論的新發(fā)現(xiàn)也有了新的發(fā)展,并且呈現(xiàn)出了新的特點,F(xiàn)代繪畫藝術的發(fā)展由此給予了中國傳統(tǒng)壁畫前所未有的沖擊,這主要體現(xiàn)在繪畫材料和審美意象兩個方面,也因此帶來了嚴重的后果(導致了傳統(tǒng)的遺失和盲從的心理)和新的發(fā)展機遇。任何事物的發(fā)展都具有兩面性,我們要以良好的心態(tài)迎接現(xiàn)代繪畫藝術對中國傳統(tǒng)壁畫的沖擊,抓住機遇,尋求發(fā)展。 現(xiàn)代墻體彩繪藝術繼承和發(fā)展了中國傳統(tǒng)壁畫的一些精華,使得墻體彩繪藝術在構圖形式上更加豐富多彩,在繁簡對比上的運用上更得心應手。墻體彩繪繪畫的技巧與工藝、符號和語言更是有了新的突破。墻體彩繪的風格形態(tài)方面,從封閉的風格逐步走向開放,其裝飾風格形態(tài)也經(jīng)歷了從線描到涂繪再到線描的循環(huán)。 總之,墻體彩繪發(fā)展過程的每一個階段都或多或少受到了傳統(tǒng)壁畫的影響,本文的主要目的就是通過揭示這種影響找出某些關聯(lián)來更好的引導其發(fā)展。
[Abstract]:Chinese traditional mural art has a long history and brilliant achievements, is the crystallization of the Chinese nation's industry and wisdom, and is an important part of the world's art field, and enjoys a high reputation in the world. Among them, prehistoric rock paintings, stone murals and heavy color murals have an extremely important influence on modern wall painting art. Different times give birth to different forms of culture, mural art can be said to be the oldest painting form in the history of Chinese art. Cave murals dating back to primitive times. Mural paintings refer to all kinds of paintings drawn on the walls inside and outside buildings, and all kinds of wall decoration in a narrow sense. So what is the relationship between modern wall painting art and traditional murals? The development course of Chinese traditional murals mainly experienced four periods: 1, preparation-primitive society period; 2, germinating-slave society period; 3, prosperity-feudal society period; 4, decline-modern society period. The development level of murals in modern China has lagged behind that of the West, until after the reform and opening up, the contemporary mural art in China began to flourish. Chinese and Western traditional murals are different in geographical environment, climate, hydrology, ethnic composition, religious belief, social ideology and human development process, which lead to their traditional murals' material and function. Differences in artistic language and aesthetic taste. Since the Industrial Revolution, the West has rapidly entered the industrial society, science and technology and social productive forces have been unprecedented development, affecting all aspects of social life. Painting art benefits from the development of painting materials, the improvement of tools and the new discovery of painting theory. As a result, the development of modern painting art has given Chinese traditional murals an unprecedented impact, which is mainly reflected in the two aspects of painting materials and aesthetic images. As a result, there are serious consequences (resulting in traditional loss and blindness) and new development opportunities. There are two sides to the development of everything. We should welcome the impact of modern painting art on Chinese traditional murals, seize the opportunity and seek for development. The modern wall painting art inherits and develops some essence of Chinese traditional mural painting, which makes the wall painting art more colorful in composition form and more handy in the application of complex and simple comparison. Wall painting techniques and techniques, symbols and language is a new breakthrough. In the aspect of style and form of wall painting, from closed style to open gradually, its decorative style form has also experienced the cycle from line drawing to painting and then to line drawing. In short, each stage of the development of wall painting is more or less affected by the traditional murals. The main purpose of this paper is to find out some connections through this influence to better guide its development.
【學位授予單位】:武漢理工大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J218.6;J205

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