現(xiàn)代插畫藝術(shù)的無界化研究
發(fā)布時間：2018-09-19 08:05
【摘要】：社會飛速發(fā)展到今天，插畫藝術(shù)已經(jīng)不再是單純作為輔助文字的形式出現(xiàn)，它的載體也不僅僅是書籍或報紙雜志。插畫可以說已經(jīng)成為了一門獨立的跨學科專業(yè)，在藝術(shù)和商業(yè)的領(lǐng)域中大放光彩。隨著工業(yè)時代的來臨，印刷技術(shù)的出現(xiàn)使插畫藝術(shù)的發(fā)展進行了一場很大的變革，插畫的傳播變的更為便利和廣泛。而攝影技術(shù)的出現(xiàn)使插畫面臨了一段時期的蕭條，照片逐漸替代了插畫在雜志書籍中的地位。但在經(jīng)歷了攝影圖片占領(lǐng)雜志廣告的時代之后，人們不再滿足于那些現(xiàn)實精準的圖片，從而對現(xiàn)代插畫有了更多的期待和要求。如今，人們對于插畫藝術(shù)的興趣正在全面復蘇。插畫既不是單純的藝術(shù)，也不是廣泛意義上的平面設(shè)計。90年代中后期隨著電腦技術(shù)的普及，更多使用電腦進行插畫設(shè)計的新銳作者涌現(xiàn)，軟件和手繪板結(jié)合使用，使得數(shù)碼插畫能夠高效率生產(chǎn)跟上市場的需求，而效果也逼近手繪插畫。而現(xiàn)代插畫的表現(xiàn)形式也不僅僅是二維平面的了，甚至于三維、四維。現(xiàn)代插畫藝術(shù)不再局限于書本、雜志、廣告等平面媒介，在網(wǎng)絡(luò)甚至于空間環(huán)境中都可以看見插畫的“身影”。插畫表現(xiàn)手法也變的多種多樣，從傳統(tǒng)手繪向數(shù)碼藝術(shù)發(fā)展，還出現(xiàn)攝影、拼貼、立體化，混搭等表現(xiàn)形式，在大家都追求個性化的今天，插畫這一藝術(shù)形式深受廣大愛好者們的喜愛。 插畫藝術(shù)的應(yīng)用領(lǐng)域也變的更為廣闊，它所能夠帶來的藝術(shù)價值和商業(yè)價值是不可限量的。在后工業(yè)社會文化背景下，我們的社會成為了一個信息大爆炸的非物質(zhì)社會，人們開始追求藝術(shù)化的生活方式，在此之下蘊育出了品牌與插畫家的跨界合作，同時越來越多的藝術(shù)家圍繞著插畫作品展開一系列的活動，生產(chǎn)周邊產(chǎn)品，逐漸形成相對獨立的產(chǎn)業(yè)。這些插畫師由插畫形象開發(fā)獨立商品，建立以插畫形象為基礎(chǔ)的獨立品牌。沒有材料限制，沒有手法限制，沒有媒介限制，現(xiàn)代插畫以其包容性、大眾性和靈活性將各個學科無界限化的融合在一起，經(jīng)過不斷變化發(fā)展，已形成形式多樣且風格鮮明的視覺形式，達到傳遞信息以及勸說、告知、教育和娛樂大眾的目的。在當今復雜多變卻又開放的社會環(huán)境中，作為最直接和最具表現(xiàn)力的藝術(shù)形式之一，插畫將藝術(shù)與商業(yè)緊密結(jié)合在一起。在這樣一個文化碰撞，技術(shù)高度發(fā)展的時代，插畫己經(jīng)突破原有的樣式，發(fā)展成新興的藝術(shù)形式并影響著我們的生活文化，而各類媒介的出現(xiàn)讓插畫的發(fā)展達到了一個新的高度。 本文提出了一個插畫“無界化”的概念，通過對于現(xiàn)代插畫與傳統(tǒng)插畫的對比，從現(xiàn)代社會的文化、經(jīng)濟、政治背景深入研究插畫，分析研究現(xiàn)代插畫從功能、創(chuàng)作思維、藝術(shù)特征、應(yīng)用等方面的新特點，來闡述插畫這一藝術(shù)形式在當今社會中的作用、藝術(shù)價值、商業(yè)價值。指出目前為何會出現(xiàn)插畫無界化的現(xiàn)象，分析并提出這一現(xiàn)象帶來的新氣象，并且對插畫的發(fā)展趨勢進行了分析和展望。對插畫和插畫教育今后的發(fā)展方向進行預測，為了迎合時代的發(fā)展，現(xiàn)代插畫藝術(shù)培養(yǎng)應(yīng)自成一派，啟用跨學科的學習模式，使用建構(gòu)式的學習方法，不斷創(chuàng)新，打破固有思維，培養(yǎng)現(xiàn)代社會所需要的專業(yè)插畫人才。插畫不再是依附于平面設(shè)計下的一個分支，也不是為藝術(shù)界所“不恥”的一門藝術(shù)類別。中國現(xiàn)代插畫將出現(xiàn)表現(xiàn)方式無界化，傳播媒介無界化，，各個領(lǐng)域與插畫藝術(shù)家跨界合作的共同發(fā)展新時代。
[Abstract]:With the rapid development of society today, illustration art is no longer a mere form of auxiliary writing, and its carrier is not only books or newspapers and magazines.Illustration has become an independent interdisciplinary profession, in the arts and commercial fields of great brilliance.With the advent of the industrial age, the emergence of printing technology. The development of illustration art has undergone a great change, and the spread of illustration has become more convenient and widespread. The emergence of photography technology makes illustration face a period of depression. Photography gradually replaces illustration in magazines and books. Nowadays, people's interest in illustration art is reviving. Illustration is neither simple art nor graphic design in a broad sense. With the popularization of computer technology in the mid and late 1990s, more and more people use computers to design new illustrations. The emergence of cutting-edge authors and the combination of software and hand-drawn boards have enabled digital illustrations to be produced efficiently to meet the needs of the market, and the effect is close to hand-painted illustrations. The network and even the space environment can see the illustration of the "figure". Illustration has become a variety of ways of expression, from traditional hand-painted to digital art development, but also photography, collage, three-dimensional, mix and other forms of expression, in everyone's pursuit of individualization today, illustration this art form by the majority of fans love.
The application field of illustration art has become broader, and the artistic and commercial value it can bring is limitless. Under the background of post-industrial society and cultural background, our society has become a Non-material Society of information explosion, and people begin to pursue artistic life style. Under this background, brand and illustrator have been bred. At the same time, more and more artists carry out a series of activities around illustrations to produce peripheral products and gradually form a relatively independent industry. Modern illustration, with its inclusiveness, popularity and flexibility, integrates various disciplines without boundaries. Through constant change and development, it has formed a variety of visual forms with distinct styles, which can convey information and persuade, inform, educate and entertain the masses. In today's complex and changeable but open social environment, as One of the most direct and expressive forms of art, illustration combines art with commerce closely. In such an era of cultural collision and highly developed technology, illustration has broken through the original style, developed into a new art form and influenced our life and culture, and the emergence of various media so that the development of illustration to achieve. A new height.
This paper puts forward the concept of "unbounded" illustration, through the comparison between modern illustration and traditional illustration, from the cultural, economic and political background of modern society in-depth study of illustration, analysis and study of modern illustration from the function, creative thinking, artistic characteristics, application and other aspects of the new characteristics, to elaborate the illustration of this art form in today's society. The role of the meeting, artistic value, commercial value. Points out why there is an unbounded phenomenon of illustration, analyzes and puts forward the new climate brought about by this phenomenon, and analyzes and prospects the development trend of illustration. Predicts the future development direction of illustration and illustration education, in order to meet the development of the times, modern illustration art. It is no longer a branch attached to graphic design, nor an art category "unscrupulous" for the art community. Modern Chinese illustrators will There is a new era of unbounded expression, unbounded media, and cross-border cooperation between various fields and illustrators.
【學位授予單位】：上海師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J218.5
本文編號：2249529
[Abstract]:With the rapid development of society today, illustration art is no longer a mere form of auxiliary writing, and its carrier is not only books or newspapers and magazines.Illustration has become an independent interdisciplinary profession, in the arts and commercial fields of great brilliance.With the advent of the industrial age, the emergence of printing technology. The development of illustration art has undergone a great change, and the spread of illustration has become more convenient and widespread. The emergence of photography technology makes illustration face a period of depression. Photography gradually replaces illustration in magazines and books. Nowadays, people's interest in illustration art is reviving. Illustration is neither simple art nor graphic design in a broad sense. With the popularization of computer technology in the mid and late 1990s, more and more people use computers to design new illustrations. The emergence of cutting-edge authors and the combination of software and hand-drawn boards have enabled digital illustrations to be produced efficiently to meet the needs of the market, and the effect is close to hand-painted illustrations. The network and even the space environment can see the illustration of the "figure". Illustration has become a variety of ways of expression, from traditional hand-painted to digital art development, but also photography, collage, three-dimensional, mix and other forms of expression, in everyone's pursuit of individualization today, illustration this art form by the majority of fans love.
The application field of illustration art has become broader, and the artistic and commercial value it can bring is limitless. Under the background of post-industrial society and cultural background, our society has become a Non-material Society of information explosion, and people begin to pursue artistic life style. Under this background, brand and illustrator have been bred. At the same time, more and more artists carry out a series of activities around illustrations to produce peripheral products and gradually form a relatively independent industry. Modern illustration, with its inclusiveness, popularity and flexibility, integrates various disciplines without boundaries. Through constant change and development, it has formed a variety of visual forms with distinct styles, which can convey information and persuade, inform, educate and entertain the masses. In today's complex and changeable but open social environment, as One of the most direct and expressive forms of art, illustration combines art with commerce closely. In such an era of cultural collision and highly developed technology, illustration has broken through the original style, developed into a new art form and influenced our life and culture, and the emergence of various media so that the development of illustration to achieve. A new height.
This paper puts forward the concept of "unbounded" illustration, through the comparison between modern illustration and traditional illustration, from the cultural, economic and political background of modern society in-depth study of illustration, analysis and study of modern illustration from the function, creative thinking, artistic characteristics, application and other aspects of the new characteristics, to elaborate the illustration of this art form in today's society. The role of the meeting, artistic value, commercial value. Points out why there is an unbounded phenomenon of illustration, analyzes and puts forward the new climate brought about by this phenomenon, and analyzes and prospects the development trend of illustration. Predicts the future development direction of illustration and illustration education, in order to meet the development of the times, modern illustration art. It is no longer a branch attached to graphic design, nor an art category "unscrupulous" for the art community. Modern Chinese illustrators will There is a new era of unbounded expression, unbounded media, and cross-border cooperation between various fields and illustrators.
【學位授予單位】：上海師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J218.5
【參考文獻】
相關(guān)期刊論文 前1條
1 韓笑;;論哥特電影造型[J];裝飾;2009年11期
本文編號：2249529
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