【摘要】：飛天是佛教藝術(shù)中一種獨特的形象,她們的輕盈體態(tài)、流利舞姿深深吸引著大眾的視線；盡管在佛教經(jīng)典中并無對飛天的詳細文字記錄,但飛天的優(yōu)雅身姿卻在佛教藝術(shù)中頻繁出現(xiàn)。飛天這一形象伴隨著佛教藝術(shù)傳入中國之后,在今天的新疆地區(qū)到敦煌、河西地區(qū),或者是中原地區(qū)的石窟造像及壁畫中都可以看到飛天形象的出現(xiàn)。 時代的腳步不曾停留,傳統(tǒng)工筆人物畫也隨著時間推移發(fā)生了巨大變化,由原來的單一輪廓演變到兼具審美、裝飾及寫意特性的形式,如何在傳承傳統(tǒng)藝術(shù)的基礎(chǔ)上尋求其突破點及創(chuàng)新性是值得我們思考的。壁畫飛天這種繪畫藝術(shù)表現(xiàn)形式所具備的實用性及豐富性、寫實及雄渾精神、以及在表現(xiàn)手法上兼收并蓄的態(tài)度,也可以漸漸地被融入到現(xiàn)代藝術(shù)表現(xiàn)手法中,甚至是現(xiàn)代工筆人物畫的藝術(shù)表現(xiàn)中。隨著時間的推移,人們審美意識的不斷演化更新,雖然這種藝術(shù)表現(xiàn)形式已漸漸被歷史侵蝕,然而在保留原有繪畫的基礎(chǔ)上,卻更增加了歷史的印跡,呈現(xiàn)出豐富的色彩及多變的肌理效果。筆者試圖將其豐富的藝術(shù)元素融入現(xiàn)代繪畫藝術(shù)表現(xiàn)當中,特別是在現(xiàn)代工筆人物畫的創(chuàng)作中。在對現(xiàn)代工筆人物畫的創(chuàng)新具有極其深刻的借鑒意義。
[Abstract]:Flying in the sky is a unique image in Buddhist art. Their lightness and fluency attract the attention of the public, although there is no detailed written record of the flying sky in the Buddhist scriptures. But the graceful posture of flying sky appears frequently in Buddhist art. With the introduction of Buddhist art into China, Feitian image can be seen in the cave statues and murals from Xinjiang to Dunhuang, Hexi and Central Plains. The pace of the times has not stopped, the traditional meticulous figure painting has also undergone great changes with the passage of time, from the original single outline to a combination of aesthetic, decorative and freehand brushwork characteristics of the form, How to seek its breakthrough point and innovation on the basis of inheriting traditional art is worth our consideration. The practicality and richness of the artistic form of frescoes, realism and vigour, as well as an attitude of eclectic expression in the technique of expression, can also gradually be incorporated into the modern artistic expression. Even in the artistic expression of modern meticulous figure painting. With the passage of time, people's aesthetic consciousness is constantly evolving and renewing. Although this art form has gradually been eroded by history, but on the basis of preserving the original painting, it has increased the historical imprinting. Presents the rich color and the changeable texture effect. The author tries to integrate its rich artistic elements into the artistic expression of modern painting, especially in the creation of modern meticulous figure painting. It is of great significance to the innovation of modern meticulous figure painting.
【學位授予單位】：中國美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212

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相關(guān)期刊論文 前2條

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