“一筆一世界”—試析薩金特之繪畫理念
發(fā)布時間：2018-07-22 13:20
【摘要】：約翰·辛格爾·薩金特(John Singer Sargent,1856-1925)是19世紀末、20世紀初活躍于歐美畫壇,頗具代表性的一位優(yōu)秀的肖像畫大師,同時也是在璀璨的美術史中一位卓越的水彩畫大師。薩金特對各種繪畫技巧運用皆得心應手。他熟練巧妙的繪畫技巧與方法,尤其包括他對事物高度的概括表現(xiàn)；對光影下物象形體的準確捕捉以及他巧妙地將光影與物象形體完美結合的繪畫技法；對事物天才般的、敏銳的洞察力與獨到的表現(xiàn)力等,這些都是被后人推崇并學習的。緣于對薩金特及其作品的喜愛,本文將通過對薩金特的成長與藝術經(jīng)歷、其繪畫風格與繪畫理念的研究,以及薩金特繪畫理念的價值與意義等方面進行分析、解讀,從而更加全面、深層次地了解薩金特的藝術造詣和他的繪畫理念。 縱觀美術史,對薩金特的繪畫理念進行研究的評論家、學者并不在少數(shù)。因此,所有這些資料都可以為本人此次研究提供一定的理論參考。為了更加準確并且理性地還原薩金特的繪畫理念,本課題的研究出處主要圍繞與薩金特同時代的美術評論家對薩金特的研究,同時參考現(xiàn)當代國內外學者對薩金特藝術成就的研究。這些珍貴的資料中最有意義的一份來自于與薩金特同時代的藝術家、傳記作家——埃文·愛德華·特里斯爵士(Evan Edward Charteris,1864-1940)所著的傳記。特里斯爵士是一位英國傳記作家,與薩金特是好友,他在1927年撰寫的《John Sargent》一書,是對薩金特的描述最為真實、詳盡的一部著作。書中不僅記錄了薩金特的成長歷程,描述了薩金特本人對藝術的觀點,還包括薩金特的家人、朋友、學生提供的內容,以及他同時代一些著名批評家從不同側面對薩金特的評論。這對于還原薩金特的形象提供了有力并且生動的證據(jù)。在書中的第二十三章節(jié),即第181頁至第190頁,是對薩金特繪畫理念的精彩寫照。此書此章節(jié)就作為筆者此次課題研究的主要研究保障來源。 本文從薩金特高度概括的繪畫風格出發(fā),通過將薩金特的藝術特點與同時代其他藝術家的風格特點進行比較,將薩金特的繪畫理念具體歸納為以下五點：1、氣韻貫通；2、隨筆寫意；3、光色斑斕；4、音律靈動；5、有感而發(fā)。并對薩金特繪畫理念的價值與意義進行總結,對薩金特的繪畫方法、技巧、思想有一個更直觀的體現(xiàn)與還原。從而對薩金特的認識有一個更深入的了解,為本人提供一個向大師學習的機會,并結合自己的藝術實踐和體會,指導自己今后的水彩畫的學習與創(chuàng)作。
[Abstract]:John Singer Sargentn (1856-1925) is an outstanding master of portrait painting in Europe and the United States from the end of the 19th century to the beginning of the 20th century, and is also an outstanding master of watercolor painting in the resplendent art history. Sargent was able to use all kinds of painting skills. His skillful techniques and methods of painting, including, in particular, his general expression of the height of things, the accurate capture of the object form under light and shadow, and his skillful combination of light and image forms; the genius of things, Keen insight and unique performance, these are respected and learned by later generations. Based on the love of Sargent and his works, this paper will analyze and interpret the growth and artistic experience of Sargent, the study of his painting style and concept, and the value and significance of his painting idea. Thus more comprehensive, deep understanding of Sargent's artistic attainments and his painting ideas. Throughout art history, there are not a few critics who study Sargent's painting ideas. Therefore, all these data can provide some theoretical reference for my research. In order to restore Sargent's painting idea more accurately and rationally, the research source of this subject is mainly focused on the research of Sargent by the contemporary art critics. At the same time, refer to the contemporary scholars at home and abroad on Sargent's artistic achievements. The most significant of these valuable materials comes from a biography by Evan Edward Charteris, a contemporary artist and biographer of Sargent. Sir Triss is an English biographer and good friend to Sargent. His 1927 book John Sargent is the truest and most detailed account of Sargent. The book not only records Sargent's growth, describes Sargent's own views on art, but also includes content provided by Sargent's family, friends, and students. And some of his contemporaries' famous critics commented on Sargent from different angles. This provides powerful and vivid evidence to restore Sargent's image. Chapter 23 of the book, pages 181-190, is an excellent portrayal of Sargent's philosophy of painting. This chapter of this book serves as the main research source of the author's research. Starting from Sargent's highly generalized painting style, this paper compares Sargent's artistic characteristics with those of other artists of the same time, and then generalizes Sargent's painting idea into the following five points: 1, with a clear charm; 2, freehand brushwork 3, light colorful 4, rhythm smart 5, want to express views. It also summarizes the value and significance of Sargent's painting idea, and reflects and restores Sargent's painting methods, skills and ideas. In order to have a deeper understanding of Sargent, to provide me with an opportunity to learn from the master, and combined with his own artistic practice and experience, to guide his future study and creation of watercolor painting.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J205
本文編號：2137592
[Abstract]:John Singer Sargentn (1856-1925) is an outstanding master of portrait painting in Europe and the United States from the end of the 19th century to the beginning of the 20th century, and is also an outstanding master of watercolor painting in the resplendent art history. Sargent was able to use all kinds of painting skills. His skillful techniques and methods of painting, including, in particular, his general expression of the height of things, the accurate capture of the object form under light and shadow, and his skillful combination of light and image forms; the genius of things, Keen insight and unique performance, these are respected and learned by later generations. Based on the love of Sargent and his works, this paper will analyze and interpret the growth and artistic experience of Sargent, the study of his painting style and concept, and the value and significance of his painting idea. Thus more comprehensive, deep understanding of Sargent's artistic attainments and his painting ideas. Throughout art history, there are not a few critics who study Sargent's painting ideas. Therefore, all these data can provide some theoretical reference for my research. In order to restore Sargent's painting idea more accurately and rationally, the research source of this subject is mainly focused on the research of Sargent by the contemporary art critics. At the same time, refer to the contemporary scholars at home and abroad on Sargent's artistic achievements. The most significant of these valuable materials comes from a biography by Evan Edward Charteris, a contemporary artist and biographer of Sargent. Sir Triss is an English biographer and good friend to Sargent. His 1927 book John Sargent is the truest and most detailed account of Sargent. The book not only records Sargent's growth, describes Sargent's own views on art, but also includes content provided by Sargent's family, friends, and students. And some of his contemporaries' famous critics commented on Sargent from different angles. This provides powerful and vivid evidence to restore Sargent's image. Chapter 23 of the book, pages 181-190, is an excellent portrayal of Sargent's philosophy of painting. This chapter of this book serves as the main research source of the author's research. Starting from Sargent's highly generalized painting style, this paper compares Sargent's artistic characteristics with those of other artists of the same time, and then generalizes Sargent's painting idea into the following five points: 1, with a clear charm; 2, freehand brushwork 3, light colorful 4, rhythm smart 5, want to express views. It also summarizes the value and significance of Sargent's painting idea, and reflects and restores Sargent's painting methods, skills and ideas. In order to have a deeper understanding of Sargent, to provide me with an opportunity to learn from the master, and combined with his own artistic practice and experience, to guide his future study and creation of watercolor painting.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J205
【參考文獻】
相關期刊論文 前3條
1 陳小麗;;論薩金特水彩的藝術特征[J];大眾文藝;2011年10期
2 彭桂穎;拜讀大師薩金特[J];美術大觀;2005年02期
3 佛朗士·舒爾茲;李承秀;;肖像畫家薩金特[J];美苑;1981年02期
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