【摘要】：董其昌在中國山水畫歷史上扮演的是一個承上啟下的角色,他對中國畫壇貢獻不僅在于一幅幅古樸典雅的山水畫,更多的是對后世影響深遠的繪畫理論。這位中國畫壇的傳奇人物,吸引了無數(shù)的畫家學(xué)者對其研究。董其昌的作品以及其理論證明了中國山水畫的博大精深。他集合了歷朝歷代名家的智慧。董其昌的畫作幾乎每一張都獨具匠心,看似嚴謹,細細推敲其中見率意。迷離的墨染沒有大潑墨的隨意,而是控制的,細密也不是凝固收縮,而是若收若放。他的畫總在收放之間徘徊。而《青弁圖》則屬于董其昌畫中的密體一路,既有宋畫的工細嚴謹,又有元畫的水墨淋漓。以董其昌的代表作《青弁圖》作為立足點時,獲得的是全方位的角度,是獲得整體認識的前提,也是呈現(xiàn)并理解宋元山水流變的必要途徑。筆者希望在三年時間內(nèi)通過臨仿前賢名作,結(jié)合現(xiàn)代名家的經(jīng)典解讀來獲取一些傳統(tǒng)山水畫的基本要素。
[Abstract]:Dong Qichang plays a connecting role in the history of Chinese landscape painting. His contribution to the Chinese painting world lies not only in the simple and elegant landscape paintings, but also in the painting theory which has far-reaching influence on later generations. The legendary figure in Chinese painting has attracted numerous painters and scholars to study it. Dong Qichang's works and his theory prove the breadth and depth of Chinese landscape painting. He gathers the wisdom of all the famous writers of the dynasties. Dong Qichang's paintings are almost every original, seemingly rigorous, carefully scrutinized the rate of interest. Blurred ink dye is not the arbitrary splashy ink, but control, the fine is not solidification and contraction, but if the collection if put. His paintings always wandered between collection and release. The "Qing Bian" belongs to Dong Qichang painting in the secret body, both Song painting fine and rigorous, and Yuan painting ink dripping. When taking Dong Qichang's masterpiece "Qing Bian" as a foothold, what is obtained is a comprehensive angle, a prerequisite for the overall understanding, and a necessary way to present and understand the evolution of landscape in Song and Yuan dynasties. The author hopes to obtain some basic elements of traditional landscape painting in three years by imitating the famous works of the former and combining the classical interpretation of modern famous artists.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212

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1 胡圣元;論如何理解與運用董其昌《青弁圖》[D];上海師范大學(xué);2017年

2 王銘浩;從《煙江疊嶂》淺析董其昌所倡導(dǎo)的平淡天真[D];上海師范大學(xué);2017年

3 陳鐵男;董其昌《煙江疊嶂圖》的形式分析與重構(gòu)[D];上海師范大學(xué);2017年

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