發(fā)布時間：2018-06-25 03:48

  本文選題：王蒙 + 《丹山瀛海圖》�。� 參考：《安徽大學(xué)》2013年碩士論文

【摘要】：本論文主要對王蒙作品之一的《丹山瀛海圖》的創(chuàng)作年代及審美價值進(jìn)行探索。此畫從布局、用筆、題材上都與王蒙的其他作品有很大區(qū)別,屬于別體之作。大部分傳世作品表現(xiàn)植被濃郁山景、層巒茂密的畫格,以表現(xiàn)筆下山體“望之郁然深秀”的境界。此圖為橫幅,以大片海水包圍群山島嶼,樹林茂密,樓閣掩映,連接彼岸的小橋似乎反映著畫家內(nèi)心隱與仕的矛盾心理。此卷取鑒南宋山水開合分明、黑白判然、大虛大實的空間結(jié)構(gòu)。以中鋒用筆為主,山石多用解索皴,焦墨點苔,特別顯示畫中點與線組合的整體效果,屬王蒙作品中只勾皴而少擦染一類。王蒙一生的山水創(chuàng)作之圖式與風(fēng)格演變固然有其內(nèi)在發(fā)展趨勢,把他的作品按創(chuàng)作時間先后進(jìn)行排列,從而進(jìn)行分析比較,對于今天的山水畫研究者了解王蒙筆墨技法及內(nèi)在思想變化有著實際的指導(dǎo)意義。本文從《丹》卷入手,綜合各方面運用考據(jù)學(xué)、對比研究、圖像學(xué)等方法對該畫進(jìn)行多視角的分析,進(jìn)而對其創(chuàng)作年代進(jìn)行合理的推斷。
[Abstract]:This thesis mainly explores the creation age and aesthetic value of one of Wang Meng's works, "Danshan Ying Hai Picture". This painting is very different from Wang Meng's other works in layout, pen and subject matter. Most of the works show rich vegetation mountain scenery, lush layers of painting, to express the mountain style of "the gloomy depth of hope" realm. This is a banner, surrounded by vast sea water, dense woods, pavilions, connecting the other side of the bridge seems to reflect the artist's inner hidden and official ambivalence. This coils the Southern Song Dynasty landscape open and close clear, black and white judgment, big virtual large solid spatial structure. With the center front pen as the main, the mountain stone more use to solve the rope chapped, the coke ink spot moss, specially displays the overall effect which the picture midpoint and the line combination, belongs to the Wang Meng work only tick chapped but scrubes the first kind. The schema and style evolution of Wang Meng's life landscape creation certainly has its inherent development trend, so his works are arranged according to the time of creation, and then analyzed and compared. For today's landscape painting researchers to understand Wang Meng pen and ink techniques and internal ideological changes of practical significance. In this paper, the author analyses the painting from the angle of view by using the methods of textual research, comparative study and imageology in order to infer the time of its creation from the angle of "Dan" involved in the hand, synthetically using the methods of textual research, comparative study, and imageology in all aspects.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張瑞;;論王蒙、倪瓚山水畫的意境美[J];藝術(shù)教育;2009年02期

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本文編號：2064422