本文選題：油畫創(chuàng)作 + 材料技法��； 參考：《延邊大學》2014年碩士論文

【摘要】：繪畫材料的產(chǎn)生與變化同所處的社會歷史、文化以及科技發(fā)展密切相關(guān)。材料是繪畫的物質(zhì)基礎(chǔ),作者通過各種物質(zhì)材料來實現(xiàn)自我思想與情感的表達。繪畫材料的演變和發(fā)展使技法不斷地更新,使藝術(shù)家的創(chuàng)作更加自由,表現(xiàn)更加豐富。藝術(shù)家根據(jù)創(chuàng)作意圖,通過材料以及表現(xiàn)技法的綜合選擇,展現(xiàn)出特殊的畫面肌理、色彩和造型。現(xiàn)代繪畫材料與技法革新使創(chuàng)作從傳統(tǒng)的束縛中解放出來,從而實現(xiàn)了藝術(shù)創(chuàng)作自由的目的,它是繪畫發(fā)展的一種趨勢。 本文通過對《殘荷》系列創(chuàng)作材料技法探析,結(jié)合個人作品《殘荷》系列油畫創(chuàng)作實踐,來綜合論證材料與技法對個人風格的形成所具有的特殊意義。 本文共分四章,第一章緒論部分主要針對課題背景、研究內(nèi)容及方法、研究目的與意義進行了闡述。第二章針對《殘荷》系列創(chuàng)作材料技法探析進行了概述,分別對坦培拉技法、油畫的產(chǎn)生、間接畫法、直接畫法以及現(xiàn)代材料的綜合運用對《殘荷》系列創(chuàng)作材料技法拓展與創(chuàng)新進行論述。第三章以個人作品《殘荷》系列油畫創(chuàng)作為例,分別從創(chuàng)作立意、材料選擇、制作與表現(xiàn)等視角,探索繪畫材料與技法的銜接與拓展、繪畫中抽象因素在水性和油性材料中的創(chuàng)新性,得出繪畫材料的綜合拓展與技法兩者間銜接的可能性,并且有選擇地吸納各類當代不同藝術(shù)形式和觀念是繪畫材料與技法綜合創(chuàng)新的必然途徑。第四章是對全文的總結(jié)。
[Abstract]:The generation and change of painting materials are closely related to their social history, culture and scientific and technological development. Material is the material basis of painting. The author realizes the expression of self-thought and emotion through various material materials. The evolution and development of painting materials constantly update the technique and make the artist's creation freer and richer. According to the creative intention, the artist presents a special picture texture, color and shape through the comprehensive selection of materials and performance techniques. The innovation of modern painting materials and techniques liberates creation from the traditional bondage, thus realizing the goal of artistic creation freedom, which is a trend of painting development. By analyzing the techniques of "residual load" series of creative materials and combining with the practice of creating individual works "residual load" series of oil paintings, this paper comprehensively demonstrates the special significance of materials and techniques to the formation of personal style. This paper is divided into four chapters. The first chapter mainly focuses on the background, research contents and methods, purpose and significance of the research. The second chapter summarizes the techniques of "residual load" series of creative materials, respectively, including the Tampella technique, the production of oil painting, the indirect painting method, The direct drawing and the comprehensive application of modern materials expound the development and innovation of the techniques of the series of creative materials. The third chapter takes the personal work "residual load" series oil painting creation as an example, separately from the creation idea, the material choice, the production and the performance and so on angle of view, explores the drawing material and the technique connection and the expansion, The innovation of abstract factors in water and oil materials in painting, and the possibility of the connection between the comprehensive expansion of painting materials and the techniques, And the selective absorption of various contemporary art forms and concepts is an inevitable way of comprehensive innovation of painting materials and techniques. The fourth chapter is a summary of the full text.
【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213

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