本文選題：現(xiàn)代水墨寫意人物畫 + 寫實(shí)素描�。� 參考：《南京藝術(shù)學(xué)院》2013年博士論文

【摘要】：本文以西式寫實(shí)素描的本土化進(jìn)程及其所影響的現(xiàn)代水墨寫意人物畫語言衍變?yōu)橹骶�展開研究，而這兩條相互纏繞并行的主線，所貫穿起來的近一個(gè)世紀(jì)的素描及水墨寫意人物畫作品，又成為本文研究分析的主要對(duì)象。寫實(shí)素描的本土化改造，無時(shí)不在影響著水墨寫意人物畫的語言衍變，所以，拋開寫實(shí)素描，就無從論及二十世紀(jì)乃至現(xiàn)下的水墨寫意人物畫。本文的著眼點(diǎn)主要在于繪畫作品本體語言的分析研究，，通過對(duì)三個(gè)歷史時(shí)期（二十世紀(jì)初至建國前、建國后至改革開放以及改革開放后至今）不同畫家的代表性作品進(jìn)行具體分析與比較，縷析出一條動(dòng)態(tài)的藝術(shù)發(fā)展脈絡(luò)，同時(shí)，這條脈絡(luò)又揭示了一種語言生成、發(fā)展的內(nèi)在規(guī)律，即每種有價(jià)值的語言生成都與當(dāng)時(shí)具體時(shí)代背景密切相關(guān)。它對(duì)我們當(dāng)下藝術(shù)語言的探索與創(chuàng)造，有著極為重要的現(xiàn)實(shí)意義。本課題的研究，同樣有助于現(xiàn)下正在進(jìn)行水墨人物畫創(chuàng)作的實(shí)踐者，對(duì)個(gè)人獨(dú)特繪畫語言生成的價(jià)值判斷和有效把握，其中涉及到的具體作品繪畫語言層面地深入探討，也可以為理論研究者提供一種經(jīng)驗(yàn)參照，同樣有著重要的現(xiàn)實(shí)意義。
[Abstract]:The main line of this paper is the localization process of western realistic sketch and its influence on the development of the language of modern ink brushwork, and the two parallel threads intertwine each other. The sketches and freehand brushwork works which run through the past century have become the main object of this paper. The localization of realistic sketch influences the development of the language of the freehand brushwork, so it is impossible to discuss the painting in the 20th century or even in the present. The focus of this paper is mainly on the analysis of the Noumenon language of painting works, through the analysis of three historical periods (from the beginning of the twentieth century to before the founding of the people's Republic of China). From the founding of the people's Republic of China to the reform and opening up to the outside world, the representative works of different painters are analyzed and compared in detail, and a dynamic development of art is revealed. At the same time, this thread reveals the generation of a language. The internal law of development, that is, the generation of each valuable language is closely related to the specific background of the times. It is of great practical significance to the exploration and creation of our art language. The research of this subject is also helpful for the practitioners of the creation of ink figure painting, to judge and effectively grasp the value of the generation of individual unique painting language, and to probe into the level of the painting language of the specific works involved in it. It can also provide an empirical reference for theoretical researchers, and also has important practical significance.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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