本文選題：中國畫家 + 性格�。� 參考：《天津大學(xué)》2016年博士論文

【摘要】：繪畫風(fēng)格的形成是畫家繪畫藝術(shù)走向成熟的標志之一。性格作為影響繪畫風(fēng)格形成的一個重要因素,對繪畫風(fēng)格起著潛在的心理影響。沒有自我性格的繪畫作品便沒有生命力,最終將被歷史淘汰,乃至遺忘。中國歷代著名的畫家在作品中大都注重自我性格的表露,從而創(chuàng)造了他們與眾不同的繪畫風(fēng)格,歷經(jīng)中國繪畫綿長的發(fā)展過程而仍舊被后人所矚目。本文在研究中國畫家性格與繪畫風(fēng)格的史料及借鑒性格與繪畫風(fēng)格理論研究成果的基礎(chǔ)上,用例證、分析,歸納總結(jié)等方法,分析畫家的性格與其繪畫風(fēng)格的關(guān)系,證明畫家的性格對其繪畫風(fēng)格可能形成的影響,及繪畫風(fēng)格中隱含的畫家性格因素。本文的第一章首先闡述了選題背景、選題意義、目前研究的現(xiàn)狀、本文的研究方法、創(chuàng)新點等。第二章簡述了性格、風(fēng)格與繪畫風(fēng)格的概念,以及繪畫風(fēng)格對于畫家成功的重要意義,并著重提出影響個人風(fēng)格形成的性格因素的重要性。第三章和第四章為本文的重點,第三章分析影響畫家繪畫風(fēng)格的性格因素如何對畫家的繪畫風(fēng)格進行影響;第四章分析繪畫的“體驗生活”、“醞釀感悟”、“繪畫表現(xiàn)”三個過程中性格的潛在性,說明體驗生活的過程中,性格影響畫家的選材;醞釀感悟的過程中,性格左右畫家的思維形式;繪畫表現(xiàn)的過程中,性格影響畫家的審美行為;第五章對性格與繪畫風(fēng)格出現(xiàn)的不相符的現(xiàn)象進行辨析,說明性格的多重性與潛在的性格外露是造成外在性格與實際風(fēng)格不符的主要原因。第六章得出本文的結(jié)論:性格與繪畫風(fēng)格的統(tǒng)一性;性格與繪畫風(fēng)格的可塑性;性格對繪畫風(fēng)格的潛在心理影響;性格的多重性的掩飾現(xiàn)象及風(fēng)格與潛在的本我的性格相一致。并得出對當(dāng)代畫家的啟示:在現(xiàn)代中國繪畫人才濟濟的大潮中,不要盲目跟從潮流,而要充分挖掘自我性格對于繪畫創(chuàng)作的有利因素,形成富有自我獨特個性的繪畫風(fēng)格。
[Abstract]:The formation of painting style is one of the signs that painters' painting art is maturing. Personality, as an important factor affecting the formation of painting style, has a potential psychological impact on painting style. Painting without self-character will have no vitality and will eventually be eliminated by history and even forgotten. The famous painters of Chinese dynasties paid much attention to the expression of their own character in their works, thus creating their distinctive painting style, and still being paid attention to by later generations after the long development process of Chinese painting. On the basis of studying the historical data of Chinese painters' character and painting style, and drawing on the research results of personality and painting style theory, this paper analyzes the relationship between the painter's character and his painting style with the methods of illustration, analysis, induction and summary. It proves the influence of painter's character on his painting style and the factor of painter's character implied in painting style. In the first chapter, the background, significance, current research status, research methods, innovation and so on are described. The second chapter briefly describes the concept of character, style and painting style, as well as the significance of painting style to the success of painters, and puts forward the importance of personality factors that affect the formation of individual style. Chapter three and chapter four are the focal points of this paper. Chapter three analyzes how the personality factors that affect the painter's painting style, the fourth chapter analyzes the painting's "experience life", "brewing feeling". The potentiality of character in the three processes of "painting performance" shows that in the process of experiencing life, character influences the selection of painters; in the process of brewing and understanding, personality affects the thinking form of painters; in the process of painting, it is shown that, The fifth chapter distinguishes the phenomenon of disaccord between character and painting style, and explains that the multiple character and latent character exposure are the main reasons for the difference between external character and actual style. The sixth chapter draws the conclusion of this paper: the unity of character and painting style; the plasticity of character and painting style; the potential psychological influence of personality on painting style; the concealment phenomenon and style of personality are consistent with the character of potential ego. And draw inspiration to contemporary painters: in the tide of modern Chinese painting talents, we should not blindly follow the trend, but to fully explore the favorable factors of self-character for painting creation, and form a painting style full of self-unique personality.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2016
【分類號】：J212
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本文編號：1961035