本文選題：秦俑 + 動(dòng)畫(huà)造型��； 參考：《西安工程大學(xué)》2014年碩士論文

【摘要】：21世紀(jì)是科技與信息的時(shí)代，傳媒大眾化是時(shí)代的發(fā)展趨勢(shì)。動(dòng)畫(huà)屬于文化領(lǐng)域，是文化產(chǎn)業(yè)的重要的組成部分，具有極強(qiáng)的文化傳播作用。這種作用使得動(dòng)畫(huà)片成為了文化傳播與滲透的重要途徑，而動(dòng)畫(huà)角色造型在這個(gè)傳播途徑中起著關(guān)鍵的作用。歐美日是當(dāng)今世界的動(dòng)畫(huà)大國(guó)，他們已經(jīng)形成了自身鮮明的動(dòng)畫(huà)造型設(shè)計(jì)特色，并通過(guò)動(dòng)畫(huà)片、動(dòng)畫(huà)電影等向其他國(guó)家輸出自己的文化和價(jià)值觀，同時(shí)獲取巨額的經(jīng)濟(jì)利益。以2013年為例，我國(guó)國(guó)產(chǎn)動(dòng)畫(huà)電影票房?jī)H占全年動(dòng)畫(huà)電影票房的38%，大頭由進(jìn)口動(dòng)畫(huà)電影占據(jù)。其中，動(dòng)畫(huà)電影票房冠軍《瘋狂原始人》單片吸進(jìn)數(shù)達(dá)到3.94億元，遠(yuǎn)遠(yuǎn)超過(guò)國(guó)產(chǎn)動(dòng)畫(huà)片龍頭《喜洋洋與灰太狼之開(kāi)心闖龍年》5000萬(wàn)的票房收入。曾幾何時(shí)，我國(guó)國(guó)產(chǎn)動(dòng)畫(huà)憑借對(duì)傳統(tǒng)文化的魅力，創(chuàng)作出了許多膾炙人口的動(dòng)畫(huà)佳作，并形成了“中國(guó)學(xué)派”，在世界同行中占據(jù)重要一席。但近些年來(lái)，國(guó)產(chǎn)動(dòng)畫(huà)更多地是模仿美日動(dòng)畫(huà)，學(xué)習(xí)好萊塢的動(dòng)畫(huà)大片，模仿迪斯尼的造型設(shè)計(jì)，仿造日本的故事情節(jié)。一系列的模仿背后，是對(duì)中國(guó)傳統(tǒng)文化的汲取不足。如何發(fā)展國(guó)產(chǎn)動(dòng)畫(huà)事業(yè)，如何利用傳統(tǒng)文化資源打造“中國(guó)學(xué)派”的新高度，是本文研究的出發(fā)點(diǎn)和立足點(diǎn)。陜西秦俑作為我國(guó)古代文明的重要象征，是利用于動(dòng)畫(huà)造型設(shè)計(jì)的地重要素材。 本文首先從動(dòng)畫(huà)造型設(shè)計(jì)出發(fā)，總結(jié)了動(dòng)畫(huà)研究相關(guān)文獻(xiàn)，發(fā)現(xiàn)吸收傳統(tǒng)文化是近代國(guó)產(chǎn)動(dòng)畫(huà)成功的重要因素；深入分析了動(dòng)畫(huà)造型設(shè)計(jì)的特征，對(duì)動(dòng)畫(huà)造型設(shè)計(jì)的相關(guān)概念、發(fā)展概況、基本類型、屬性特點(diǎn)、表現(xiàn)手段進(jìn)行了簡(jiǎn)要介紹。接著，本文對(duì)陜西秦俑的藝術(shù)特點(diǎn)進(jìn)行了闡述，認(rèn)為秦俑具有豐富的文化內(nèi)涵，是戰(zhàn)國(guó)時(shí)期的形象代表、是多位一體的文化典范、是世界級(jí)別的文化遺產(chǎn)、是中華文化進(jìn)步的體現(xiàn)；秦俑的造型特征具有寫(xiě)實(shí)性、夸張性、符號(hào)化。為進(jìn)一步說(shuō)明秦俑應(yīng)用于動(dòng)畫(huà)造型設(shè)計(jì)的可行性，本文從秦俑的文化符號(hào)、服飾、角色、表情以及體態(tài)等方面的特征進(jìn)行分析，，發(fā)現(xiàn)其對(duì)動(dòng)畫(huà)造型設(shè)計(jì)具有很好地啟示作用，對(duì)發(fā)展國(guó)產(chǎn)動(dòng)畫(huà)、延伸動(dòng)畫(huà)產(chǎn)業(yè)鏈條具有重要意義。最后，結(jié)合本人的畢業(yè)設(shè)計(jì)為分析案例，較為全面的說(shuō)明了秦俑動(dòng)畫(huà)造型設(shè)計(jì)在線條、著色、輪廓方面的運(yùn)用，并對(duì)設(shè)計(jì)情況進(jìn)行了總結(jié)。
[Abstract]:The 21st century is the era of science and information, mass media is the trend of the times. Animation is an important part of cultural industry and plays an important role in cultural communication. This function makes animation become an important way to spread and permeate culture, and animation character modeling plays a key role in the transmission. Europe, America and Japan are the major animation countries in the world today, they have formed their own distinctive features of animation modeling design, and export their own culture and values to other countries through cartoons, animated films and other countries, and obtain huge economic benefits at the same time. Taking 2013 as an example, China's domestic animation films only accounted for 38 percent of the annual box office of animated films, and the majority of them were occupied by imported animation films. Among them, the box office champion of animation film "Crazy primitive Man" absorbed 394 million yuan, far exceeding the box office income of the domestic animation bibcock < Happy and Big Wolf's Happy Dragon year > 50 million's box office income. Once upon a time, China's domestic animation, by virtue of its charm to traditional culture, created many famous animation masterpieces, and formed "Chinese School", which occupies an important place in the world. But in recent years, domestic animation is more to imitate American and Japanese animation, learn Hollywood animation blockbuster, imitate Disney's modelling design, imitate Japanese story plot. A series of imitation behind, is to the Chinese traditional culture absorption insufficiency. How to develop domestic animation and how to make use of traditional cultural resources to create a new height of "Chinese school" is the starting point and foothold of this paper. As an important symbol of ancient civilization, Shaanxi Qin figurines are important materials for animation modeling design. Based on the animation modeling design, this paper summarizes the relevant documents of animation research, finds that absorbing traditional culture is an important factor for the success of modern domestic animation, deeply analyzes the characteristics of animation modeling design, and analyzes the related concepts of animation modeling design. Development profile, basic types, attribute characteristics, means of expression were briefly introduced. Then, this paper expounds the artistic characteristics of the Qin terracotta figures in Shaanxi Province, and holds that the terracotta warriors have rich cultural connotations, are the image representatives of the warring States period, are a cultural model of multi-position integration, and are the cultural heritage of the world level. The figurines are realistic, exaggerated and symbolized. In order to further explain the feasibility of the application of the terracotta warriors in animation modeling design, this paper analyzes the cultural symbols, costumes, characters, expressions and posture of the figurines, and finds that they have a good enlightening effect on the animation modeling design. For the development of domestic animation, the extension of animation industry chain has important significance. Finally, combined with my graduation design as an analysis case, a more comprehensive description of the Qin figurines animation design online strip, coloring, contour application, and the design situation is summarized.
【學(xué)位授予單位】：西安工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.7

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 李星明;秦俑頭像的肖像性及其文化審美特征[J];東南文化;2003年01期

2 劉學(xué)倫;;動(dòng)畫(huà)造型與電影造型[J];西南民族大學(xué)學(xué)報(bào)(人文社科版);2006年09期

本文編號(hào)：1863049