本文選題：當(dāng)代中國(guó) + 油畫(huà)創(chuàng)作��； 參考：《新疆師范大學(xué)》2015年碩士論文

【摘要】：在當(dāng)代,中國(guó)油畫(huà)正處于探索與創(chuàng)新的時(shí)代,藝術(shù)語(yǔ)言自由而多樣的迅速發(fā)展,形成了豐富的視覺(jué)效果。在多樣化的藝術(shù)形式之中,平面化形式語(yǔ)言具有鮮明的藝術(shù)特點(diǎn),它是畫(huà)家表達(dá)情感、提高創(chuàng)作實(shí)踐能力的重要手段,并為尋求藝術(shù)創(chuàng)新,探索中國(guó)當(dāng)代油畫(huà)的新出路做出了貢獻(xiàn)。中國(guó)當(dāng)代油畫(huà)創(chuàng)作中的平面化傾向是我國(guó)許多畫(huà)家根據(jù)我國(guó)本民族的文化與借鑒外國(guó)優(yōu)秀文化而進(jìn)行的大量的藝術(shù)創(chuàng)作與實(shí)踐,逐步形成了具有中國(guó)特色的平面化傾向的油畫(huà),體現(xiàn)出了中國(guó)當(dāng)代油畫(huà)的民族化形式,促進(jìn)了油畫(huà)中國(guó)化的進(jìn)程,對(duì)我國(guó)當(dāng)代油畫(huà)的發(fā)展有著重要的作用。平面化傾向的油畫(huà)是對(duì)物體的體積感、空間感和光影效果進(jìn)行減化和消弱,打破傳統(tǒng)繪畫(huà)的焦點(diǎn)透視,采用平涂式的手法進(jìn)行表現(xiàn)創(chuàng)作,注重表現(xiàn)繪畫(huà)藝術(shù)的二維性、注重表現(xiàn)畫(huà)面的形式美,注重藝術(shù)家真實(shí)情感的表達(dá)。中國(guó)當(dāng)代油畫(huà)創(chuàng)作中的平面化傾向是時(shí)代發(fā)展的需要,是油畫(huà)中國(guó)化的重要表現(xiàn)方式之一,具有重要的價(jià)值和意義。平面化的形式語(yǔ)言不僅受到中國(guó)傳統(tǒng)美術(shù)和民間藝術(shù)的影響,在一定程度上也與西方現(xiàn)當(dāng)代藝術(shù)密切相關(guān),還真實(shí)地反映當(dāng)代的社會(huì)生活和畫(huà)家們的情感。本文通過(guò)對(duì)繪畫(huà)平面性的相關(guān)概念進(jìn)行闡述,分析平面化繪畫(huà)的藝術(shù)特征,梳理平面化繪畫(huà)語(yǔ)言在中西方美術(shù)史中的發(fā)展脈絡(luò),剖析平面化繪畫(huà)語(yǔ)言在當(dāng)代中國(guó)油畫(huà)創(chuàng)作中具體體現(xiàn),說(shuō)明平面化傾向的油畫(huà)對(duì)中國(guó)當(dāng)代油畫(huà)的多元化發(fā)展及民族化形式探索的重要意義與價(jià)值。
[Abstract]:At present, Chinese oil painting is in the era of exploration and innovation. Among the various artistic forms, the flat form language has distinct artistic characteristics. It is an important means for painters to express their feelings and improve their creative practical ability, and to seek artistic innovation. Exploring the new outlet of Chinese contemporary oil painting has made a contribution. The flattening tendency of Chinese contemporary oil painting is a large amount of artistic creation and practice carried out by many Chinese painters according to the culture of our own nation and drawing lessons from foreign excellent culture, and has gradually formed a kind of oil painting with Chinese characteristics. It reflects the nationalization of Chinese contemporary oil painting, promotes the process of Chinese oil painting, and plays an important role in the development of Chinese contemporary oil painting. The flat tendency of oil painting is to reduce and weaken the volume, space and light effect of objects, break the focus of traditional painting, use flat painting to create performance, and pay attention to the two-dimensional nature of painting art. Pay attention to the formal beauty of the performance picture, pay attention to the expression of the artist's real emotion. The flattening tendency in the contemporary Chinese oil painting creation is the need of the development of the times and one of the important expression ways of the Chinese oil painting, which has important value and significance. The flat formal language is not only influenced by Chinese traditional art and folk art, but also closely related to modern and contemporary western art to some extent, but also reflects the contemporary social life and the feelings of painters. This paper expounds the related concepts of painting planarity, analyzes the artistic characteristics of flat painting, and combs the development of plane painting language in the history of Chinese and western fine arts. This paper analyzes the concrete embodiment of the flat painting language in the contemporary Chinese oil painting creation, and explains the significance and value of the flat tendency oil painting to the diversified development of the Chinese contemporary oil painting and the exploration of the nationalized form.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 高麗;繪畫(huà)的平面化語(yǔ)言研究[D];首都師范大學(xué);2011年

2 馬娟;試析明代肖像畫(huà)的平面性造型特征[D];首都師范大學(xué);2014年

3 賈南南;抽象藝術(shù)在中國(guó)當(dāng)代的語(yǔ)式轉(zhuǎn)換研究[D];華南理工大學(xué);2014年

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本文編號(hào)：1862928