本文選題：黃永玉繪畫美學思想 + 生態(tài)美��； 參考：《西南大學》2015年碩士論文

【摘要】：本文以黃永玉繪畫創(chuàng)作為基點,較為深入探討了其繪畫美學思想。論文首先以黃永玉繪畫美學思想形成的文化背景為開端,從湘西少數(shù)民族生命倫理觀的角度梳理了黃永玉繪畫創(chuàng)作中的生態(tài)美,從神秘的巫楚文化角度梳理了黃永玉繪畫創(chuàng)作中的奇幻美,從湘西民間美術角度梳理了黃永玉繪畫創(chuàng)作中的拙稚美,從中國文人的精神傳統(tǒng)角度梳理了黃永玉繪畫創(chuàng)作中的意趣美。其間穿插了黃永玉具有代表性的繪畫、散文作品,并進行了具體分析與闡釋,找尋出他的繪畫美學特征。其次,對黃永玉美學思想形成的文化背景,人生經歷等方面進行了較為深入的解析,以立體多維的視角研究其繪畫美學思想。論文分為五部分：第一,探討黃永玉繪畫美學思想文化背景。第二,探討生態(tài)美即是黃永玉繪畫的生態(tài)意識、價值追求、價值表達的主要內容。生態(tài)美又通過無意識的集體記憶進入到黃永玉繪畫美學思想的關聯(lián)性。第三,從黃永玉繪畫中表現(xiàn)出神秘的自然物象、凝重的天空意象、單調的山石物象、荷花的傾述與表達所傳達出的文化內涵,分析出他繪畫藝術的奇幻美特征。第四,通過湘西民間美術與黃永玉繪畫的拙稚風格密切關系分析,解讀黃永玉繪畫的拙稚之美。第五,通過黃永玉繪畫代表作中的詩文、繪畫表象特征,分析黃永玉繪畫的世俗化、人文化、調侃化、個性化的特征,解讀黃永玉繪畫的意趣之美。通過以上五部分,整理提煉黃永玉的繪畫美學思想特色,為欣賞黃永玉繪畫作品,研究黃永玉繪畫藝術提供一種理論支撐。
[Abstract]:This article, based on Huang Yongyu's painting creation, deeply discusses his painting aesthetic thought. The thesis begins with the cultural background of Huang Yongyu's aesthetic thought of painting, combs the ecological beauty in the painting creation of Huang Yongyu from the viewpoint of the life ethics of the minority nationalities in Xiangxi. From the perspective of mysterious witchcraft culture, this paper combs the fantasy beauty in Huang Yongyu's painting creation, combs the childish beauty in the painting creation of Huang Yongyu from the angle of folk art in western Hunan. From the angle of Chinese literati's spiritual tradition, this paper combs the beauty of interest in Huang Yongyu's painting creation. In the meantime, Huang Yongyu's representative paintings and prose works are interspersed, and analyzed and explained in detail to find out his aesthetic characteristics. Secondly, the cultural background and life experience of Huang Yongyu's aesthetic thought are deeply analyzed, and his painting aesthetic thought is studied from the perspective of three-dimensional and multidimensional. The thesis is divided into five parts: the first part discusses the background of Huang Yongyu's painting aesthetics. Second, exploring ecological beauty is the main content of Huang Yongyu's ecological consciousness, value pursuit and value expression. Ecological beauty enters into the relevance of Huang Yongyu's painting aesthetic thought through unconscious collective memory. Thirdly, it shows the mysterious natural image, the dignified sky image, the monotonous mountain stone object image, and the cultural connotation conveyed by the lotus's inclination and expression in Huang Yongyu's painting, and analyzes the hallucinable beauty characteristics of his painting art. Fourthly, by analyzing the close relationship between Xiangxi folk art and Huang Yongyu's childish style, this paper interprets the beauty of Huang Yongyu's painting. Fifth, through the Huang Yongyu painting masterpiece poetry, the painting appearance characteristic, analyzes the Huang Yongyu painting secularization, the human culture, the ridicule, the individuality characteristic, unscrambles the Huang Yongyu painting interest beauty. Through the above five parts, collate and refine Huang Yongyu's aesthetic characteristics of painting, and provide a theoretical support for the appreciation of Huang Yongyu painting works and the study of Huang Yongyu painting art.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J201

【參考文獻】

相關期刊論文 前1條

1 張洪;地域文化與中國畫藝術個性的生成[J];青海師范大學學報(哲學社會科學版);2005年05期

相關重要報紙文章 前1條

1 黃永玉 祝勇;[N];信息時報;2003年

相關博士學位論文 前1條

1 何圣倫;苗族審美意識研究[D];西南大學;2011年

，

本文編號：1851663