本文選題：西方繪畫 + 中國繪畫��； 參考：《上海師范大學(xué)》2014年碩士論文

【摘要】：東方繪畫和西方繪畫存在很大差異，如繪畫樣式、功能、畫材、表現(xiàn)方式等，影響各自繪畫發(fā)展的因素有很多，諸如文化和地域等因素，材料技法是其中之一。由于東西方繪畫范圍廣闊，決定選擇代表性的繪畫來論述。將論述范圍~.小后，本文主要對中國絹紙繪畫和西方架上繪畫的材料技法進(jìn)行討論。 西方的早期繪畫是以巖畫、陶瓶畫、壁畫、蠟畫和坦培拉這樣的順序發(fā)展的，中國早期繪畫是以巖畫、彩陶、漆畫、壁畫和帛畫這樣順序發(fā)展的，通過比較兩者早期繪畫的發(fā)展，可以發(fā)現(xiàn)兩者都經(jīng)歷過巖畫、陶繪和壁畫階段，除了壁畫差異較大，巖畫和陶繪的材料和工具是相似的。雖然兩者畫面形象因文化差異而有不同，但繪畫材料語言上的表達(dá)仍然很接近。 中國繪畫和西方繪畫發(fā)展形成不同走向在材料上的關(guān)鍵因素主要有兩點(diǎn)，，即繪畫的基底材料和媒介材料的特性差別。通過繪畫基底材料的被滲透性差異、堅硬度差異、吸收性差異分析，總結(jié)出繪畫基底材料的差異對繪畫的關(guān)注點(diǎn)、繪畫姿勢、基底利用率和用色習(xí)慣有影響。通過繪畫媒介劑的稀釋與顯色差異、厚度差異和千燥速度差異的分析，總結(jié)出繪畫媒介劑的差異對繪畫的媒介劑作用、罩染方法、筆觸質(zhì)感和繪畫限制性有影響。 影響中西繪畫形成兩種截然不同的繪畫語言的因素很多，繪畫材料是眾多影響因素中比較重要的一點(diǎn)。其中最關(guān)鍵的因素在于媒介材料和基底材料的差異，水的清澈結(jié)合絹紙的柔軟質(zhì)地對中國走向?qū)懸饫L畫有著關(guān)鍵作用，而油的慢干凝滯結(jié)合基底的堅實(shí)平整是使西方繪畫走向客觀再現(xiàn)的十分重要的條件。綜上所述，中國繪畫和西方繪畫中不同的繪畫材料不僅在各自表現(xiàn)語言特征的形成階段有著決定性的意義，推動了自身繪畫的發(fā)展，而且在這兩種不同的繪畫體系以后的歷史演變和發(fā)展走向過程中發(fā)揮了關(guān)鍵影響。
[Abstract]:There are great differences between eastern painting and western painting, such as painting style, function, painting material, expression mode and so on. There are many factors that affect the development of their painting, such as culture and region, among which material technique is one of them. Because of the wide range of East and West painting, decided to choose representative painting to discuss. The scope of the discussion will be discussed. After small, this article mainly discusses the material technique of Chinese silk paper painting and western frame painting. Early paintings in the West were developed in the order of rock paintings, pottery bottles, murals, wax paintings and Tampella. Early Chinese paintings were developed in the order of rock paintings, painted pottery, lacquer paintings, murals and silk paintings. By comparing the development of the two early paintings, it can be found that both of them have experienced the stages of rock painting, pottery painting and mural painting, except for the great difference of murals, the materials and tools of rock painting and pottery painting are similar. Although the two images differ according to cultural differences, the expression of painting materials is still very close. There are two key factors for the development of Chinese painting and Western painting to form different trends in materials, that is, the characteristics of the substrate and the media materials of painting are different. By analyzing the differences of permeability, hardness and absorbability of painting substrate materials, it is concluded that the differences of painting substrate materials have influence on painting attention, painting posture, substrate utilization ratio and color habits. Through the analysis of the difference of dilution and color, thickness difference and dryness speed difference of painting medium, it is concluded that the difference of painting medium agent has influence on the function of painting medium, the method of covering and dyeing, the texture of brush stroke and the limitation of painting. There are many factors influencing the formation of two distinct painting languages in Chinese and Western paintings, and painting material is one of the most important factors. The most important factor lies in the difference between media materials and substrate materials. The soft texture of clear water combined with silk paper plays a key role in the development of freehand brushwork in China. The slow drying and condensing of oil combined with the solid leveling of the substrate are very important conditions for the objective reproduction of western painting. To sum up, the different painting materials in Chinese painting and Western painting are not only of decisive significance in the formation stage of their language characteristics, but also promote the development of their own painting. And in the two different painting system after the historical evolution and development of the process played a key role.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J211.6

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