本文選題：中國 + 日本　； 參考：《蘇州大學》2014年碩士論文

【摘要】：油畫是伴隨著天主教東傳、經(jīng)濟貿(mào)易等方式傳入中日兩國的。日本和中國在傳統(tǒng)文化上有著非常緊密的歷史淵源，日本的古代文化特別是在美術方面直接來源于中國，有著明顯的近似性。但是這種情況在19世紀末20世紀初發(fā)生了逆轉，大量中國青年涌向日本學習繪畫,其中大部分留日的中國學生學習油畫，由此引發(fā)西學輸入運動。他們把學習到的知識帶回祖國，推動了近代中國美術的發(fā)展。在此過程中，日本對中國的早期油畫產(chǎn)生了重大的影響，，特別是在油畫教育方面提供了巨大的幫助。 本文擬通過研究日本對中國油畫藝術初期發(fā)展的影響，說明兩個文明相似的國家，在面對外來文化影響時由于應對方式的不同而產(chǎn)生的不同結果。我們從日本學習到的西方繪畫，是經(jīng)過選擇和改造的，因為日本在很早就提出“和魂洋才”這樣類似于油畫民族化的命題，并且有著一系列的實踐。這對于我們能夠更好的吸收外來文化有一定的借鑒意義。通過比較、總結、反思中日油畫交流的得失，吸取其中的經(jīng)驗教訓，從而創(chuàng)作更加優(yōu)秀的作品。
[Abstract]:Oil painting is accompanied by Catholicism spreading to the east, economic and trade into China and Japan. Japan and China have very close historical origin in the traditional culture. The ancient Japanese culture, especially in the aspect of art, comes directly from China and has obvious similarity. However, this situation was reversed in the late 19th century and early 20th century, when a large number of Chinese young people flocked to Japan to study painting, most of them Chinese students studying in Japan to study oil painting, which led to the movement of western learning input. They brought back the knowledge they had learned and promoted the development of modern Chinese fine arts. In the process, Japan had a great influence on early Chinese oil painting, especially in the field of oil painting education. By studying the influence of Japan on the initial development of Chinese oil painting art, this paper explains the different results of the two countries with similar civilizations in the face of the influence of foreign culture due to different coping styles. The western painting we have learned from Japan has been selected and reformed because Japan has put forward the proposition of "harmony and foreign talent", which is similar to the nationalization of oil painting, and has a series of practices. This can be better for us to absorb foreign culture has certain reference significance. Through comparison, summing up, reflecting on the success and loss of Sino-Japanese oil painting exchange, drawing on the experience and lessons, so as to create more excellent works.
【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J213

【參考文獻】

相關期刊論文 前6條

1 劉曉路;激流下的河床——評日本近代美術史上的全盤西化[J];美術;1986年02期

2 姜丹書;我國五十年來藝g.教育史料之一頁[J];美術研究;1959年01期

3 T3夢非;“五四”運動前後的美術教育回憶片e穂J];美術研究;1959年03期

4 劉曉路;新日本畫運動——論日本明治時期傳統(tǒng)繪畫的變革[J];美術研究;1989年03期

5 鶴田武良,馮慧芬;中國油畫的濫觴[J];藝苑(南京藝術學院學報美術版);1997年03期

6 費毓齡;陳祖恩;;現(xiàn)代美術的先聲——辛亥革命時期中國美術的變遷[J];新美術;1981年04期

本文編號：1825772