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版畫(huà)藝術(shù)在澳門文化創(chuàng)意產(chǎn)業(yè)發(fā)展可能性

發(fā)布時(shí)間:2018-04-13 03:35

  本文選題:澳門版畫(huà) + 文化價(jià)值 ; 參考:《中央美術(shù)學(xué)院》2014年碩士論文


【摘要】:綜觀澳門版畫(huà)藝術(shù)發(fā)展至今雖然只有短短的30余年,作為中西交流的前沿地,在回歸前后經(jīng)歷了不少變化;貧w前受殖民政府所重視,撥發(fā)政府Yl學(xué)金支持本地藝術(shù)家到國(guó)外交流和留學(xué),同時(shí)邀請(qǐng)英國(guó)著名葡國(guó)版畫(huà)家來(lái)澳開(kāi)班授課,把技術(shù)和設(shè)備一并引進(jìn)澳門第一間視覺(jué)藝術(shù)學(xué)院,版畫(huà)藝術(shù)平步發(fā)展,同時(shí)得到國(guó)際間一致的認(rèn)同,隨后更得到企業(yè)界的支持,不少作品被葡萄牙,本地政府官員,收藏家所收購(gòu)。回歸后,版畫(huà)藝術(shù)發(fā)展卻因種種不明朗因素而出現(xiàn)低潮期,加上本澳一直缺乏藝術(shù)市場(chǎng),資源不足,令本土版畫(huà)藝術(shù)家難以擠身于“正式”市場(chǎng)當(dāng)中,而這種倒退現(xiàn)象也牽連到整個(gè)藝術(shù)圈的發(fā)展;貧w這十四年來(lái),澳門的政治,經(jīng)濟(jì),社會(huì),文化都因?yàn)椴┎蕵I(yè)以及賭權(quán)開(kāi)放發(fā)生了很大變化,而藝術(shù)創(chuàng)作始終伴隨著這種文化氛圍底下改變著。近年來(lái),伴隨而來(lái)的是文化產(chǎn)業(yè)漸漸成為澳門整體社會(huì)中非常重要的一環(huán)。文化局07年開(kāi)始到09年之間落實(shí)多項(xiàng)發(fā)展研究和征集各界意見(jiàn),充份反映特區(qū)政府關(guān)注文化產(chǎn)業(yè)前期工作進(jìn)行了充分準(zhǔn)備。文化創(chuàng)意產(chǎn)業(yè)的大力推廣,令澳門的版畫(huà)藝術(shù)重新有了一條嶄新的光明道路。無(wú)可否認(rèn)藝術(shù)教育對(duì)于文化價(jià)值的傳承與推廣在文化創(chuàng)意產(chǎn)業(yè)發(fā)展的可能性中成為一個(gè)非常重要的課題,故本論文先從澳門版畫(huà)發(fā)展史和藝術(shù)教育發(fā)展上出發(fā),利用本土各方面優(yōu)勢(shì)作為版畫(huà)與文化創(chuàng)意產(chǎn)業(yè)的價(jià)值作研究,并針對(duì)文化藝術(shù)發(fā)展現(xiàn)狀所帶出的優(yōu)缺和主客觀條件,如何開(kāi)放版畫(huà)藝術(shù)創(chuàng)作在文化創(chuàng)意產(chǎn)業(yè)的可能性作分析,令澳門版畫(huà)不只是一門單純的藝術(shù)品創(chuàng)作,同時(shí)也可以成為一種大眾消費(fèi)的生活藝術(shù),,成為一種文化創(chuàng)意產(chǎn)業(yè)。
[Abstract]:Although the art of print in Macao has only developed for more than 30 years, it has experienced a lot of changes before and after the return of China and the West as a frontier place of communication between China and the West.Before the reunification, the colonial government attached great importance to it. It allocated the government's Yl school funds to support local artists to exchange and study abroad. At the same time, they invited famous British and Portuguese printmakers to teach classes in Macao and introduce technology and equipment to Macao's first school of visual arts.The art of printmaking developed with international consensus and was subsequently supported by the business community. Many of the works were acquired by Portuguese, local government officials and collectors.Since the reunification, the development of printmaking art has experienced a period of decline due to various uncertainties. In addition, the lack of art market and the shortage of resources in Australia have made it difficult for local printmaking artists to squeeze into the "formal" market.And this kind of retrogression phenomenon also involves the development of the whole art circle.Since the return of Macao 14 years ago, Macao's politics, economy, society and culture have undergone great changes as a result of the opening up of gambling and gambling rights, and artistic creation has always been accompanied by changes in this cultural atmosphere.In recent years, cultural industry has gradually become a very important part of Macao society.From 2007 to 2009, the Bureau of Culture has carried out a number of development studies and solicited opinions from all walks of life, which fully reflects that the SAR Government has made full preparations for the preliminary work of the cultural industry.The vigorous promotion of cultural and creative industries has made the art of print in Macao a new bright road.There is no denying that art education has become a very important subject in the possibility of the development of cultural and creative industries for the inheritance and promotion of cultural values. Therefore, this paper starts from the history of the history of print and the development of art education in Macao.Taking advantage of local advantages as the value of print and cultural creative industry, and aiming at the advantages and disadvantages and subjective and objective conditions brought out by the present situation of cultural and artistic development, how to open up the possibility of printmaking in cultural and creative industry is analyzed.So that Macau print is not only a simple art creation, but also a kind of life art consumed by the public and a kind of cultural creative industry.
【學(xué)位授予單位】:中央美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J217

【共引文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王若鴻;工科院校藝術(shù)設(shè)計(jì)教育品牌化發(fā)展策略研究[D];西安美術(shù)學(xué)院;2012年



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