本文選題：筆墨程式 + 師法自然��； 參考：《中國美術(shù)學(xué)院》2013年碩士論文

【摘要】：本文通過對中國畫山水程式在造境時的具體應(yīng)用,來進(jìn)一步探求在規(guī)范完整的程式體系下,尋找繪畫形象的擴(kuò)展與繪畫符號語言的充實(shí)性的問題,目的是尋找在當(dāng)今水墨畫的發(fā)展中造型語言的多種可能性,避免對程式的固定思維模式來禁錮畫者真性情的表現(xiàn),在師造化的過程中不斷的尋找新的營養(yǎng)。中國山水畫的形成過程的一個很大特征是對程式的規(guī)范掌握與應(yīng)用,形成了一系列的理法,山水意境的營造,是一個藝術(shù)家對自我心理過程真切體驗的結(jié)果,人們將自己的想象轉(zhuǎn)化成具體藝術(shù)形象時,是一種從感知到理知的過程,在這個過程中組成畫面的符號語言和程式形成了所謂的“山水風(fēng)格”中國畫的程式發(fā)展是在不斷的補(bǔ)充,增益的過程中完善的。 中國畫發(fā)展到現(xiàn)在,筆墨程式已經(jīng)發(fā)展的相對完善,由于環(huán)境的限制,畫家怎樣在有限的環(huán)境中避免繪畫創(chuàng)作的保守和停滯不前,缺失師法自然在筆墨與物象中的橋梁作用是應(yīng)該引起我們思考的問題,寫生是我們在學(xué)習(xí)傳統(tǒng)山水畫的過程中得以獲取新繪畫語言的途徑之一,在這過程里尋求新的營養(yǎng),從而尋求在繪畫創(chuàng)作中的多種可能性。
[Abstract]:Through the concrete application of landscape formula in Chinese painting, this paper further explores the expansion of the painting image and the enrichment of the symbolic language of painting under the standard and complete program system.The purpose is to find a variety of possibilities of modeling language in the development of ink and wash painting, to avoid the expression of the true temperament of the artist by the fixed thinking mode of the program, and to constantly seek new nutrition in the process of teacher's creation.A great feature of the forming process of Chinese landscape painting is the standard mastery and application of the program, which forms a series of rational methods. The creation of landscape artistic conception is the result of an artist's true experience of the self-psychological process.When people transform their imagination into concrete artistic images, it is a process from perception to reason.In this process, the symbolic language and program that make up the picture form the so-called "landscape style" Chinese painting program.With the development of traditional Chinese painting, the stroke and ink program has developed relatively well. Due to the limitations of the environment, how do painters avoid the conservatism and stagnation of painting creation in a limited environment?The lack of the bridge between ink and ink is a problem that we should think about. Sketching is one of the ways for us to acquire new painting language in the process of studying traditional landscape painting. In this process, we seek new nutrition.In order to seek a variety of possibilities in painting creation.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

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