發(fā)布時間：2018-04-04 08:13

  本文選題：新疆油畫　切入點：文藝觀　出處：《新疆師范大學(xué)》2014年碩士論文

【摘要】：新疆油畫發(fā)展到今天，能夠感染觀眾的因素很大程度上取決于它的純自然環(huán)境和民俗氣息，特別是多元文化下的人文活動、人與自然生態(tài)的和諧融洽的關(guān)系，這為新疆文化藝術(shù)生態(tài)的形成奠定了良好的基礎(chǔ)。地緣關(guān)系使得新疆這個多民族的地域成為東方語境和西方語境的緩沖地帶，古往今來東西方文化在這里交融碰撞，產(chǎn)生了獨具新疆地域特色的文化藝術(shù)樣式。新中國成立后，新疆油畫在地緣政治的影響下迅速發(fā)展，受到毛澤東時代遺留下來的文藝理念的感染，從建國初期的新疆油畫中可以感受到老一輩畫家的成長背景。在當(dāng)時崇尚蘇聯(lián)美術(shù)教育的文化背景下，大批畫家留學(xué)蘇聯(lián)，其中一些人歸國后將蘇聯(lián)現(xiàn)實主義油畫引薦到新疆，為新疆油畫的發(fā)展作出卓越的貢獻，也使新疆現(xiàn)實主義油畫創(chuàng)作有了清晰的發(fā)展脈絡(luò)和較為深遠的公眾認知。 本文深度剖析了現(xiàn)實主義作為新疆油畫的一種景觀，其潛在的成因和傳承脈絡(luò)，尤其是從藝術(shù)與社會政治的關(guān)系角度，對促使它穩(wěn)健地扎根于新疆這片沃土的政治因素進行了詮釋。主要論述思路如下：首先就新疆現(xiàn)實主義油畫的形成，從包容的社會文化背景、中國和前蘇聯(lián)相同的政治體系、中國的革命文藝觀、對藝術(shù)從業(yè)者的扶持政策等方面作出說明；之后論述新疆油畫的現(xiàn)實主義之路，提到了影響中國油畫創(chuàng)作的外部環(huán)境和因素，和五十年代掀起的赴蘇留學(xué)熱潮，以及內(nèi)地現(xiàn)實主義思潮對新疆現(xiàn)實主義油畫的影響，論述了留蘇畫家全山石等畫家對發(fā)展新疆油畫教學(xué)作出的努力；最后談到新疆的現(xiàn)實主義畫家及其創(chuàng)作，，得出研究結(jié)論。 總的來講，新疆油畫從進入公眾視野到現(xiàn)在，積累了相當(dāng)可觀的油畫藝術(shù)經(jīng)驗，最終形成了新疆現(xiàn)實主義油畫的新風(fēng)貌。這種立足于本土的不同的經(jīng)驗促使新疆油畫成為文化藝術(shù)產(chǎn)業(yè)鏈上的潛在景觀。
[Abstract]:Xinjiang oil painting has developed to today, the factors that can infect the audience depend to a great extent on its pure natural environment and folk atmosphere, especially the cultural activities under the multi-cultural conditions, and the harmonious and harmonious relationship between human beings and natural ecology.This has laid a good foundation for the formation of cultural and artistic ecology in Xinjiang.The geographical relationship makes Xinjiang, a multi-ethnic region, a buffer zone between the eastern context and the western context. The culture of the East and the West collided here from time to time, resulting in a unique cultural and artistic style with the regional characteristics of Xinjiang.After the founding of New China, Xinjiang oil painting developed rapidly under the influence of geopolitics, and was infected by the literary and artistic ideas left over from Mao Zedong's time. From the oil painting of Xinjiang in the early days of the founding of the people's Republic of China, we can feel the growing background of the older generation of painters.Under the cultural background of advocating Soviet art education at that time, a large number of painters studied in the Soviet Union, and some of them introduced Soviet realistic oil paintings to Xinjiang after returning to China, thus making outstanding contributions to the development of oil paintings in Xinjiang.Xinjiang realistic oil painting also has a clear development context and a more profound public awareness.This paper deeply analyzes the potential causes and inheritance of realism as a landscape of Xinjiang oil painting, especially from the angle of the relationship between art and social politics.It explains the political factors that make it firmly rooted in the fertile soil of Xinjiang.The main ideas are as follows: first of all, the formation of Xinjiang realistic oil painting, from the inclusive social and cultural background, China and the former Soviet Union the same political system, China's revolutionary literature and art concept, the support policy for art practitioners, and so on.Then it discusses the realistic road of Xinjiang oil painting, and points out the external environment and factors that influence Chinese oil painting creation, and the upsurge of studying abroad in the Soviet Union in the 1950s, as well as the influence of the realistic trend of thought in the interior on the realistic oil painting in Xinjiang.This paper discusses the painters' efforts to develop oil painting teaching in Xinjiang, and finally discusses the realistic painters and their creation in Xinjiang, and draws the conclusion of the research.Generally speaking, Xinjiang oil painting has accumulated considerable oil painting art experience from entering the public view to now, and finally formed the new style of Xinjiang realistic oil painting.This kind of different experience based on local makes Xinjiang oil painting a potential landscape in the cultural and artistic industry chain.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻】

相關(guān)期刊論文 前3條

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3 卓然木·雅森;;新疆油畫創(chuàng)作的區(qū)位優(yōu)勢及其地域特色[J];新疆藝術(shù)學(xué)院學(xué)報;2010年03期

本文編號：1709116