中國新生代油畫家王念東作品中的象征主義傾向研究
發(fā)布時(shí)間:2018-03-28 00:21
本文選題:王念東 切入點(diǎn):象征主義 出處:《重慶師范大學(xué)》2014年碩士論文
【摘要】:當(dāng)代油畫創(chuàng)作的象征主義傾向是受自然和文化資源所影響的,在特定時(shí)代下產(chǎn)生的,具有時(shí)代精神和較高的審美價(jià)值,是畫家和美術(shù)評論家不停地追求卻未能明確的。象征主義創(chuàng)作風(fēng)格是具有學(xué)術(shù)意義的美學(xué)品格,具有一定的研究意義和探索價(jià)值。 新生代油畫家通過鮮明的視覺符號使作品具有強(qiáng)烈的精神指向。在油畫多元格局形式下顯得格外突出。它對于藝術(shù)本身、社會與市場和廣大觀眾來說都具有重要的意義。這些都將是中國油畫探索發(fā)展的一筆寶貴財(cái)富。本文主要研究中國新生代油畫家作品中的象征主義傾向研究。 本文將以王念東為例,,探索王念東早期引起社會關(guān)注的油畫作品入手,(因其藝術(shù)語言和形式語言的大膽、直接,引起了廣泛的關(guān)注)同時(shí)研究他各個(gè)系列的作品特征及其形成的因素,并著重研究其最具代表性和典型性的作品。他的作品為什么會被商業(yè)市場接受,以及在當(dāng)代藝術(shù)發(fā)展過程中的借鑒意義。 當(dāng)下關(guān)注王念東的藝術(shù)評論家、策展人和藏家?guī)缀醵际菑囊韵碌乃膫(gè)層面:都是文化的直觀呈現(xiàn)、個(gè)性情感的另類經(jīng)歷、象征內(nèi)涵的提升和主觀情感的表達(dá)層面來分析和解讀他藝術(shù)作品的視覺符號。筆者希望通過對文獻(xiàn)資料的梳理、對王念東作品和創(chuàng)作思想的再認(rèn)識、進(jìn)一步去解王念東象征主義傾向的原因;解析新生代油畫藝術(shù)家作品中象征主義傾向的新的內(nèi)涵形式是什么。為什么象征主義傾向是在特定時(shí)代下產(chǎn)生的受自然和文化資源所影響。為什么新生代油畫藝術(shù)家作品中的象征主義具有時(shí)代精神和較高的審美價(jià)值的創(chuàng)作取向。
[Abstract]:The symbolism tendency of contemporary oil painting creation is influenced by natural and cultural resources. It is produced in a specific era and has the spirit of the times and the higher aesthetic value. Symbolism is an aesthetic character with academic significance, which has certain research significance and exploration value. The new generation of oil painters, through their vivid visual symbols, make their works have a strong spiritual orientation. They are particularly prominent in the multi-pattern form of oil painting. It is very important to the art itself. It is of great significance to the society, the market and the audience. These will be a valuable asset for the exploration and development of Chinese oil painting. This paper mainly studies the symbolism tendency in the works of the new generation of Chinese oil painters. This article will take Wang Niandong as an example to explore his early oil paintings that aroused social concern (because of his bold and direct artistic language and formal language, At the same time, he studied the characteristics of his series and the factors that formed them, and focused on his most representative and typical works, and why his works were accepted by the commercial market. And the significance of reference in the development of contemporary art. The art critics, curators and collectors who pay close attention to Wang Niandong almost all come from the following four levels: the visual presentation of culture, the alternative experience of personality and emotion. The promotion of symbolic connotation and the expression of subjective emotion are used to analyze and interpret the visual symbols of his works of art. The author hopes to reunderstand Wang Niandong's works and creative thoughts through combing the literature. To further understand the reasons for Wang Niandong's symbolism tendency; What is the new connotation form of symbolism tendency in the new generation of oil painting artists? why is symbolism tendency influenced by natural and cultural resources in a specific era? why is the new generation of oil painting art? Symbolism in the works of artisans has the spirit of the times and high aesthetic value.
【學(xué)位授予單位】:重慶師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前3條
1 蘆甲川;;中國當(dāng)代油畫家的群體意識與油畫創(chuàng)作風(fēng)格演變[J];南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版);2013年01期
2 葛劍輝;;當(dāng)代都市油畫現(xiàn)狀與中國油畫發(fā)展[J];美術(shù)大觀;2013年02期
3 張育甲;;“新生代”油畫對當(dāng)代中國油畫的發(fā)展及意義[J];藝海;2011年05期
本文編號:1673925
本文鏈接:http://www.sikaile.net/wenyilunwen/huihuayishu/1673925.html