發(fā)布時(shí)間：2018-03-08 14:49

  本文選題：東北地區(qū)　切入點(diǎn)：表現(xiàn)性　出處：《沈陽大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：中國東北表現(xiàn)性風(fēng)景油畫具有很強(qiáng)烈的個(gè)性特征,藝術(shù)史上對(duì)于這種特征并沒有十分系統(tǒng)的歸納和總結(jié),本文研究的意義在于對(duì)中國東北表現(xiàn)性風(fēng)景畫的諸多特點(diǎn)進(jìn)行系統(tǒng)的歸納,提煉出幾大特征,旨在研究中國東北表現(xiàn)性風(fēng)景油畫特點(diǎn)的成因以及中國東北表現(xiàn)性風(fēng)景油畫的現(xiàn)況等做出簡要分析,闡述中國東北表現(xiàn)性風(fēng)景油畫在世界藝術(shù)舞臺(tái)的定位,并對(duì)當(dāng)下的中國東北表現(xiàn)性風(fēng)景油畫的主要特點(diǎn)作出歸納性的總結(jié)。本文中主要的技術(shù)難點(diǎn)在于,由于論文中對(duì)于中國東北古代的文獻(xiàn)考證略為少量,近現(xiàn)代中國的油畫教學(xué)也是有很多不同的教程,解決辦法是,我要通過自身在中國東北生活及學(xué)習(xí)油畫的過程進(jìn)行簡要闡述來彌補(bǔ)這方面的欠缺。本文主要研究過程以分析藝術(shù)的地域性差異與文化差異所呈現(xiàn)的具體藝術(shù)形式的獨(dú)有特點(diǎn)為主要手段,及這種變化所帶來的中國東北表現(xiàn)性風(fēng)景油畫特點(diǎn)來分析中國東北表現(xiàn)性風(fēng)景油畫特點(diǎn)的形成原因。其中主要的幾個(gè)方面,包括中國東北的地理、氣候、飲食、文化等幾大方面。通過結(jié)合自己在東北學(xué)習(xí)油畫的過程分析當(dāng)代的中國東北的油畫技巧與西方油畫技巧的異同,并通過對(duì)幾位東北表現(xiàn)性風(fēng)景油畫藝術(shù)家的作品進(jìn)行分析,最終闡釋中國東北表現(xiàn)性風(fēng)景油畫的特點(diǎn)。論文結(jié)論得出中國表現(xiàn)性風(fēng)景油畫是中國人自己的油畫表現(xiàn)形式,具有強(qiáng)烈的民族性和東方藝術(shù)氣質(zhì),東北人在油畫技術(shù)上自然奔放不拘于小節(jié),并具有“趣味性”、“憨”、“運(yùn)動(dòng)性”、“狠”等幾個(gè)明顯的畫面特點(diǎn)。最后對(duì)于中國表現(xiàn)性油畫的民族性傳承進(jìn)行呼吁。
[Abstract]:The expressive landscape oil painting of Northeast China has very strong personality characteristics, which has not been systematically summed up and summarized in the history of art. The significance of this study lies in the systematic induction of many characteristics of the expressive landscape paintings in Northeast China, and the extraction of several major features. The purpose of this paper is to make a brief analysis of the causes of the characteristics of Northeast China's expressive landscape oil painting and the present situation of Northeast China's expressive landscape oil painting, and to expound the orientation of Northeast China's expressive landscape oil painting in the world art stage. The main technical difficulties in this paper are that there is a little textual research on the ancient documents of Northeast China. Oil painting teaching in modern China also has many different tutorials. The solution is, I would like to make up for this deficiency through my own life in Northeast China and the process of studying oil painting. The main research process of this paper is to analyze the regional differences of art and the specific artistic forms of cultural differences. The unique characteristics of the type are the main means, And the characteristics of Northeast China's expressive landscape oil paintings brought about by this change, to analyze the reasons for the formation of the characteristics of Northeast China's expressive landscape oil paintings. Among them, the main aspects, including the geography, climate, diet of Northeast China, Through analyzing the similarities and differences between contemporary oil painting techniques of Northeast China and western oil painting skills, and by analyzing the works of several northeast expressive landscape oil painting artists, The paper concludes that the Chinese expressive landscape oil painting is the Chinese own oil painting performance form, has the strong nationality and the oriental artistic temperament, and finally explains the characteristic of the Chinese northeast expressive landscape oil painting, the conclusion of the paper is that the Chinese expressive landscape oil painting is the Chinese own oil painting form. The northeast people in the oil painting technology naturally unrestrained in the section, and has "interesting", "Han", "sports", "ruthless" and so on several obvious picture characteristics. Finally, carries on the appeal to the Chinese expressive oil painting nationality inheritance.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J213

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本文編號(hào)：1584351