本文選題：伯勛　切入點(diǎn)：人文關(guān)懷　出處：《美術(shù)》2016年07期 　論文類型：期刊論文

【摘要】：正青年畫家王伯勛出生于1975年,本科、碩士、博士皆畢業(yè)于中央美術(shù)學(xué)院,現(xiàn)已清華大學(xué)博士后出站。多年的學(xué)院學(xué)習(xí)使他成為了實(shí)至名歸的"學(xué)者型畫家",他認(rèn)真鉆研繪畫,提出了"寫意重彩"的新主張,認(rèn)真探求壁上繪畫向現(xiàn)當(dāng)代架上繪畫轉(zhuǎn)變的方向。本文將從王伯勛的兩個(gè)系列作品入手,從畫面的形式構(gòu)建、創(chuàng)作的心理層面和現(xiàn)實(shí)的人文關(guān)懷實(shí)現(xiàn)的角度,分析藝術(shù)家是如何利用身邊題材,結(jié)合寫意重彩創(chuàng)作完成"平視觀看"和人文關(guān)懷的。法國雕塑家羅丹說:"所謂大師就是這樣的人,他們用自己的眼睛去看別人見過的
[Abstract]:Wang Boxun, a young painter born in 1975, graduated from the Central Academy of Fine Arts with a bachelor's degree, master's degree, and Ph.D., and now has a postdoctoral position at Tsinghua University. Years of study in the school have made him a worthy "scholarly painter." he studied painting seriously. This paper puts forward the new idea of "freehand brushwork with emphasis on color", and earnestly explores the direction of transformation from wall painting to modern and contemporary frame painting. This article will start with Wang Boxun's two series works and construct from the form of the picture. From the perspective of the psychological aspect of creation and the realization of humanistic care in reality, the author analyzes how artists make use of the subject matter around them. French sculptor Rodin said: "the so-called master is such a person, they use their own eyes to see what others have seen."
【作者單位】： 仲愷農(nóng)業(yè)工程學(xué)院;
【分類號(hào)】：J212
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本文編號(hào)：1562039