本文選題：拉斐爾前派　切入點(diǎn)：題材　出處：《河北大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：拉斐爾前派是1848年英國幾位畫家組織的一場美術(shù)變革運(yùn)動(dòng)，其目的是改變當(dāng)時(shí)藝術(shù)盛行的趨勢。他們反對保守、呼喚創(chuàng)新，，在創(chuàng)作中忠實(shí)于“自然主義”信條，并崇尚宗教。反對那種死亡般毫無創(chuàng)意的程序畫風(fēng)，并主張回到15世紀(jì)意大利文藝復(fù)興初期運(yùn)用大量細(xì)節(jié)和強(qiáng)烈的顏色使用。 本文首先分析拉斐爾前派作品中出現(xiàn)最多題材的女性題材和文學(xué)題材，分析并歸納與其他藝術(shù)家創(chuàng)作的女性題材和文學(xué)題材有何不同。其次對拉斐爾前派繪畫作品進(jìn)行形式分析，采用比較的方法并結(jié)合19世紀(jì)的社會(huì)歷史背景，通過繪畫語言要素對拉斐爾前派主要畫家的經(jīng)典作品進(jìn)行深刻剖析和研究，最后總結(jié)出拉斐爾前派的藝術(shù)價(jià)值和對西方繪畫的藝術(shù)影響。
[Abstract]:In 1848, the Raphaelian movement was organized by several British painters to change the prevailing trend of art. They opposed conservatism, called for innovation, and were faithful to the tenets of "naturalism" in their creations. And religious. Oppose the deathless style of procedural painting and advocate a return to the early days of the Italian Renaissance in 15th century using a great deal of detail and intense colors. This paper first analyzes the female theme and literature theme, which has the most themes in Raphael's pre-school works. This paper analyzes and sums up the differences between the female themes and literary themes created by other artists. Secondly, it makes a formal analysis of Raphaelian paintings, and adopts a comparative method and combines the social and historical background of 19th century. Through the elements of painting language, the classical works of the main painters of the Raphael school are deeply analyzed and studied, and the artistic value of the pre-Raphael school and the artistic influence on the western painting are summarized.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J209.9

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 黃文;;論拉斐爾前派及其影響[J];濮陽職業(yè)技術(shù)學(xué)院學(xué)報(bào);2009年01期

2 李佳a(bǔ)

本文編號：1561941