本文關(guān)鍵詞： 意象性 工筆畫 繪畫語言 人文主義　出處：《湖南師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：意象是中國畫審美情趣之一,意象并不只存在于某一特定歷史時(shí)期或地理、文化區(qū)域。國畫講求意象,寫作也講求意象,西方繪畫或其他藝術(shù)形式也有意象之說。意象在國畫中,講究“寫意”,工筆尤為忌諱“僵化”、“呆板”,講求“寫意傳神”。國畫中的意象注重以畫家主觀的情感和審美趣味為主線,對客觀的對象進(jìn)行藝術(shù)提煉、加工,用繪畫語言創(chuàng)作出符合時(shí)代、民族、個(gè)性特色的作品,寄托畫家的情思,使我們在欣賞藝術(shù)作品時(shí)感受到物我相忘的意境。 不同時(shí)期的繪畫形式中,意象性的表現(xiàn)特征和側(cè)重點(diǎn)也有所不同。在當(dāng)代工筆畫中,注重傳統(tǒng)文化的繼承和當(dāng)代文化的發(fā)展；傳承和發(fā)展了工筆古典“三礬九染”等畫技法,又融入了西畫的造型學(xué)、色彩學(xué)、構(gòu)圖學(xué)等知識；既用傳統(tǒng)的國畫顏料,又引進(jìn)和開發(fā)了一系列新材料,在西方各種藝術(shù)思潮、觀念、流派、技巧的碰撞下,工筆畫的發(fā)展呈現(xiàn)出一種多元化發(fā)展的樣貌。 《城市里的貓》表現(xiàn)的是一只白貓穿梭于城市的曼妙風(fēng)景�！柏垺且环N極具個(gè)性的生靈,在海明威的筆下是女性意識的覺醒；在夏目的筆下是知識分子的一種生存狀態(tài)；在韋伯的音樂劇中,貓不僅繼承了艾略特筆下“好母親”的形象,也塑造了一個(gè)“墮落女子”的形象,不僅賦予貓不同的特點(diǎn),把那個(gè)世界中的善與惡表現(xiàn)得淋漓盡致。 文學(xué)作品中的貓,利用貓眼來看這個(gè)世界,運(yùn)用一種隱喻的手法來表達(dá)作者的思想和情感。在本系列工筆插畫《城市里的貓》,運(yùn)用繪畫語言解讀貓的靈性、高貴、敏感、慵懶的情感特質(zhì)。在穿越時(shí)空、不需安排特定情節(jié)、不受特定環(huán)境影響、像詩一樣表達(dá)心境的畫筆下,以貓的視野,呈現(xiàn)她生活的城市有花香和音樂,有欣賞和期待,有愜意和惆悵……
[Abstract]:Image is one of the aesthetic tastes of Chinese painting. Image does not exist only in a particular historical period or geographical and cultural region. Western painting or other forms of art also have the theory of imagery. In traditional Chinese painting, imagery stresses "freehand brushwork", meticulous brushwork is particularly taboo "rigid", "rigid", and stresses "freehand brushwork". The image in traditional Chinese painting focuses on the painter's subjective emotion and aesthetic taste as the main line. The objective objects are refined, processed, and the artistic conception of objects forgotten by us is felt when we appreciate the works of art by creating works in accordance with the times, nationalities and personality characteristics in the painting language. In the painting forms of different periods, the expressive features and emphases of imagism are different. In contemporary meticulous painting, emphasis is placed on the inheritance of traditional culture and the development of contemporary culture, and the inheritance and development of fine brushwork classical painting techniques, such as "three alum, nine dyes," and so on. It also integrates the knowledge of modeling, color and composition of western painting, and introduces and develops a series of new materials by using traditional Chinese painting pigments. Under the collision of various artistic trends, ideas, schools and techniques in the West, The development of fine brush painting presents a diversified development. "Cat in the City" is the beautiful scenery of a white cat in the city. "Cat" is a very personal creature, in Hemingway's pen is the awakening of female consciousness, in Xia Mu's pen is a living state of intellectuals; In Weber's musical, the cat not only inherits Eliot's image of "good mother", but also shapes the image of "fallen woman", which not only endows cats with different characteristics, but also shows the good and evil in that world. The cat in the literary works, using the cat's eye to see the world, uses a metaphorical technique to express the author's thoughts and feelings. In this series of meticulous illustrations of the Cat in the City, the use of painting language to interpret the cat's spirituality, nobility, sensitivity, Languid emotional trait. Under the paintbrush, which does not need to arrange the specific plot, is not affected by the specific environment, and expresses the mood like a poem, in the view of the cat, the city in which she lives has flower fragrance and music, appreciation and expectation. Have contentment and melancholy.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 徐麗娟;工筆人物畫色彩的傳統(tǒng)與創(chuàng)新[J];南陽師范學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2005年10期

2 黃艾,陳麗香;淺析中國傳統(tǒng)工筆人物畫意象色彩[J];蘇州大學(xué)學(xué)報(bào)(工科版);2004年03期

，

本文編號：1503662