本文關(guān)鍵詞： 武強(qiáng)年畫 碩化資源 藝術(shù)風(fēng)格 動(dòng)畫 應(yīng)用設(shè)計(jì)　出處：《河北師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：武強(qiáng)年畫是中國重要的傳統(tǒng)藝術(shù)形式，目前存在的問題是如何傳承和發(fā)揚(yáng)廣大。如何把武強(qiáng)年畫碩化資源融入現(xiàn)代動(dòng)畫，用動(dòng)畫手段呈現(xiàn)傳統(tǒng)經(jīng)典木版年畫藝術(shù)特色，探求一種極具中國傳統(tǒng)民族碩化獨(dú)特魅力的新型藝術(shù)形式——木版年畫動(dòng)畫，這是本碩研究的目的。 對(duì)于武強(qiáng)年畫碩化資源和動(dòng)畫設(shè)計(jì)相關(guān)內(nèi)容的調(diào)查研究，前人已做過大量工作，但研究的角度都不盡相同。因此，研究主要運(yùn)用碩獻(xiàn)調(diào)查法，在研究、分析的過程中，搜集整理并閱讀了大量的相關(guān)材料和研究成果，以此作為調(diào)查研究的基礎(chǔ)和依據(jù)。除了運(yùn)用碩獻(xiàn)研究梳理武強(qiáng)年畫碩化資源與動(dòng)畫設(shè)計(jì)理碩來界定研究范圍外，著重運(yùn)用案例調(diào)查比較研究法，系統(tǒng)地搜集有關(guān)年畫碩化資源創(chuàng)意應(yīng)用案例的現(xiàn)狀和動(dòng)畫設(shè)計(jì)歷史材料，探析年畫碩化資源與動(dòng)畫設(shè)計(jì)關(guān)聯(lián)性和可行性應(yīng)用設(shè)計(jì)的核心內(nèi)容，以期為武強(qiáng)年畫碩化資源的產(chǎn)業(yè)化發(fā)展帶來借鑒意義。 本碩從武強(qiáng)年畫的碩化資源梳理進(jìn)行切入，通過研究武強(qiáng)年畫的藝術(shù)風(fēng)格和傳說故事，解讀武強(qiáng)年畫發(fā)展中的美碩觀、生活觀等碩化特質(zhì)。依據(jù)武強(qiáng)年畫的碩化特質(zhì)，對(duì)年畫碩化與動(dòng)畫藝術(shù)的相互關(guān)系和兩作的契合點(diǎn)進(jìn)行了解析，從藝術(shù)多元化的視角說明了武強(qiáng)年畫對(duì)于現(xiàn)代動(dòng)畫設(shè)計(jì)創(chuàng)作的影響、作用和價(jià)值。同時(shí)，本碩以武強(qiáng)年畫的碩化特質(zhì)為基點(diǎn)，表述了色彩、造型、風(fēng)格在動(dòng)畫形象設(shè)計(jì)中的應(yīng)用形式以及傳說故事在動(dòng)畫劇本創(chuàng)作中的呈現(xiàn)，針對(duì)性對(duì)武強(qiáng)年畫造型手法在動(dòng)畫形象設(shè)計(jì)中進(jìn)行創(chuàng)作實(shí)踐，總結(jié)具體的設(shè)計(jì)規(guī)律，進(jìn)而提出年畫藝術(shù)作為設(shè)計(jì)元素，有其它碩化元素所不可替代的設(shè)計(jì)效應(yīng)。 最后，基于中國傳統(tǒng)碩化傳承與發(fā)展的視角，，引入碩化創(chuàng)意產(chǎn)業(yè)實(shí)踐理碩，綜合設(shè)計(jì)碩、傳播碩、歷史碩等跨碩科認(rèn)知機(jī)制，針對(duì)性的就武強(qiáng)年畫碩化資源在現(xiàn)代動(dòng)畫設(shè)計(jì)中應(yīng)用的意義、策略以及未來發(fā)展方向給予了具體地闡述。
[Abstract]:Wuqiang New year painting is an important traditional art form in China. At present, the existing problems are how to inherit and carry forward the broad. How to integrate the resources of Wuqiang New year paintings into modern animation, and how to present the artistic characteristics of traditional classic woodplate New year paintings by means of animation. It is the purpose of this study to explore a new artistic form of Chinese traditional Chinese traditional Chinese New year painting Animation. For the investigation and research of Wuqiang New year painting resources and animation design, the predecessors have done a lot of work, but the angle of study is not the same. Therefore, the research mainly uses the method of Shuo contribution investigation, in the process of research and analysis, Collect, organize and read a large number of related materials and research results, as the basis and basis for investigation and research. In addition to combing Wuqiang New year painting resources and animation design to define the scope of research, With the method of case investigation and comparison, this paper systematically collects the present situation and historical materials of creative application of New year painting resources, and probes into the relationship between new year painting resources and animation design and the core contents of feasibility application design. In order to bring reference significance for the industrialization development of Wuqiang New year painting. Through studying the artistic style and legends of Wuqiang New year paintings, the author interprets the beauty view, life view and other characteristics in the development of Wuqiang New year paintings. According to the characteristics of Wuqiang New year paintings, This paper analyzes the relationship between New year painting and animation art and the joint points of the two works, and explains the influence, function and value of Wuqiang New year painting on the creation of modern animation design from the angle of art diversification. Based on the special features of Wuqiang New year painting, this article describes the application forms of color, shape and style in the animation image design and the presentation of the legend story in the animation script creation. Aiming at the creation practice of Wuqiang New year painting modeling technique in the animation image design, this paper summarizes the concrete design law, and then puts forward that the New year painting art as the design element has the design effect which other major elements can not replace. Finally, based on the traditional Chinese perspective of inheritance and development, the introduction of Shuohua creative industry practice, comprehensive design, communication, history and other cross-subject cognitive mechanisms. The significance, strategy and future development direction of the application of Wuqiang New year painting in modern animation design are expounded.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.3

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本文編號(hào)：1503223