本文關(guān)鍵詞： 形式 形式美 抽象　出處：《湖南師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在藝術(shù)發(fā)展的歷程中,形式始終是藝術(shù)家們面對和關(guān)注的重要課題之一。造型是形式的科學(xué),藝術(shù)家憑借對形式的呈現(xiàn)來限制和引導(dǎo)人們的情緒,從而實現(xiàn)藝術(shù)的審美作用。構(gòu)圖的安排、黑白灰的分布、色彩的組合運用、肌理的制作等等,無不體現(xiàn)了藝術(shù)家對畫面形式美感的追求。此次《曲折韻律》的創(chuàng)作以樹枝和網(wǎng)為創(chuàng)作素材和靈感來源,通過自己對畫面形式的一些探索和把握,例如畫面中點、線、面的總體組合方式和節(jié)奏安排、點線面各自的疏密關(guān)系變化、線條的剛?cè)岽旨?xì)對比、色塊的大小形狀和層次對比等等,然后經(jīng)過不斷嘗試和調(diào)整,探索出一個單純和強(qiáng)烈視覺效果的畫面,以此來表現(xiàn)自己對事物的一種獨特情緒體驗。
[Abstract]:In the course of art development, form has always been one of the important topics that artists face and pay close attention to. Modeling is the science of form, and the artist restricts and guides people's emotion by presenting the form. In order to achieve the aesthetic role of art, composition arrangements, black and white gray distribution, color combination and use, texture production and so on. All of them reflect the artist's pursuit of the aesthetic sense of the picture form. The creation of the zigzag prosody takes the branch and the net as the creative material and inspiration source through his own exploration and grasp of the picture form. For example, the overall combination of points, lines, surfaces and rhythm arrangement, point line surface of their respective density relationship changes, lines of rigid and soft thick contrast, color block size, shape and level contrast, and so on. Then through constant attempts and adjustments to explore a simple and strong visual effect of the picture to express their own unique emotional experience of things.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 吳冠中;;內(nèi)容決定形式?[J];美術(shù);2010年09期

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本文編號：1473337