【摘要】：李斯特一生共創(chuàng)作了二十首狂想曲,其中《西班牙狂想曲》是李斯特晚年所創(chuàng)作的一首別具特色的作品,作品創(chuàng)作的高度及演繹的難度對(duì)彈奏的技巧是一個(gè)極大的挑戰(zhàn),尤其在諸多的細(xì)節(jié)中,對(duì)于演奏者的實(shí)力,甚至是體力都有著重重考驗(yàn)。從狂想曲風(fēng)格的萌芽開始,再到類似作品的成型,直到李斯特創(chuàng)作狂想曲的作品問世,奠定了狂想曲體裁在音樂作品中獨(dú)樹一幟的風(fēng)格。本文以研究李斯特《西班牙狂想曲》創(chuàng)作特征為主,從歷史風(fēng)格著手,結(jié)合現(xiàn)今的研究成果,作進(jìn)一步的研究探索。第一章是緒論,主要表明了個(gè)人的選題及意義,再介紹其研究現(xiàn)狀。第二章介紹了李斯特狂想曲體裁的繼承與發(fā)展及其在眾多音樂作品中的影響力,以及《西班牙狂想曲》創(chuàng)作來源與風(fēng)格體現(xiàn)。第三章進(jìn)一步分析《西班牙狂想曲》作品的本身及其創(chuàng)作特征,了解李斯特創(chuàng)作這首作品的環(huán)境因素、民俗風(fēng)情以及當(dāng)時(shí)的文化藝術(shù)風(fēng)格。在此基礎(chǔ)上,再細(xì)致的分析其曲式結(jié)構(gòu)、調(diào)性的布局及和聲的運(yùn)用,對(duì)音樂本身做進(jìn)一步的探討,深入了解作品本身的一些結(jié)構(gòu)及特點(diǎn)。第四章主要是從曲子的演奏層面來逐步拆分,以及兩個(gè)不同主題踏板的處理,將作品在演奏中的技術(shù)難點(diǎn)與其處理技巧在更細(xì)致的層面進(jìn)行分析,其間的快速華彩、八度、快速震音、雙音及遠(yuǎn)距離大跳直接的展示出來,以其在技術(shù)的層面直觀的感受到其重點(diǎn)難點(diǎn)及了解其處理方式。希望通過這種層層深入的研究方式,細(xì)致拆分的構(gòu)造方法,讓更多人了解《西班牙狂想曲》創(chuàng)作的源頭及其歷史成因,更全面的去感受李斯特在創(chuàng)造作品時(shí)期的心理特征,并且在作品本身的結(jié)構(gòu)以及重難點(diǎn)上有更多更全面的了解,從而更好的來突破演奏期間的瓶頸,深入作品本身,達(dá)到一個(gè)更好的演奏效果。
[Abstract]:Liszt wrote 20 Rhapsody songs in his lifetime. Among them, "Spanish Rhapsody" is a distinctive work by Liszt in his later years. The height of creation and the difficulty of deduction is a great challenge to the skill of playing. Especially in many details, the player's strength, and even physical strength has a heavy test. From the sprout of Rhapsody style to the formation of similar works until Liszt's Rhapsody works came out it laid a unique style of Rhapsody genre in musical works. This paper focuses on the characteristics of Liszt's "Spanish Rhapsody", starting from the historical style and combining with the current research results, makes further research and exploration. The first chapter is the introduction, mainly shows the personal topic and significance, and then introduces the current situation of its research. The second chapter introduces the inheritance and development of Liszt Rhapsody genre and its influence in many musical works as well as the origin and style of Spanish Rhapsody. The third chapter further analyzes the works of "Spanish Rhapsody" and their creative characteristics, to understand the environmental factors of Liszt's creation of this work, folk customs and cultural and artistic style at that time. On this basis, the structure of the music, the layout of the tone and the use of harmony are analyzed in detail, and the music itself is further discussed, and some of the structure and characteristics of the works are deeply understood. The fourth chapter is mainly from the music performance level to gradually split up, and two different theme pedal processing, the work in the performance of the technical difficulties and its processing skills in a more detailed level of analysis, the rapid splendor, octave, Rapid shock sound, double sound and long distance jump are displayed directly, so that they can directly feel the key points and difficulties and understand the processing methods in the technical level. I hope that through this kind of in-depth research, the construction method of carefully splitting up, more people will understand the origin and historical causes of the creation of Spanish Rhapsody, and more comprehensively experience Liszt's psychological characteristics during the period of creation. And in the structure of the work itself and more comprehensive understanding of the important difficulties, so as to better break through the bottleneck during the performance, go deep into the work itself, to achieve a better performance effect.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J624.1

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本文編號(hào)：2307921