本文選題：水彩畫 + 風格特征　； 參考：《廣西師范大學》2015年碩士論文

【摘要】：水彩畫在中國已經(jīng)有一百來年的歷史,受到我國博大精深傳統(tǒng)文化的滋養(yǎng),孕育出具中國民族氣質(zhì)、藝術(shù)情趣的中國水彩畫。它在我國蓬勃發(fā)展至今,受自然環(huán)境、氣候條件、不同地域風貌、風俗文化的影響進一步豐富了水彩畫的創(chuàng)作內(nèi)涵,促進了中國水彩畫的發(fā)展并在此過程中催生出眾多優(yōu)秀的水彩畫家。新中國成立后廣西壯族自治區(qū)陽太陽先生致力于創(chuàng)作水彩畫,其創(chuàng)作的《漓江木排》等作品蜚聲全國,他的藝術(shù)成就對廣西美術(shù)乃至中國藝術(shù)界有著極大的影響。繼陽太陽先生后廣西地區(qū)涌現(xiàn)出眾多優(yōu)秀的水彩畫家,本文研究對象為我國優(yōu)秀水彩畫家楊永葳。楊永葳生長在山水絕美的桂林,他用自己的畫筆留下對家鄉(xiāng)、對祖國深沉的情感。他崇尚自然,更崇尚繪畫的自然,所表現(xiàn)的風景都是內(nèi)心情感的體驗。他多以桂北地區(qū)古民居建筑群、自然風景、少數(shù)民族題材入畫。他崇尚自然熱愛寫生,北海漁船寫生系列是他水彩繪畫語言趨于穩(wěn)定、成熟的基礎(chǔ)。他以扎實的寫生基本功、純熟的技藝及個性的水彩藝術(shù)語言表現(xiàn)出熱愛自然、熱愛生活的東方審美情趣,其作品得到水彩畫界人士的廣泛認可。楊永葳孜孜不倦的探索水彩藝術(shù),培育了一批批年輕優(yōu)秀的水彩畫家及教師,并以自己的創(chuàng)作理念與風格影響著新生一代。本文試以楊永葳的水彩畫作品為著眼處,對其畫作中的藝術(shù)特點、技法及藝術(shù)成就、經(jīng)驗展開討論與分析,并從實踐中尋找其水彩畫藝術(shù)語言,以此解析他的水彩畫藝術(shù)風格特征。本文由三個部分組成,第一部分闡述了楊永葳水彩畫藝術(shù)歷程,以時間為主線,劃分為三個階段。第一階段結(jié)合北海寫生、鳳凰古鎮(zhèn)寫生作品來分析他的水彩畫藝術(shù)風格探索時期。第二階段是他水彩畫藝術(shù)風格特征穩(wěn)定發(fā)展的時期,在這一時期中他集中創(chuàng)作了一系列少數(shù)民族人物題材的創(chuàng)作作品并得到業(yè)界認可,通過對他水彩人物畫作品來解析他水彩畫風格穩(wěn)定發(fā)展的時期。最后階段是闡述從穩(wěn)定發(fā)展時期至今,結(jié)合他桂林山水、古建筑民居等作品來分析其水彩畫藝術(shù)風格穩(wěn)重求新的時期。第二部分研究其水彩風景畫風格特征形成的原因以及藝術(shù)風格特征,其一是由他的成長經(jīng)歷,其二是由他在廣州美院學習水彩畫,受廣東水彩畫風格的影響這兩大部分原因組成。剖析楊永葳水彩風景畫的風格特征,是本文的重點。從四個方面進行闡述：分別是多層、厚重色彩構(gòu)架,版畫的藝術(shù)特點與水彩畫融合,稚拙、大氣的人物形象造型,縱向線條在畫面中廣泛運用。第三部分是楊永葳水彩畫風格對筆者的啟示和影響,從兩方面撰寫,一方面是對筆者影響較大、進步較快的水彩寫生活動；另一方面從楊永葳單純的藝術(shù)理念與大氣、凝練的畫面氣勢拓寬筆者的藝術(shù)思維。
[Abstract]:Watercolor painting has a history of more than 100 years in China. It has been nurtured by the extensive and profound traditional culture of our country and nurtured the Chinese watercolor painting with Chinese national temperament and artistic interest.It has flourished up to now in our country, because of the influence of natural environment, climate conditions, different regional styles and customs and culture, it has further enriched the creative connotation of watercolor painting.Promote the development of Chinese watercolor painting and in the process of the emergence of many excellent watercolor painters.After the founding of New China, Mr. Yang Sun of Guangxi Zhuang Autonomous region devoted himself to the creation of watercolor paintings. His works, such as "Li River Wood Volleyball", were famous all over the country, and his artistic achievements had great influence on Guangxi art and even Chinese art circles.There are many outstanding watercolor painters in Guangxi after Mr. Yang Sun. The research object of this paper is Yang Yongwei, an excellent watercolor painter in China.Yang Yongwei grew up in Guilin, a beautiful landscape. He left deep feelings for his hometown and motherland with his paintbrush.He advocates nature, but also the nature of painting, showing the scenery is the experience of inner feelings.He to Guanbei ancient residential buildings, natural scenery, ethnic subjects into the painting.He advocates nature and loves sketching. The North Sea fishing boat sketch series is the basis for his watercolor painting language to become stable and mature.He shows his love of nature and life with his basic skills of painting, skillful skills and unique artistic language of watercolor, and his works are widely recognized by people in watercolor circles.Yang Yongwei diligently explored watercolor art, cultivated a group of young and outstanding watercolor painters and teachers, and influenced the new generation with his own creative idea and style.Based on Yang Yongwei's watercolor paintings, this paper discusses and analyzes the artistic characteristics, techniques and achievements of his paintings, and tries to find out the artistic language of his watercolor paintings in practice.With this analysis of his watercolor art style features.This paper is composed of three parts. The first part expounds the artistic course of Yang Yongwei watercolor painting, divided into three stages with time as the main line.The first stage combines Beihai sketching, Phoenix ancient town sketching works to analyze his watercolor art style exploration period.The second stage was a period of steady development of the artistic style of his watercolor paintings. During this period, he concentrated on creating a series of works on the subjects of ethnic characters and was recognized by the industry.Through his watercolor figure painting works to analyze his watercolor painting style stable development period.The final stage is to elaborate from the stable development period to date, combined with his works of Guilin landscape, ancient buildings and other works to analyze its watercolor art style of stable and new period.The second part studies the reasons for the formation of his watercolor landscape painting style characteristics and artistic style characteristics, one is his growing up experience, the other is that he studies watercolor painting at Guangzhou Academy of Fine Arts.Affected by the style of Guangdong watercolor painting these two major reasons.Analysis of Yang Yongwei watercolor landscape painting style characteristics, is the focus of this article.It is described from four aspects: multilayer, thick color frame, the artistic characteristics of printmaking and watercolor painting fusion, childish, atmospheric figure image modeling, longitudinal lines are widely used in the picture.The third part is the inspiration and influence of Yang Yongwei's watercolor painting style to the author. On the one hand, it has a great influence on the author and the rapid progress of watercolor painting activities; on the other hand, from Yang Yongwei's pure artistic concept and atmosphere,Condensed picture momentum broadens the author's artistic thinking.
【學位授予單位】：廣西師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J215

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