本文關(guān)鍵詞： 地景建筑 圖底關(guān)系 設(shè)計邏輯策略　出處：《河北工程大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：建筑,通常與其所處的社會環(huán)境情況緊密相關(guān),反映出其所處時代的發(fā)展與變化,一個具有代表性的建筑往往是這個時期最先進(jìn)的、最受關(guān)注的藝術(shù)科學(xué)文化領(lǐng)域的凝結(jié),是社會意識形態(tài)的物質(zhì)反映。地景建筑作為一種與場地自然環(huán)境密不可分的建筑形式,在現(xiàn)代主義“國際式”迅速占領(lǐng)絕大部分城市用地的時候,一度處于“邊緣化”的發(fā)展模式;但是隨著復(fù)雜性科學(xué)技術(shù)的進(jìn)步、生態(tài)化的發(fā)展以及在“混凝土盒子”之中人類情感記憶的缺失,建筑與自然、人類的相處模式重新引發(fā)了人們尤其是建筑師們的深刻思考。地景建筑以場地與建筑環(huán)境的同質(zhì)化發(fā)展為本源特征,強調(diào)了建筑與周圍大地景觀的界面以及人們的視知覺體驗的連續(xù)性,嘗試回歸建筑的“本源屬性”。地景建筑由于與場地地形及環(huán)境景觀的高契合度,往往呈現(xiàn)出復(fù)雜連續(xù)的非線性形態(tài),但在獨特形態(tài)的背后,尋求建筑更本質(zhì)層次上的意義卻更為重要。不同領(lǐng)域、觀念的交叉滲透往往會產(chǎn)生新的火花,本文以圖底關(guān)系的視知覺體驗為切入點,首先對文中所闡述的兩個基本點“地景建筑”與“圖底關(guān)系”的興起背景、發(fā)展歷程以及相關(guān)基礎(chǔ)理論進(jìn)行了梳理,著重研究上述二者相關(guān)理論的概念、發(fā)展演進(jìn)、學(xué)科價值以及倫理思想。分析探究以往傳統(tǒng)的圖底關(guān)系分析方法是否還適用于地景建筑的研究,如果答案是否定的,那么是否可能創(chuàng)新出適用于地景建筑相互交疊、邊界模糊等特征的新的圖底關(guān)系理論,如果答案是肯定的,那么是否能由此引申出地景建筑相關(guān)的設(shè)計方法與邏輯策略,探究形態(tài)背后的操作邏輯——這將是本文研究的主線所在。
[Abstract]:Architecture, usually closely related to the social environment in which it is located, reflects the development and change of its time. A representative building is often the most advanced, most concerned art, science, and cultural field of this period. It is the material reflection of social ideology. As a form of architecture closely related to the natural environment of the site, landscape architecture has rapidly occupied the vast majority of urban land when modernism "international style" occupied the vast majority of urban land. But with the development of complex science and technology, ecological development and the loss of human emotional memory in the "concrete box", architecture and nature, The mode of human coexistence has rekindled the deep thinking of people, especially architects. Landscape architecture is characterized by the homogenization of the site and the architectural environment. This paper emphasizes the interface between architecture and surrounding earth landscape and the continuity of people's visual perception experience, and tries to return to the "original attribute" of architecture. There is often a complex and continuous nonlinear form, but behind the unique form, it is more important to seek the meaning of the building at a more essential level. In different fields, the cross-penetration of ideas often produces new sparks. This article regards the visual perception experience of the relationship between map and background as the breakthrough point, firstly combing the rising background, developing course and related basic theories of the two basic points, "landscape architecture" and "the relationship between the map and the bottom", which are described in the paper. Focusing on the concept, evolution, discipline value and ethical thought of the above two related theories, and analyzing whether the traditional analysis method of mapping and bottom relation is still applicable to the study of landscape architecture, if the answer is no, So, is it possible to innovate a new theory of bottom relationship that can be applied to the overlapping of landscape architecture and the blurring of boundaries, and if the answer is yes, can the design methods and logical strategies related to landscape architecture be derived from this? Explore the operation logic behind the form-this will be the main line of this study.
【學(xué)位授予單位】：河北工程大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU201;TU986

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本文編號：1533986