本文關(guān)鍵詞： 川劇臉譜藝術(shù) 價值 創(chuàng)新 傳承　出處：《昆明理工大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：川劇臉譜以當(dāng)?shù)孛耖g習(xí)俗文化為基底,具有獨特的藝術(shù)造型,色彩艷麗,線條柔美,常用抽象的圖案突出人物面部的骨骼、筋絡(luò)、肌肉紋理,以此暗喻人物的忠奸善惡。川劇臉譜的創(chuàng)作是來自藝術(shù)家對戲曲人物深度的剖析以及對生活的正確評價,是符合觀眾的審美要求,具有重要的理論研究意義和實踐價值。針對川劇臉譜藝術(shù)的創(chuàng)新與發(fā)展,本文充分挖掘出川劇臉譜藝術(shù)的圖案、色彩、行當(dāng)以及它們之間的內(nèi)在關(guān)系,多方面分析其傳承價值,從不同角度嘗試對川劇臉譜進(jìn)行創(chuàng)新,對擴(kuò)大川劇的受眾群體和傳承起到了積極作用。本文綜合分析了川劇臉譜藝術(shù),內(nèi)容分為六大部分,第一,整理了國內(nèi)外川劇臉譜的研究情況,指出研究中存在的不足,提出問題；第二,認(rèn)識川劇臉譜的地域環(huán)境與文化內(nèi)涵,了解川劇臉譜的文化背景和發(fā)展歷程,對川劇臉譜的藝術(shù)特征做出一些針對性的論述,包括色彩寓意、特色造型、變臉臉譜；第三,對比國內(nèi)其他劇種,以京劇和西南地區(qū)的劇種為例,闡述它們的基本特征,從中找出差異性；第四,剖析川劇臉譜藝術(shù)的傳承價值,從它的文化價值、經(jīng)濟(jì)價值、藝術(shù)價值、情感價值這四方面的價值來揭示臉譜的傳承現(xiàn)狀與未來趨勢,找出現(xiàn)狀中存在的問題；第五,這一部分包括文章的第五章和第六章,是整個文章的核心部分。對于川劇臉譜的創(chuàng)新,分別從引進(jìn)新題材、材料的改變、舞臺藝術(shù)這三個方面嘗試創(chuàng)新。再從社會因素的角度,針對臉譜在傳承的過程中所面臨的一系列問題和機(jī)遇,提出解決方案和建議。第六,文章的第七章,總結(jié)論文的創(chuàng)新點,提出研究的不足和展望。本文的研究對川劇臉譜做了一個系統(tǒng)性的總結(jié),通過對臉譜的深度剖析,有助于臉譜的創(chuàng)新,為臉譜研究擴(kuò)大想象空間,有利于川劇的可持續(xù)發(fā)展。
[Abstract]:Based on the local folk custom culture, Sichuan opera facial makeup has a unique artistic shape, bright colors, soft lines, commonly used abstract patterns to highlight the bones, tendons, muscle textures of people's faces. The creation of facial makeup of Sichuan opera comes from the artist's analysis of the depth of the opera characters and the correct evaluation of life, which is in line with the aesthetic requirements of the audience. It has important theoretical research significance and practical value. In view of the innovation and development of the facial art of Sichuan opera, this paper fully excavates the patterns, colors, trades and their internal relations of the facial art of Sichuan opera, and analyzes its inheritance value in many aspects. This paper attempts to innovate the facial composition of Sichuan opera from different angles, which plays a positive role in expanding the audience and heritage of Sichuan opera. This paper comprehensively analyzes the art of facial composition of Sichuan opera, the content of which is divided into six parts: first, Sorting out the research situation of Sichuan opera face at home and abroad, pointing out the deficiencies in the study, putting forward problems; second, understanding the regional environment and cultural connotation of Sichuan opera face composition, understanding the cultural background and development process of Sichuan opera face composition. To make some pertinent expositions on the artistic features of Sichuan opera facial composition, including color implication, characteristic modeling, and facial change; third, comparing with other kinds of drama in China, taking Peking Opera and those in southwest China as examples, to expound their basic characteristics. In 4th, it analyzes the inheritance value of facial art in Sichuan opera, and reveals the present status and future trend of the inheritance of facial art from its cultural value, economic value, artistic value and emotional value. Find out the problems existing in the present situation; 5th, this part includes 5th chapters and 6th chapters of the article, which is the core part of the whole article. From the point of view of social factors, aiming at a series of problems and opportunities faced by Facebook in the process of inheritance, this paper puts forward solutions and suggestions. 6th, 7th chapter of the article, summarizes the innovation points of the thesis. The research of this paper makes a systematic summary of the facial composition of Sichuan opera, through the in-depth analysis of the facial composition, it is helpful to the innovation of Facebook, to expand the imagination space for the study of facial composition, and conducive to the sustainable development of Sichuan opera.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J528.3;J825

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相關(guān)期刊論文 前1條

1 李致;;轟動日本的“川劇熱”[J];四川戲劇;2012年03期

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本文編號：1511162