梅堯臣的“意新語工”論研究
發(fā)布時間：2018-08-16 07:49
【摘要】：被譽為宋詩“開山祖師”的梅堯臣,在北宋詩歌革新運動中所起的作用不可輕忽。他在詩歌革新中提出的“意新語工”論有著豐富的內涵。他認為作詩之前須立意,且詩意的闡發(fā)不應該蹈襲前人,而應該求新求變。隨后寄言出意,這就要求對詩歌語言進行加工,不但要實現(xiàn)言意的統(tǒng)一,還要追求言外之意營造出的深遠意境。梅堯臣的這些詩學思想根植于中國詩論的深厚土壤中,也與他自己在詩歌創(chuàng)作實踐中的轉益多師和大膽創(chuàng)新有很大關系。梅堯臣的“意新語工”論為當時追求思想之新和語言之妙的宋代詩人提供了重要的創(chuàng)作指導,可謂影響深遠。本文主要從三個角度對梅堯臣的“意新語工”論進行深入發(fā)掘:第一部分,挖掘其內涵。首先,從創(chuàng)作論的角度來挖掘“意新語工”對詩歌創(chuàng)作有哪些要求;其次,從文本解讀的角度分析梅堯臣的詩歌作品如何體現(xiàn)“意新語工”的特點。第二部分,追溯其源流。從理論和創(chuàng)作兩個層面追溯梅堯臣“意新語工”論的淵源�！耙庑抡Z工”論歸根結底可歸于言意論。言意論在中國詩論史上占據(jù)著重要的一席之地,各代詩論家都在豐富和推進著這一命題。到宋代時,梅堯臣吸取前人詩論成果,并結合自己的詩歌創(chuàng)作經(jīng)驗,提出了“意新語工”論。第三部分,分析其影響。首先,梅堯臣作為北宋詩歌革新運動中的核心人物,他針對當時詩歌弊病提出的“意新語工”論,有其深刻的現(xiàn)實意義,為當時的詩歌創(chuàng)作提供了重要的理論指導;其次,梅堯臣作為“開宋詩之一代面目”者,其理論及創(chuàng)作都對后世產生了很大影響,成為眾多詩人的效法對象。
[Abstract]:Mei Yaochen, known as the "founder" of Song poetry, played an important role in the poetry innovation movement in the Northern Song Dynasty. His theory of "Italian New Work" in the poetry innovation had rich connotations. He believed that before writing poetry, one should make up one's mind, and that poetic interpretation should not follow the predecessors'example, but should seek new changes. Mei Yaochen's poetic thoughts are rooted in the deep soil of Chinese poetics, and are closely related to his own practice of poetry creation. Mei Yaochen's theory of "Italian New Language Work" This article mainly explores Mei Yaochen's theory of "Italian New Work" from three angles: the first part, excavates its connotation. First, from the perspective of creative theory, it explores what "Italian New Work" has to do with poetry creation. The second part traces back to the origin of Mei Yaochen's theory of "Italian New Work" from both theoretical and creative levels. In the Song Dynasty, Mei Yaochen drew on the achievements of his predecessors'poetic theories and combined with his own experience in poetry creation, put forward the theory of "Yixinyugong". The theory of "Italian New Language Work" put forward by the maladies of poetry at that time had its profound practical significance and provided important theoretical guidance for the poetry creation at that time. Secondly, Mei Yaochen's theory and creation, as a "face of one generation of poetry in the early Song Dynasty", had a great influence on later generations and became the effect of many poets.
【學位授予單位】：青海師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22
本文編號：2185362
[Abstract]:Mei Yaochen, known as the "founder" of Song poetry, played an important role in the poetry innovation movement in the Northern Song Dynasty. His theory of "Italian New Work" in the poetry innovation had rich connotations. He believed that before writing poetry, one should make up one's mind, and that poetic interpretation should not follow the predecessors'example, but should seek new changes. Mei Yaochen's poetic thoughts are rooted in the deep soil of Chinese poetics, and are closely related to his own practice of poetry creation. Mei Yaochen's theory of "Italian New Language Work" This article mainly explores Mei Yaochen's theory of "Italian New Work" from three angles: the first part, excavates its connotation. First, from the perspective of creative theory, it explores what "Italian New Work" has to do with poetry creation. The second part traces back to the origin of Mei Yaochen's theory of "Italian New Work" from both theoretical and creative levels. In the Song Dynasty, Mei Yaochen drew on the achievements of his predecessors'poetic theories and combined with his own experience in poetry creation, put forward the theory of "Yixinyugong". The theory of "Italian New Language Work" put forward by the maladies of poetry at that time had its profound practical significance and provided important theoretical guidance for the poetry creation at that time. Secondly, Mei Yaochen's theory and creation, as a "face of one generation of poetry in the early Song Dynasty", had a great influence on later generations and became the effect of many poets.
【學位授予單位】：青海師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.22
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