【摘要】：新時(shí)期內(nèi)蒙古“三少民族”女作家依托獨(dú)具特色的地域?qū)傩院臀幕駜?nèi)核創(chuàng)作出主要表現(xiàn)追尋民族根脈和表達(dá)女性訴求這兩大主題的小說(shuō)。她們以小說(shuō)的創(chuàng)作發(fā)聲,堅(jiān)守和關(guān)注本民族文化,關(guān)注和審視民族女性的生存境遇,凸顯出她們堅(jiān)定的文化立場(chǎng),體現(xiàn)了她們深沉的文化關(guān)懷。她們小說(shuō)的創(chuàng)作是受民族地域內(nèi)獨(dú)特自然環(huán)境、本民族生產(chǎn)生活方式、宗教信仰以及自身“女性意識(shí)”的影響而產(chǎn)生的。她們小說(shuō)創(chuàng)作的價(jià)值體現(xiàn)在文化積淀下的悲憫情懷以及矚目自身性別的創(chuàng)作和超越性別寫作的努力上。本論文主要分為引言、正文、結(jié)語(yǔ)三個(gè)部分。引言部分對(duì)內(nèi)蒙古“三少民族”女作家創(chuàng)作的時(shí)代背景和文化背景進(jìn)行簡(jiǎn)要的梳理,同時(shí)分析歸納了內(nèi)蒙古“三少民族”女作家新時(shí)期小說(shuō)的研究現(xiàn)狀。正文第一部分主要?dú)w納整理了內(nèi)蒙古“三少民族”女作家新時(shí)期小說(shuō)中的兩大主題——民族根脈的追尋和女性訴求的表達(dá)。女作家們對(duì)民族根脈追尋主題的書寫主要體現(xiàn)在她們小說(shuō)中尋找流失的民族文化、詩(shī)意鄉(xiāng)土的謳歌和生態(tài)破壞的反思,以及都市生活中的精神憩園這三個(gè)方面的表達(dá)上。女作家們?cè)诒磉_(dá)女性訴求的主題時(shí)著重書寫了女性“母愛(ài)”和“性愛(ài)”經(jīng)驗(yàn)、表達(dá)了對(duì)不公命運(yùn)的反抗,以及表達(dá)了對(duì)心靈伴侶的渴望和找尋。第二部分結(jié)合作品從宏觀角度歸納論述內(nèi)蒙古“三少民族”女作家新時(shí)期小說(shuō)的這兩大主題形成的原因是受自然因素、生產(chǎn)生活方式、宗教信仰、女性意識(shí)這四方面的影響。這些因素構(gòu)成了女作家們小說(shuō)中獨(dú)特的民族地域風(fēng)貌和文化背景,觸發(fā)了女作家們對(duì)在這些因素影響下的民族兒女的敘寫,激發(fā)了女作家們民族情感的表達(dá),啟發(fā)了女作家們對(duì)民族女性生存境遇的審視和關(guān)懷。這些因素使得女作家們的小說(shuō)獨(dú)具魅力和韻味,富有民族特色,具有真實(shí)親切感和深刻性。第三部分簡(jiǎn)要結(jié)合作品歸納論述了內(nèi)蒙古“三少民族”女作家新時(shí)期小說(shuō)中這兩大主題的價(jià)值功能主要體現(xiàn)在文化積淀下的悲憫情懷以及矚目自身性別的創(chuàng)作和超越性別的寫作上。她們以與生俱來(lái)的悲天憫人的情懷及矚目自身性別的創(chuàng)作和超越性別的書寫,表達(dá)濃郁的鄉(xiāng)愁,關(guān)注著民族兒女的生存境遇,審視著民族女性的生活狀態(tài)和人生價(jià)值,思考著社會(huì)發(fā)展中的人倫常態(tài)。結(jié)語(yǔ)對(duì)整篇論文進(jìn)行總體觀照總結(jié)。內(nèi)蒙古“三少民族”女作家將一篇篇生動(dòng)、深沉、雋永的小說(shuō)展現(xiàn)在讀者面前,作為女性,她們展現(xiàn)了全球化時(shí)代下的女性寫作;作為少數(shù)民族,她們完成了同一性的雙重身份認(rèn)同;作為知識(shí)分子,她們彰顯了邊緣地位的理性思考,她們的小說(shuō)創(chuàng)作極大的豐富了內(nèi)蒙古地區(qū)文學(xué),體現(xiàn)了深刻的價(jià)值和意義。
[Abstract]:In the new period, the female writers of "three Little nationalities" in Inner Mongolia, relying on their unique regional attributes and cultural spirit, have created novels on the two main themes of pursuing national roots and expressing women's demands. They speak with the creation of novels, stick to and pay attention to their own national culture, pay attention to and examine the living conditions of national women, highlight their firm cultural stand, and reflect their deep cultural concern. The creation of their novels is influenced by the unique natural environment, the national production and life style, the religious belief and their own "female consciousness". The value of their novels is reflected in their feelings of compassion and their efforts to focus on their own gender and transcend their gender writing. This thesis is divided into three parts: introduction, text and conclusion. The introduction briefly combs the background and cultural background of the female writers' creation in Inner Mongolia, and analyzes and sums up the present situation of the study on the novel of the new period by the female writers of the "three minority nationalities" in Inner Mongolia. The first part of the text mainly summarizes and arranges the two major themes in the novel of "three Minority nationalities" women writers in Inner Mongolia in the new period-the pursuit of national roots and the expression of women's demands. The female writers' writing of the theme of searching for the national roots is mainly reflected in their novels' searching for the lost national culture, the reflection of the poetic native land's eulogizing and the ecological destruction, and the expression of the spiritual recreation garden in the city life. When expressing the theme of women's demands, women writers emphasize the experiences of women's "maternal love" and "sex", express their resistance to unfair fate, and express their desire for and search for soul mates. The second part combines the works from the macroscopic angle to summarize and discuss the causes of the formation of the two themes of the novel of the new period of the female writers of the three Minority nationalities in Inner Mongolia, which are influenced by the natural factors, the way of production and life, the religious belief and the female consciousness. These factors constitute the unique national regional style and cultural background in the female writers' novels, trigger the narration of the national children under the influence of these factors, and stimulate the expression of the national emotion of the female writers. It inspired women writers to examine and care for the living conditions of national women. These factors make the novels of women writers have unique charm and charm, full of national characteristics, true affinity and profundity. The third part summarizes and discusses the value functions of the two themes in the novel of the New period of Inner Mongolia's "three Minority nationalities" women writers, which are mainly reflected in the compassion under the cultural accumulation and the creation of attention to their own gender. Writing beyond gender. With their natural compassion and attention to the creation of their own gender and the writing of transcending gender, they express their strong nostalgia, pay close attention to the living conditions of their sons and daughters, and examine the living conditions and values of national women. Thinking about the social development of the normal human relations. The conclusion summarizes the whole paper. The female writers of Inner Mongolia's "three Little nationalities" present a vivid, deep and meaningful novel in front of readers. As women, they show the female writing in the era of globalization; as a minority, They have completed the identity of dual identity; as intellectuals, they show the edge of the rational thinking, their novels greatly enriched the Inner Mongolia literature, reflected the profound value and significance.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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