發(fā)布時(shí)間：2018-06-09 04:13

  本文選題：二次元 + 二次元文化�。� 參考：《東岳論叢》2017年09期

【摘要】：來自二次元的網(wǎng)絡(luò)小說已經(jīng)成為當(dāng)今網(wǎng)絡(luò)文學(xué)領(lǐng)域最具活力的生長(zhǎng)點(diǎn)。隨著80后、90后乃至00后作者們的成長(zhǎng)與成熟,二次元文化正逐漸由邊緣的"小眾文化"向中心的"大眾文化"滲透,而來自二次元文化的網(wǎng)絡(luò)小說也必將隨之成為網(wǎng)絡(luò)文學(xué)的主流。但是目前的文學(xué)批評(píng)界對(duì)二次元文化仍然缺乏基本的了解。傳統(tǒng)的精英文學(xué)批評(píng)話語體系無法適用于網(wǎng)絡(luò)文學(xué)中來自二次元文化的話語體系,是目前困擾網(wǎng)絡(luò)文學(xué)研究的根本問題。研究二次元文化及其與網(wǎng)絡(luò)文學(xué)的關(guān)系是當(dāng)代文學(xué)批評(píng)所面臨的重要課題。
[Abstract]:The network novel from quadratic element has become the most vigorous growing point in the field of network literature. With the growth and maturity of the post-80s, post-90s and post-00 writers, the quadratic element culture is gradually infiltrating from the marginal "minority culture" to the central "popular culture". And the network novel from the quadratic element culture will become the mainstream of the network literature. However, the current literary critics still lack a basic understanding of quadratic element culture. The traditional discourse system of elite literary criticism can not be applied to the discourse system of quadratic element culture in the network literature, which is the fundamental problem that puzzles the study of network literature at present. It is an important subject for contemporary literary criticism to study quadratic element culture and its relationship with network literature.
【作者單位】： 山東大學(xué)文學(xué)院;
【分類號(hào)】：G122;I206.7

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本文編號(hào)：1998842