本文選題：路遙 + 俄蘇文學(xué)��； 參考：《中國(guó)社會(huì)科學(xué)院研究生院》2017年碩士論文

【摘要】：本文主要探討一直以來(lái)被忽視的俄蘇文學(xué)資源對(duì)路遙創(chuàng)作的深刻影響。在“影響研究”比較文學(xué)視域下,探究艾特瑪托夫、恰科夫斯基、尤里·納吉賓這三位作家,分別在審美機(jī)制的確立、作家形象的建構(gòu)和藝術(shù)表達(dá)的經(jīng)驗(yàn)方面,如何給予路遙有效的影響,成為其創(chuàng)作重要的文學(xué)資源。本文兼顧路遙小說(shuō)的思想性和藝術(shù)性來(lái)源。以扎實(shí)的文本細(xì)讀功夫和實(shí)證論證,建立起作家作品之間的堅(jiān)實(shí)聯(lián)系。通過(guò)細(xì)讀性的闡釋和具體的實(shí)證對(duì)比,對(duì)路遙作品中的諸多創(chuàng)作細(xì)節(jié),諸如“紅頭巾”與“小白楊”、“魚女”、白輪船、外星人等,比較落實(shí)他對(duì)艾特瑪托夫文學(xué)想象的有意借鑒,并分別展現(xiàn)出路遙在人物塑造、審美經(jīng)驗(yàn)、精神內(nèi)核、生命關(guān)懷等方面對(duì)艾特瑪托夫的認(rèn)同。在創(chuàng)作上,他們都堅(jiān)持開放的現(xiàn)實(shí)主義,同時(shí)吸收浪漫主義精神氣質(zhì)和現(xiàn)代主義表現(xiàn)方式,增強(qiáng)作品的感染力。在作家形象建構(gòu)方面,路遙受到恰科夫斯基很大的啟發(fā)。以“青年問(wèn)題”為中心,考察路遙與恰科夫斯基的寫作,在革命愛(ài)情觀、對(duì)于“新人”和“新世界”的探討、“青年導(dǎo)師形象”及青年女性形象建構(gòu)方面所具有的相似性。面對(duì)歷史轉(zhuǎn)折時(shí)期的現(xiàn)實(shí)世界,他們孤獨(dú)卻執(zhí)著地充當(dāng)著青年人的引路人和傳統(tǒng)理想主義信念的最后守衛(wèi)者�！稛崮醽啞斆悴赏蕖房v貫了《平凡的世界》的創(chuàng)作核心,是其小說(shuō)敘事的靈感源泉和原型主干。而“尤里·納吉賓式的結(jié)局”以其溫情的視角、遙遠(yuǎn)的詩(shī)性表達(dá)和古典主義的審美方式,深刻地影響到路遙的創(chuàng)作。同時(shí)他們的作品都呈現(xiàn)了旨在“喚醒人”的寫作主題,以細(xì)膩的心理描寫,探究當(dāng)代人的精神世界和普通人個(gè)人命運(yùn),并從側(cè)面尖銳地反映出時(shí)代的復(fù)雜問(wèn)題。
[Abstract]:This paper mainly discusses the profound influence of Russian and Soviet literature resources on Lu Yao's creation. From the perspective of comparative literature in the study of influence, this paper explores the three writers, Aitmatov, Chakovsky and Yuri Nagibin, in the aspects of the establishment of aesthetic mechanism, the construction of writer's image and the experience of artistic expression, respectively. How to give Lu Yao an effective influence and become an important literary resource. This paper takes into account the ideological and artistic sources of Lu Yao's novels. A solid relationship between writers and works is established with solid textual scrutiny and empirical proof. Through detailed interpretation and concrete empirical comparison, the author makes a lot of creative details in Lu Yao's works, such as "Red headscarf" and "Little White Poplar", "Fish woman", "White ship", "alien", etc. This paper compares and implements his intention to draw lessons from Aitmatov's literary imagination, and respectively shows Lu Yao's recognition of Atmatov in the aspects of character shaping, aesthetic experience, spiritual core, life care, and so on. In creation, they all adhere to open realism, absorb romantic spirit and modernism, and enhance the appeal of their works. In the aspect of writer image construction, Lu Yao was greatly inspired by Chakovsky. Taking "Youth problem" as the center, this paper examines the similarities between Lu Yao and Chakovsky's writing in revolutionary love, the discussion of "new man" and "new world", the image of "young tutor" and the construction of young woman image. In the face of the real world in the turning point of history, they alone and persistently act as guides to young people and the last guardian of traditional idealistic beliefs. "Genia Rumentzeva" runs through the creative core of "the ordinary World". Is the source of inspiration and archetypal backbone of his novel narration. Yuri Nagibin's ending has a profound influence on Lu Yao's creation with its tender angle of view, distant poetic expression and classicist aesthetic style. At the same time, their works all present the writing theme of "awaken people", with delicate psychological description, to explore the spiritual world of contemporary people and the personal fate of ordinary people, and to reflect the complex problems of the times acutely from the side.
【學(xué)位授予單位】：中國(guó)社會(huì)科學(xué)院研究生院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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