發(fā)布時間：2018-05-05 00:47

  本文選題：災難 + 災難意識��； 參考：《湘潭大學學報(哲學社會科學版)》2017年02期

【摘要】：當代災難文學內涵缺乏認同、創(chuàng)作力不足使得這一題材一直難以達到更高的藝術層面。災難書寫存在瓶頸,需要我們對與之相關的災難以及災難意識重新定位,也需要我們從情感的、倫理的以及人性的層面進一步挖掘這一題材的審美意蘊,有所藝術突破。同時,一個民族的寫作方向離不開本民族特有的文化心理認同,鑒于我們民族表現出的“樂天知命”、“隨遇而安”的文化心理特征,災難文學的“創(chuàng)傷書寫”,則可以對這一題材如何實現藝術突破生發(fā)出一些建議與思考。
[Abstract]:The connotation of contemporary disaster literature lacks identity and creativity makes it difficult for this subject to reach a higher artistic level. There is a bottleneck in disaster writing, which requires us to reposition the disaster and disaster consciousness, and to further explore the aesthetic meaning of this subject from the emotional, ethical and human aspects, and to make an artistic breakthrough. At the same time, the writing direction of a nation can not be separated from the unique cultural psychological identity of its own nation. In view of the cultural psychological characteristics of "happy heaven and knowing destiny" and "making peace when the situation arises", and the "writing of trauma" in disaster literature, the writing direction of a nation can not be separated from the unique cultural psychology of its own. Then we can give some suggestions and thoughts on how to achieve the artistic breakthrough.
【作者單位】： 武漢工程大學外語學院;湖北科技學院;
【分類號】：I206;;I0-02
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本文編號：1845457