本文選題：《東方雜志》 + 同光體�。� 參考：《山東大學(xué)》2017年碩士論文

【摘要】："同光體"詩派是清代宗宋詩風(fēng)發(fā)展到晚近時(shí)期的高峰,它繼承并發(fā)揚(yáng)了道咸宋詩派的詩歌理論,形成了以陳衍為理論領(lǐng)袖,以陳三立、鄭孝胥等人為創(chuàng)作領(lǐng)袖的"同光體"詩派。"同光體"詩派龐大的詩歌創(chuàng)作為中國古典詩歌作了一個(gè)完美的收官。隨著"同光體"詩派淡出舊體詩壇,古典詩歌也隨之沒落了。隨著報(bào)刊媒體業(yè)的發(fā)展,"同光體"詩派開始在期刊上發(fā)表自己的作品,擴(kuò)大詩派影響力�！稏|方雜志》作為近代報(bào)刊中發(fā)行時(shí)間最長、影響力最大的報(bào)刊,其傳統(tǒng)詩歌欄目,幾乎被"同光體"詩派占據(jù)。本文即以"同光體"詩派發(fā)表在《東方雜志》上的詩歌為研究對象,通過文獻(xiàn)考索、定量分析與定性分析結(jié)合等研究方法,探究"同光體"與《東方雜志》的關(guān)系,以期找出現(xiàn)代傳媒方式與傳統(tǒng)詩歌創(chuàng)作相互影響之處。本文第一部分是《東方雜志》的相關(guān)研究。通過研究《東方雜志》的辦刊歷程、辦刊宗旨,探究其刊載"同光體"詩歌與其辦刊理念之間的因果關(guān)系。本文第二部分是"同光體"詩派的相關(guān)研究。通過梳理"同光體"詩派的興起與流變,探究"同光體"詩派"三元"說與"三關(guān)"說、"不俗"論、"學(xué)人之詩與詩人之詩"論等三大詩歌理論,從而確定"同光體"詩派的理論內(nèi)涵,為下文研究打好理論基礎(chǔ)。然后對出現(xiàn)在《東方雜志》上的詩人是否屬于"同光體"詩派作了界定。再對《東方雜志》上發(fā)表的舊體詩歌做定量分析,確定"同光體"詩派在《東方雜志》詩文欄中的優(yōu)勢地位。在此基礎(chǔ)上,對《東方雜志》上刊載的"同光體"詩歌題材特點(diǎn)與藝術(shù)特點(diǎn)作分析。本文第三部分首先探討了"同光體"詩派在報(bào)刊上刊載詩歌的傳統(tǒng),然后研究了"同光體"作家與《東方雜志》編輯之間的密切交往,總結(jié)"同光體"詩派選擇《東方雜志》作為其詩歌陣地的原因。本文最后一部分,首先對文化危機(jī)中"同光體"作家政治與文化上的雙重遺民身份進(jìn)行了分析。通過探究其在報(bào)刊媒體上大量發(fā)表詩歌以提高古典詩歌地位的做法,來說明"同光體"詩派在文化遺民身份上的自覺意識(shí)。然后,對晚清民初詩壇風(fēng)氣在"同光體"詩派的影響下逐步向宋詩派靠攏的現(xiàn)象進(jìn)行了論述。附錄1為《東方雜志》刊載"同光體"詩派詩歌收錄整理。此前學(xué)界對于"同光體"詩歌的研究多集中在傳統(tǒng)的研究領(lǐng)域,即其詩歌理論及代表作家的詩歌創(chuàng)作方面,缺少對"同光體"詩歌報(bào)刊刊載方面的研究。本文希望通過研究刊載在《東方雜志》上的"同光體"詩歌,補(bǔ)充完善關(guān)于晚清報(bào)刊詩歌研究的內(nèi)容。
[Abstract]:The "Tongguang style" poetic school was the peak of the Qing Dynasty's poetry style of the Song Dynasty. It inherited and carried forward the poetic theory of the Taoism and the Song poetry school, and formed Chen Yan as the theoretical leader and Chen Sanli as the theoretical leader.Zheng Xiaoxu and others as creative leaders of the "same light" poetic school.The huge poetic creation of Tongguang style makes a perfect conclusion for Chinese classical poetry.With the fading out of the old sports poetry school, classical poetry also declined.With the development of the newspaper and media industry, the "Tongguang style" poetic school began to publish its own works in periodicals and expand the influence of the poetic school. As the longest and most influential newspaper in modern newspapers and periodicals, Orient magazine has its traditional poetry column.Almost occupied by the "same light" poetic school.This paper takes the poetry published in Oriental Journal as the object of study, and explores the relationship between "Tongguang body" and "Oriental Journal" by means of literature research, quantitative analysis and qualitative analysis.In order to find out the interaction between modern media and traditional poetry creation.The first part of this paper is the related research of Oriental Journal.Based on the study of the course and tenet of "Orient Magazine", the causality between the publication of "the same light body" poetry and its idea of running a magazine is explored.The second part of this paper is the related research of the poetic school of "Tongguang style".By combing the rise and evolution of the poetic school of "Tongguang style", this paper probes into the three major theories of poetry, such as the theory of "the same light" and the "poetic school", the theory of "three customs", the "good" theory, the "scholar's poem" and the "poet's poem" theory.So as to determine the theoretical connotation of the "Tongguang style" poetic school, and lay a theoretical foundation for the following research.Then the author defines whether the poet in Oriental magazine belongs to the same light style.Then quantitative analysis is made on the old style poems published in Orient magazine, and the dominant position of the "same light style" poetry in the poetry column of Oriental Journal is determined.On this basis, this paper analyzes the theme and artistic features of "Tongguang style" published in Oriental Journal.In the third part of this paper, we first discuss the tradition of "the same light style" poetry school in the newspaper, and then study the close contact between the "same light style" writer and the editor of Oriental magazine.This paper summarizes the reasons why the poetry school of Tongguang style chose Orient magazine as its poetic position.In the last part of this paper, the author's political and cultural identity in the cultural crisis is analyzed.By exploring his practice of publishing poems in large numbers in newspapers and media in order to improve the status of classical poetry, this paper illustrates the conscious consciousness of the "Tongguang style" poetic school in the identity of the cultural relic.Then, it discusses the phenomenon that the trend of poetry in the late Qing Dynasty and the early Republic of China gradually converged to the Song poetry school under the influence of the "same light style" poetic school.Appendix 1 is a collection of poetry published in Oriental Magazine.The previous studies on the poetry of "Tongguang style" mainly focused on the traditional research field, that is, the theory of poetry and the poetry creation of the representative writers, and the lack of research on the publication of "Tongguang style" poetry in newspapers and periodicals.This paper hopes to perfect the content of the research on the late Qing newspaper poetry by studying the poetry of "Tongguang body" published in Oriental Journal.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

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