本文選題：鐘道宇 + 肇慶��； 參考：《廣東技術(shù)師范學(xué)院》2017年碩士論文

【摘要】：肇慶作為中國(guó)第三批歷史文化名城,擁有豐富的民間傳統(tǒng)文化資源,為鐘道宇進(jìn)行小說(shuō)創(chuàng)作提供了豐富的素材。肇慶是廣府文化的發(fā)源地和嶺南文化的發(fā)祥地,文明歷史非常久遠(yuǎn),有史可考的年代也長(zhǎng)達(dá)兩千多年,與中原文化相當(dāng)。肇慶歷史文化在形成與發(fā)展的過(guò)程中受到中原文化、西方文化的影響,形成了兼容并包、堅(jiān)毅溫和、務(wù)實(shí)進(jìn)取獨(dú)具特色的歷史文化特征。端硯文化是最具肇慶特色的文化。端硯的開采十分艱苦,制作水平非常之高,再加上端硯資源本身稀有,因而端硯的經(jīng)濟(jì)、文化等價(jià)值很高,倍受人們的關(guān)注和喜愛,在發(fā)展的過(guò)程之中積淀了深厚的文化,經(jīng)過(guò)文人的渲染,被賦予了十分高潔純正的品格,端硯文化開始人格化,形成了硯道、硯魂精神。鐘道宇是出生并成長(zhǎng)于廣東省肇慶市的青年作家,對(duì)肇慶地區(qū)的自然環(huán)境和人文歷史十分熟悉。他把肇慶的自然風(fēng)光和歷史文化資源引入到自己的文學(xué)創(chuàng)作活動(dòng)中,創(chuàng)作了許多小說(shuō)。他的端硯小說(shuō)通過(guò)端硯、家族的敘事手法和奇麗的結(jié)構(gòu)藝術(shù),融合了本土文化,形成了以端硯文化為核心的具有濃郁本土特色的文學(xué)格調(diào)。端硯文化是鐘道宇的文學(xué)道路上一個(gè)重要的里程碑。鐘道宇在近十幾年來(lái)注重吸取肇慶本土文化滋潤(rùn)自己的小說(shuō),尤其將端硯文化注入自己的文學(xué)創(chuàng)作中,成為其小說(shuō)的靈魂。他通過(guò)塑造一系列“硯人”形象,把肇慶的自然景觀、歷史文化、嶺南民俗風(fēng)情和廣府方言等等文化資源融入到小說(shuō)之中。離開端硯,其小說(shuō)將會(huì)毫無(wú)價(jià)值。鐘道宇的小說(shuō)透露出他深重的端硯情懷。他以小說(shuō)向世人明示硯魂、硯道精神,傳承端硯文化,在肇慶本土文學(xué)乃至廣東本土文學(xué)中具有重要而獨(dú)特的文化與文學(xué)價(jià)值。
[Abstract]:Zhaoqing, as the third historical and cultural city in China, has abundant folk traditional cultural resources, which provides abundant material for Zhong Dao-yu 's novel creation.Zhaoqing is the birthplace of Guangfu culture and the birthplace of Lingnan culture.The history and culture of Zhaoqing were influenced by the culture of the Central Plains and the West in the process of formation and development, forming the historical and cultural characteristics of inclusiveness, tenacity and mild, pragmatic enterprising and unique characteristics.Duan inkstone culture is the most characteristic culture of Zhaoqing.The mining of Duan inkstone is very difficult, the production level is very high, and the resources of Duan inkstone are very rare, so the economic and cultural value of Duan inkstone is very high, and people pay close attention to it and enjoy it. In the process of development, it has accumulated a profound culture.After the literati's rendering, was endowed with a very clean and pure character, Duan inkstone culture began to personalize, forming the spirit of Yan Dao, inkstone soul.Zhong Dao-yu is a young writer who was born and raised in Zhaoqing City, Guangdong Province. He is very familiar with the natural environment and humanistic history of Zhaoqing area.He introduced Zhaoqing's natural scenery and historical and cultural resources into his literary creation activities and created many novels.His novels of Duan Yan through Duan Yan, the family narrative technique and the Structural Art of Qi Li combine the local culture, and form the literary style with rich local characteristics with Duan Yan culture as the core.Duan inkstone culture is an important milestone on Zhong Dao-yu 's literary road.Zhong Dao-yu has paid attention to absorbing Zhaoqing native culture to moisten his novels in the past ten years, especially infusing Duan inkstone culture into his literary creation and becoming the soul of his novels.By shaping a series of "inkstone" images, he integrates Zhaoqing's natural landscape, historical culture, Lingnan folk customs and Cantonese dialect into the novel.Without Duan Yan, his novel will be of no value.Zhong Dao-yu 's novels reveal his deep feelings.He expresses to the world the soul of ink stone, the spirit of inkstone, and inherits the culture of Duan inkstone by novel, which has important and unique cultural and literary value in Zhaoqing native literature and even Guangdong native literature.
【學(xué)位授予單位】：廣東技術(shù)師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 楊R，

本文編號(hào)：1738843