本文關(guān)鍵詞：唐五代僧詩(shī)文學(xué)批評(píng)研究　出處：《新疆大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 唐五代 僧詩(shī) 文學(xué)批評(píng) 批評(píng)心態(tài)

【摘要】：隨著佛教中國(guó)化進(jìn)程的發(fā)展,僧詩(shī)的創(chuàng)作于有唐一代大興,隨之而來的就是唐人對(duì)僧詩(shī)的文學(xué)接受與文學(xué)批評(píng)。本文以唐五代僧詩(shī)文學(xué)批評(píng)為研究對(duì)象,對(duì)唐五代僧詩(shī)文學(xué)批評(píng)文本進(jìn)行梳理,對(duì)其中的文學(xué)思想加以提煉和總結(jié),并詳細(xì)考察批評(píng)主體的思想及批評(píng)心態(tài)等,力求呈現(xiàn)出唐五代僧詩(shī)在有唐一代及五代的接受情況及僧詩(shī)文學(xué)批評(píng)的整體面貌,希望可以豐富唐五代詩(shī)僧及僧詩(shī)研究領(lǐng)域。全文由引言與正文兩大部分組成。引言部分,首先,對(duì)當(dāng)今學(xué)界唐五代詩(shī)僧及僧詩(shī)、唐五代僧詩(shī)批評(píng)與接受兩方面的研究成果進(jìn)行綜述;其次,闡述本文的研究重點(diǎn)及思路,并對(duì)文章中涉及到的,學(xué)界仍存有爭(zhēng)議的概念加以界定。正文部分共分為三章。第一章,簡(jiǎn)要介紹、評(píng)述唐五代僧詩(shī)創(chuàng)作的概況,并對(duì)唐五代僧詩(shī)整體上的美學(xué)特征進(jìn)行簡(jiǎn)要的探析,以凸顯唐五代僧詩(shī)于當(dāng)時(shí)文壇中的特殊意義與價(jià)值;第二章,對(duì)唐五代僧詩(shī)文學(xué)批評(píng)進(jìn)行研究,對(duì)僧詩(shī)文學(xué)批評(píng)的文本材料進(jìn)行梳理,提煉并總結(jié)批評(píng)文本中的僧詩(shī)批評(píng)文學(xué)思想。本章按僧詩(shī)文學(xué)批評(píng)主體的身份,對(duì)唐五代文人的僧詩(shī)批評(píng)及僧人的僧詩(shī)批評(píng)分別加以考察,唐五代文人與僧人以詩(shī)文為媒介的密切往來,為文人接觸并接受僧詩(shī)創(chuàng)造了契機(jī),文人逐漸接受僧詩(shī)及其作者,并以多種表達(dá)方式對(duì)僧詩(shī)進(jìn)行文學(xué)批評(píng)。唐五代的文人重視僧詩(shī)作者的道德以及才學(xué)修養(yǎng);贊賞僧詩(shī)的“清”之美,并對(duì)僧詩(shī)之所以具有“清”的特質(zhì)加以探討;此外,文人對(duì)僧詩(shī)的功用也較為關(guān)注,一方面認(rèn)可僧詩(shī)“以詩(shī)語佛”,為宣揚(yáng)佛教所用,另一方面也較為重視僧詩(shī)美刺的社會(huì)功用。僧人的僧詩(shī)批評(píng)文本數(shù)量雖不大,但從中可以發(fā)掘出唐五代詩(shī)僧群體作詩(shī)的自我要求,他們作詩(shī)以傳統(tǒng)詩(shī)道為宗,力求與文人的詩(shī)作拉近距離,又自覺的追求僧詩(shī)的獨(dú)特之處,即為對(duì)“清”的追求。第三章,對(duì)唐五代僧詩(shī)文學(xué)批評(píng)主體的批評(píng)心態(tài)進(jìn)行考察,身份或思想主張存在差異的批評(píng)主體,在進(jìn)行僧詩(shī)文學(xué)批評(píng)時(shí)所持的批評(píng)心態(tài)亦不盡相同,不同的批評(píng)心態(tài)對(duì)批評(píng)標(biāo)準(zhǔn)也有一定的影響。
[Abstract]:With the development of Buddhism in China, the creation of monk poetry in the Tang Dynasty, followed by the Tang Dynasty on the literary acceptance of monk poetry and literary criticism. This article takes the Tang and five dynasties monk poetry literary criticism as the research object. The literature criticism text of Tang and five dynasties monk poetry is combed out, the literary thought of it is refined and summarized, and the thought and attitude of the subject of criticism are investigated in detail. It tries to show the acceptance of monk poetry in Tang Dynasty and five dynasties and the overall outlook of literary criticism of Monk Poems in Tang Dynasty and five dynasties. I hope it can enrich the research field of poetry monk and monk poetry of Tang and five dynasties. The full text consists of two parts: introduction and text. The introduction part, first of all, on the academic circles of the Tang and five dynasties poetry monk and monk poetry. Tang and five dynasties monk poetry criticism and acceptance of two aspects of research results were summarized; Secondly, this paper focuses on the research and ideas, and the article involved, the academic community is still controversial concept to define. The text is divided into three chapters. Chapter one, a brief introduction. This paper reviews the general situation of the creation of monk poems in Tang and five dynasties, and makes a brief analysis of the overall aesthetic characteristics of monk poems of Tang and five dynasties in order to highlight the special significance and value of monk poems of Tang and five dynasties in the literary world at that time. The second chapter studies the literary criticism of monk poetry in Tang and five dynasties and combs the text materials of the literary criticism of monk poetry. Abstract and summarize the literary thoughts of Buddhist poetry criticism in the critical text. According to the identity of the subject of the literary criticism of the monk poetry, this chapter investigates the literary criticism of the Tang and five dynasties literati and the monk poetry criticism of the monk respectively. The close contact between the literati and the monks in Tang and five dynasties, with poetry as the medium, created an opportunity for the literati to contact and accept the monk's poem, and the literati gradually accepted the monk's poem and its author. The literati of Tang and five dynasties attached importance to the morality and academic accomplishment of the author of the monk's poem; It appreciates the beauty of "Qing" in monk's poems, and probes into the characteristics of "Qing" in monk's poems. In addition, scholars also pay more attention to the function of monk poetry. On the one hand, they recognize the Buddhist poetry "using poetry to speak Buddha", which is used to promote Buddhism. On the other hand, it also pays more attention to the social function of Buddhist poetry. Although the number of Buddhist poetry criticism texts is not large, we can find out the self-request of poetry writing by the poetry monk group of Tang and five dynasties, and they write poetry by the traditional poetic Taoism. Strive to close the distance with the literati poetry, but also consciously pursue the unique place of monk poetry, that is, the pursuit of "Qing". Chapter three, the Tang and five dynasties monk poetry literary criticism of the criticism of the main body of the investigation. Different criticism subjects with different identities or ideas hold different critical attitudes in the process of literary criticism of monk poetry, and different critical attitudes also have certain influence on the criteria of criticism.
【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.22

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 宋金民;;《新水滸》主旨“救世”說[J];阿壩師范高等專科學(xué)校學(xué)報(bào);2011年01期

2 王麗;;唐人對(duì)意境理論的貢獻(xiàn)[J];安徽廣播電視大學(xué)學(xué)報(bào);2009年01期

3 張勇;;論黃節(jié)與《阮步兵詠懷詩(shī)注》[J];安徽廣播電視大學(xué)學(xué)報(bào);2011年03期

4 熊沛軍;;論王世貞書法理論中的“格”[J];書畫世界;2009年06期

5 洪琨;;淺析《詩(shī)經(jīng)》中的怨刺藝術(shù)[J];安徽文學(xué)(下半月);2008年10期

6 閆瀟宏;李偉;;淺論風(fēng)骨的流變發(fā)展[J];安徽文學(xué)(下半月);2008年11期

7 杜遠(yuǎn)紅;;古代漢賦評(píng)論綜述[J];安徽文學(xué)(下半月);2008年12期

8 郭小波;;古代詩(shī)歌情景交融理論形成的文化淵源[J];安徽文學(xué)(下半月);2009年02期

9 李華;;從叔本華美學(xué)思想中走出來的王國(guó)維[J];安徽文學(xué)(下半月);2009年03期

10 劉舒;;淺議中國(guó)文論中的文學(xué)風(fēng)格多樣化[J];安徽文學(xué)(下半月);2009年06期

相關(guān)博士學(xué)位論文 前10條

1 邢培順;曹植文學(xué)研究[D];山東師范大學(xué);2010年

2 盧玉卿;文學(xué)作品中言外之意的翻譯研究[D];南開大學(xué);2010年

3 任紅敏;金蓮川藩府文人群體之文學(xué)研究[D];南開大學(xué);2010年

4 宋金民;水滸小說研究[D];山東師范大學(xué);2011年

5 王成;晚清詩(shī)學(xué)的演變研究[D];山東師范大學(xué);2011年

6 李明華;蘇軾詩(shī)歌與佛禪關(guān)系研究[D];吉林大學(xué);2011年

7 陳蕾;鄭珍詩(shī)學(xué)研究[D];華東師范大學(xué);2011年

8 白靜;焦z閹枷胙芯縖D];北京大學(xué);2011年

9 張一南;晚唐齊梁體研究[D];北京大學(xué);2011年

10 甘生統(tǒng);皎然詩(shī)學(xué)淵源考論[D];中央民族大學(xué);2011年

相關(guān)碩士學(xué)位論文 前1條

1 韓永紅;論唐代農(nóng)事詩(shī)[D];中央民族大學(xué);2008年

，

本文編號(hào)：1382013