本文選題：《詩經(jīng)》 + 植物隱喻��； 參考：《山東大學(xué)》2012年碩士論文

【摘要】：本文以認(rèn)知語言學(xué)流派中的概念隱喻理論為理論依據(jù),以《詩經(jīng)·國風(fēng)》中的詩歌作為分析來源,對其詩歌中包含的“人是植物”隱喻從認(rèn)知語言學(xué)的角度進(jìn)行分析,并嘗試從這部中國最早的詩歌總集所提供的該類語言依據(jù)中分析得到當(dāng)時人們的隱喻體驗情況,并對這些隱喻體驗做出解釋。 《詩經(jīng)》是我國現(xiàn)在最早的一部詩歌總集,是我國文學(xué)史上的光輝起點(diǎn)。該詩集是一部現(xiàn)實主義作品,其思想性和藝術(shù)性在我國乃至世界文學(xué)史都占有非常高的地位�！秶L(fēng)》是該部詩歌總集的第一部分,其來源和題材非常廣泛,在反映作品創(chuàng)作時代的社會、歷史、文化方面具有重大的價值。 《詩經(jīng)》研究自古至今都受到較大關(guān)注,但是涉及到詩經(jīng)隱喻的研究,在詩經(jīng)隱喻的識別方面并沒有做出明確說明,本文將對《詩經(jīng)》作品中的比興手法與隱喻進(jìn)行對比說明,明確本文使用詩經(jīng)隱喻的標(biāo)準(zhǔn)。在此基礎(chǔ)上,本文通過分析《國風(fēng)》中“植物是人”這一大類隱喻,在對比“女性是植物”和“男性是植物”這兩個分類的過程中發(fā)現(xiàn)生命周期隱喻只存在于對女性的隱喻上,而對男性的隱喻主要為樹木隱喻,并不存在生命周期隱喻現(xiàn)象。本文作者認(rèn)為,生命周期隱喻僅存在女性隱喻內(nèi)這一現(xiàn)象是證明詩經(jīng)時代女性在社會和家庭中處于附屬地位、家庭和社會地位極易受到動搖和威脅的語言證據(jù),并進(jìn)一步就詩經(jīng)時代女性為何會遭遇這種命運(yùn)的原因進(jìn)行了簡單分析。這一研究內(nèi)容再次印證了概念隱喻理論的基本觀點(diǎn),說明了隱喻來源于人們的身體經(jīng)驗,是人們體驗和思維的表征,通過對具有中國文化特色的文本語料進(jìn)行分析,也能夠驗證萊可夫等人關(guān)于概念隱喻具有普遍性的論斷。 本文總共包含六章。第一章是本文的引言部分,由論文的研究背景、研究價值和整體結(jié)構(gòu)等部分組成。第二章是文獻(xiàn)綜述部分,詳細(xì)介紹了語言學(xué)研究歷史中的幾種主要隱喻理論,該章同時也包括對《詩經(jīng)》隱喻的研究情況綜述。第三章是本文的理論框架部分,詳細(xì)闡釋了萊可夫和約翰遜概念隱喻理論的重要觀點(diǎn)。第四章主要從本文的研究方法入手,介紹了本文的研究目的和研究問題,本文作者對于《詩經(jīng)》中隱喻提出的識別標(biāo)準(zhǔn),以及本文所用數(shù)據(jù)的收集和處理過程等描述。第五章就本文收集的數(shù)據(jù)進(jìn)行了分析和討論,主要內(nèi)容是就“人是植物”這一大類隱喻的分析討論。最后,本文在第六章部分討論了此次研究的主要發(fā)現(xiàn),存在不足并對以后相關(guān)研究提出了建議。 本文是運(yùn)用西方現(xiàn)代的認(rèn)知語言學(xué)隱喻理論探討分析中國傳統(tǒng)文學(xué)作品的一次嘗試。通過西方現(xiàn)代認(rèn)知理論角度對中國傳統(tǒng)文學(xué)精粹進(jìn)行審視與思考,對于更好地理解這些作品、發(fā)現(xiàn)新的視角以及獲得新的啟發(fā)都具有重要意義。
[Abstract]:Based on the theory of conceptual metaphor in the genre of cognitive linguistics and the poetry in the Book of songs as a source of analysis, this paper makes an analysis of the metaphor of "man is a plant" in his poems from the perspective of cognitive linguistics. It also tries to analyze the metaphorical experience of people from the language basis provided by the first Chinese poetry anthology and explain these metaphorical experiences. The Book of songs is the earliest collection of poems in China and a brilliant starting point in the history of Chinese literature. The collection of poems is a realistic work, and its ideological and artistic content occupies a very high position in the history of literature in our country and even in the world. "Guofeng" is the first part of the poetry collection of this department, and its source and subject matter are very extensive. It is of great value in reflecting the social, historical and cultural aspects of the creation of works. The study of the Book of songs has received great attention since ancient times, but the study of metaphor in the Book of songs has not been clearly explained in the recognition of metaphors in the Book of songs. This paper will make a comparison between the techniques of Bi Xing and metaphor in the works of the Book of songs. This paper clarifies the criteria for the use of metaphor in the Book of songs. On this basis, by analyzing the metaphorical category of "plants are human" in Guofeng, we find that the life-cycle metaphors only exist in the metaphors for women in the process of comparing the classification of "female is a plant" and "male is a plant". The male metaphors are mainly tree metaphors, and there is no life cycle metaphor. The author holds that the existence of female metaphors in life cycle metaphors is linguistic evidence that women are attached to society and family in the Book of songs, and that family and social status are vulnerable to destabilization and threat. Furthermore, the author makes a brief analysis of the reasons why women encounter this kind of fate in the Book of songs. This research once again confirms the basic viewpoint of conceptual metaphor theory, and explains that metaphor originates from people's body experience and is a representation of people's experience and thinking. It can also verify Lakoff's theory that conceptual metaphor is universal. This article consists of six chapters. The first chapter is the introduction of this paper, which consists of the research background, research value and overall structure. Chapter two is a literature review, which introduces in detail several major metaphor theories in the history of linguistic research, which also includes a review of the studies of metaphor in the Book of songs. Chapter three is the theoretical framework of this thesis, which explains in detail the important viewpoints of Lakoff and Johnson's Conceptual metaphor Theory. The fourth chapter mainly starts with the research methods of this paper, introduces the purpose and problems of this paper, describes the criteria for the identification of metaphors in the Book of songs, and the collection and processing of the data used in this paper. The fifth chapter analyzes and discusses the data collected in this paper, the main content of which is the analysis and discussion of the metaphorical category of "man is a plant". Finally, in the sixth chapter, the main findings of this study are discussed, and some suggestions are put forward. This paper is an attempt to analyze Chinese traditional literary works by using modern cognitive linguistic metaphor theory. It is of great significance to examine and reflect on the essence of Chinese traditional literature from the perspective of western modern cognitive theory, which is of great significance to better understand these works, to discover new perspectives and to gain new inspiration.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：H15;I207.22

【引證文獻(xiàn)】

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1 陳丹;;詩意周山 文化興園——周山文化生態(tài)森林公園規(guī)劃設(shè)計中《詩經(jīng)》植物的應(yīng)用[J];林產(chǎn)工業(yè);2013年05期

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