【摘要】：中國(guó)是傳統(tǒng)文化底蘊(yùn)深厚的國(guó)家,在上下五千年的文明進(jìn)程中,留下了寶貴的文化遺產(chǎn),湖湘文化就是其中之一。湖湘文化是一種具有鮮明特征和傳承關(guān)系且相對(duì)穩(wěn)定的歷史文化形態(tài)。先秦、兩漢時(shí)期湖南文化應(yīng)該納入楚文化中。馬王堆的歷史文物、屈原的詩(shī)歌藝術(shù),均具有鮮明的楚文化特征。而南北朝及兩宋以來(lái),由于歷史的變遷發(fā)展,特別是經(jīng)歷了宋、元、明的幾次大規(guī)模的移民,使得湖湘人民在人口、風(fēng)俗習(xí)慣、思想觀念等各方面發(fā)生了重要變化,從而建構(gòu)、組合出一種新的區(qū)域文化的形態(tài),我們稱之為湖湘文化�！拔┏胁�,于斯為盛”,在湖湘文化的構(gòu)建和發(fā)展中,先秦、兩漢的楚文化對(duì)其有著重要的影響。 湖湘文化是一種獨(dú)具特色的地域性文化,身在其中的湖南人,都深受著她的影響,接受她的洗禮,打上她的烙印。勤勞勇敢的湖南人在湖湘文化的熏陶下,受益頗多,他們走上了世界的舞臺(tái),演繹出了自己光芒的人生,并得到世人的敬仰。湖湘文化不只是簡(jiǎn)簡(jiǎn)單單的地域性文化,她早己擺脫了其自身的地域限制,發(fā)展成了中國(guó)乃至全世界所關(guān)注的民族文化。但是,在近年的湖湘文化研究熱潮中,對(duì)于湖湘文化與動(dòng)畫(huà)產(chǎn)業(yè)之間的相互影響這一課題至今沒(méi)有人進(jìn)行深入系統(tǒng)的研究,具體不足表現(xiàn)在：研究工作十分零散,缺乏邏輯性、系統(tǒng)性；研究成果宏觀上缺乏對(duì)文化的把握,微觀上缺乏對(duì)動(dòng)畫(huà)元素的深入挖掘。因此本文嘗試從宏觀、微觀兩個(gè)角度系統(tǒng)的研究湖湘文化與動(dòng)畫(huà)的內(nèi)在聯(lián)系,彌補(bǔ)前人在這方面研究的不足,相信這一研究對(duì)于推動(dòng)我國(guó)動(dòng)漫發(fā)展具有非常積極意義
[Abstract]:China is a country with profound traditional culture. In the process of five thousand years of civilization, Huxiang culture is one of them. Huxiang culture is a relatively stable historical and cultural form with distinct characteristics and inheritance relations. Hunan culture should be brought into Chu culture in pre-Qin and Han dynasties. Mawangdui's historical relics and qu Yuan's poetic art all have distinct Chu culture characteristics. However, since the Southern and Northern dynasties and the two Song dynasties, due to the historical changes and developments, especially the large-scale migration of the Song, Yuan, and Ming dynasties, the people of Huxiang have undergone important changes in population, customs, ideas, etc. The combination of a new form of regional culture, we call it Huxiang culture. In the construction and development of Huxiang culture, the Chu culture of pre-Qin and Han dynasties had an important influence on it. Huxiang culture is a unique regional culture, in which the people of Hunan are deeply influenced by her, accepted her baptism and branded her. The industrious and brave Hunan people benefited a lot from the culture of Huxiang. They stepped onto the stage of the world, deduce their own light of life, and were admired by the world. Huxiang culture is not only a simple regional culture, but also a national culture concerned by China and the whole world. However, in recent years, in the Huxiang culture research boom, there is no in-depth and systematic research on the interaction between Huxiang culture and animation industry. The specific shortcomings are: the research work is very scattered, lack of logic, Systematic; The research result lacks the grasp of culture in macroscopic and the deep excavation of animation element in microcosmic. Therefore, this paper attempts to systematically study the internal relationship between Huxiang culture and animation from macro and micro perspectives, and make up for the deficiencies of previous researches in this respect. I believe this research has a very positive significance for promoting the development of animation in China.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：G127

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 宣曉慶;;動(dòng)畫(huà)影像的視覺(jué)文化研究——中國(guó)動(dòng)畫(huà)的文化傳承性探析[J];美與時(shí)代(上半月);2010年02期

2 周秋光;;湖湘文化的個(gè)性特征與歷史缺陷及現(xiàn)實(shí)價(jià)值[J];湖南省社會(huì)主義學(xué)院學(xué)報(bào);2009年03期

3 萬(wàn)里;;湖南形象塑造與湖湘文化創(chuàng)新[J];企業(yè)家天地下半月刊(理論版);2009年08期

4 聶欣如;阿斯泰力克思在美國(guó)──傳統(tǒng)動(dòng)畫(huà)和高級(jí)電腦動(dòng)畫(huà)轟動(dòng)銀幕[J];世界電影;1995年06期

5 傅真忻;;湖南灘頭年畫(huà)概說(shuō)[J];中國(guó)美術(shù)館;2005年11期

相關(guān)碩士學(xué)位論文 前2條

1 莫宇紅;湖湘文化中現(xiàn)代設(shè)計(jì)元素的發(fā)掘與對(duì)接[D];湖南師范大學(xué);2008年

2 孫嬋;傳統(tǒng)圖像的語(yǔ)義模式[D];湖南師范大學(xué);2008年

，

本文編號(hào)：2329680