國(guó)畫在我國(guó)高職院校動(dòng)畫專業(yè)教學(xué)中的應(yīng)用探索
發(fā)布時(shí)間：2018-08-12 18:56
【摘要】：動(dòng)畫藝術(shù)隨著人們對(duì)動(dòng)畫片的逐漸熟悉,不斷地向人們生活的各個(gè)角落滲透,同時(shí)作為一個(gè)獨(dú)立的藝術(shù)學(xué)科也不斷被人們了解、認(rèn)知和喜好,考生越來越多的報(bào)考動(dòng)畫藝術(shù)院校,其中高職類動(dòng)畫專業(yè)在整個(gè)動(dòng)畫教學(xué)格局中占據(jù)了重要的地位。但是隨著動(dòng)畫藝術(shù)類專業(yè)教育規(guī)模的不斷擴(kuò)大,只憑幾年或幾十年以來積累下來的物質(zhì)經(jīng)濟(jì)和政府的支持,靠一幢幢動(dòng)畫教學(xué)的高樓和電腦硬件設(shè)備來支撐中國(guó)現(xiàn)代的動(dòng)畫教學(xué),顯得不合時(shí)宜。 動(dòng)畫教育落后于動(dòng)畫產(chǎn)業(yè)的實(shí)踐發(fā)展,在中國(guó)現(xiàn)在的高職校動(dòng)畫教育中表現(xiàn)得尤為突出。從動(dòng)畫產(chǎn)業(yè)的角度來看,外國(guó)成功的經(jīng)驗(yàn)都是依托各自的特色而在市場(chǎng)上獨(dú)占鰲頭,而我國(guó)的動(dòng)漫業(yè)外包產(chǎn)品卻占相當(dāng)大的比重,并沒有自身文化特色,也不為受眾所喜愛。這與目前國(guó)內(nèi)高校動(dòng)畫教育定位模糊、缺乏自身特色、與市場(chǎng)需求脫節(jié)的人才培養(yǎng)模式存在很大的關(guān)系。雖然經(jīng)歷了二十多年發(fā)展,中國(guó)高校動(dòng)畫教育至今還未能拿不出一個(gè)十分完善的教育理論體系。 如何走出一條中國(guó)化的動(dòng)畫教育道路,比如增加中國(guó)傳統(tǒng)繪畫、書法、音樂及古典文學(xué)的相關(guān)內(nèi)容,同時(shí)更要把重點(diǎn)放在研究它們的思想上,體會(huì)它們所包含的深遠(yuǎn)意境。中國(guó)畫的畫面優(yōu)美,它的詩(shī)一般的意境,把動(dòng)畫藝術(shù)推向了一個(gè)新的審美境界,典雅的中國(guó)畫特色自然地融入動(dòng)畫電影之中,形成最有典型中國(guó)特色的藝術(shù)風(fēng)格,讓人們可以充分感受到了中國(guó)畫藝術(shù)的豐富內(nèi)涵。這樣一種包含中國(guó)文化特色的新型藝術(shù)樣式在動(dòng)畫電影界引起了巨大的反響,也因其鮮明的民族性藝術(shù)特色而受到世界好評(píng),使中國(guó)動(dòng)畫電影藝術(shù)在世界舞臺(tái)上占據(jù)一席之地。 論文首先分析了我國(guó)高職院校動(dòng)畫專業(yè)的整體現(xiàn)狀,具體包括學(xué)生的專業(yè)素質(zhì)和人文素養(yǎng)的現(xiàn)狀調(diào)查,也著重分析了我國(guó)動(dòng)畫專業(yè)教學(xué)模式的現(xiàn)狀,以便有針對(duì)性的開展研究。 然后探討了中國(guó)畫對(duì)我國(guó)動(dòng)畫專業(yè)教學(xué)的積極作用,分別研究了中國(guó)畫對(duì)動(dòng)畫創(chuàng)意和動(dòng)畫造型藝術(shù)的影響。闡述了中國(guó)畫在教學(xué)中對(duì)中國(guó)動(dòng)畫產(chǎn)業(yè)民族特色的傳承和推動(dòng),中國(guó)傳統(tǒng)文化為中國(guó)動(dòng)畫創(chuàng)作發(fā)展提供了豐富的資源和深厚的民族文化底蘊(yùn)。 接下來研究并提出中國(guó)畫在動(dòng)畫專業(yè)教學(xué)中具體的應(yīng)用,動(dòng)畫專業(yè)可以借助中國(guó)畫開展基于中國(guó)畫元素的創(chuàng)意訓(xùn)練,加強(qiáng)基于中國(guó)畫的動(dòng)畫造型能力培養(yǎng),并結(jié)合現(xiàn)代數(shù)字技術(shù)開展和改革中國(guó)畫在中國(guó)動(dòng)畫中的具體實(shí)現(xiàn)。 最后論文對(duì)中國(guó)畫在我國(guó)動(dòng)畫專業(yè)教學(xué)中的應(yīng)用進(jìn)行了反思,傳統(tǒng)教學(xué)內(nèi)容要有機(jī)的結(jié)合現(xiàn)代動(dòng)畫理念,既發(fā)揚(yáng)中國(guó)畫的優(yōu)秀表現(xiàn)力,也兼顧現(xiàn)代動(dòng)畫技術(shù)的先進(jìn)性,以包容和開發(fā)的心態(tài)讓中國(guó)畫這朵中華民族的藝術(shù)奇葩自然整合到中國(guó)動(dòng)畫之中,創(chuàng)作出具有中國(guó)特色的中國(guó)動(dòng)畫。
[Abstract]:With the gradual familiarity of animation, animation art is constantly infiltrating into every corner of people's life. At the same time, as an independent subject of art, it is constantly understood, recognized and liked by people. More and more examinees apply for animation art colleges, in which higher vocational animation specialty occupies an important position in the whole animation teaching pattern. However, with the continuous expansion of the education scale of animation art major, only with the material economy and government support accumulated over the years or decades, It is inopportune to rely on the high buildings and computer hardware of animation teaching to support modern animation teaching in China. Animation education lags behind the practical development of animation industry, especially in the animation education of higher vocational schools in China. From the point of view of animation industry, the successful experience of foreign countries is to rely on their own characteristics to dominate the market, but the outsourced products of China's mobile industry account for a large proportion, and have no own cultural characteristics, nor are they loved by the audience. This is related to the vague orientation of animation education in colleges and universities at present, the lack of its own characteristics and the talent training mode which is out of line with the market demand. After more than 20 years of development, animation education in colleges and universities in China has yet to come up with a perfect educational theory system. How to find out a Chinese way of animation education, such as adding traditional Chinese painting, calligraphy, music and classical literature, at the same time, we should focus on their thoughts and understand their profound artistic conception. The beautiful picture of Chinese painting, its poetic general artistic conception, has pushed the animation art to a new aesthetic state, the elegant Chinese painting characteristic naturally melts into the animation movie, forms the most typical Chinese characteristic artistic style, So that people can fully feel the rich connotation of Chinese painting art. Such a new art style with Chinese cultural characteristics has caused a huge response in the animation film industry, but also because of its distinctive national characteristics of art and won the world praise, making the Chinese animation film art in the world stage occupies a place. This paper first analyzes the overall situation of animation specialty in higher vocational colleges in China, including the investigation of students' professional quality and humanistic literacy, and focuses on the analysis of the current situation of animation teaching mode in China in order to carry out targeted research. Then it discusses the positive effect of Chinese painting on animation teaching in China, and studies the influence of Chinese painting on animation creativity and animation plastic arts respectively. This paper expounds the inheritance and promotion of the national characteristics of Chinese animation industry in the teaching of Chinese painting. Chinese traditional culture provides rich resources and profound national culture for the development of Chinese animation creation. Next, the author studies and proposes the specific application of Chinese painting in animation teaching. Animation specialty can use Chinese painting to develop creative training based on elements of Chinese painting, and strengthen the ability of animation modeling based on Chinese painting. And combined with modern digital technology to carry out and reform the Chinese painting in the specific realization of Chinese animation. Finally, the paper reflects on the application of Chinese painting in animation teaching in our country. The traditional teaching content should combine the modern animation concept organically, not only to carry forward the outstanding expressive power of Chinese painting, but also to give consideration to the advanced nature of modern animation technology. With the attitude of tolerance and development, the Chinese painting is naturally integrated into the Chinese animation to create the Chinese animation with Chinese characteristics.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J218.7-4
本文編號(hào)：2179991
[Abstract]:With the gradual familiarity of animation, animation art is constantly infiltrating into every corner of people's life. At the same time, as an independent subject of art, it is constantly understood, recognized and liked by people. More and more examinees apply for animation art colleges, in which higher vocational animation specialty occupies an important position in the whole animation teaching pattern. However, with the continuous expansion of the education scale of animation art major, only with the material economy and government support accumulated over the years or decades, It is inopportune to rely on the high buildings and computer hardware of animation teaching to support modern animation teaching in China. Animation education lags behind the practical development of animation industry, especially in the animation education of higher vocational schools in China. From the point of view of animation industry, the successful experience of foreign countries is to rely on their own characteristics to dominate the market, but the outsourced products of China's mobile industry account for a large proportion, and have no own cultural characteristics, nor are they loved by the audience. This is related to the vague orientation of animation education in colleges and universities at present, the lack of its own characteristics and the talent training mode which is out of line with the market demand. After more than 20 years of development, animation education in colleges and universities in China has yet to come up with a perfect educational theory system. How to find out a Chinese way of animation education, such as adding traditional Chinese painting, calligraphy, music and classical literature, at the same time, we should focus on their thoughts and understand their profound artistic conception. The beautiful picture of Chinese painting, its poetic general artistic conception, has pushed the animation art to a new aesthetic state, the elegant Chinese painting characteristic naturally melts into the animation movie, forms the most typical Chinese characteristic artistic style, So that people can fully feel the rich connotation of Chinese painting art. Such a new art style with Chinese cultural characteristics has caused a huge response in the animation film industry, but also because of its distinctive national characteristics of art and won the world praise, making the Chinese animation film art in the world stage occupies a place. This paper first analyzes the overall situation of animation specialty in higher vocational colleges in China, including the investigation of students' professional quality and humanistic literacy, and focuses on the analysis of the current situation of animation teaching mode in China in order to carry out targeted research. Then it discusses the positive effect of Chinese painting on animation teaching in China, and studies the influence of Chinese painting on animation creativity and animation plastic arts respectively. This paper expounds the inheritance and promotion of the national characteristics of Chinese animation industry in the teaching of Chinese painting. Chinese traditional culture provides rich resources and profound national culture for the development of Chinese animation creation. Next, the author studies and proposes the specific application of Chinese painting in animation teaching. Animation specialty can use Chinese painting to develop creative training based on elements of Chinese painting, and strengthen the ability of animation modeling based on Chinese painting. And combined with modern digital technology to carry out and reform the Chinese painting in the specific realization of Chinese animation. Finally, the paper reflects on the application of Chinese painting in animation teaching in our country. The traditional teaching content should combine the modern animation concept organically, not only to carry forward the outstanding expressive power of Chinese painting, but also to give consideration to the advanced nature of modern animation technology. With the attitude of tolerance and development, the Chinese painting is naturally integrated into the Chinese animation to create the Chinese animation with Chinese characteristics.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J218.7-4
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